The Manhattan Project

My review was written in May 1986 after a screening at the Cannes Film Festival Market.

Marshall Brickman's "The Manhattan Project" is a warm, comedy-laced doomsday story which packs plenty of entertainment for summer audiences, but falls short of its potential as a thriller.

Topical premise has 16-year-old student Paul Stevens (Christopher Collet) tumbling to the fact that the new scientist in town, Dr. Mathewson (John Lithgow) is working with plutonium in what fronts as a pharmaceutical research installation. While Mathewson is romancing Stevens' mom (Jill Eikenberry) -the husband having split years ago -the genius kid is plotting with his helpful girlfriend Jenny (Cynthia Nixon) to steal a canister of plutonium and build an atomic bomb. Their goal: to expose the danger of the secret nuclear plant placed in their community in the strongest possible terms.

Using clever one-liners and many humorous situations (particularly when Lithgow is clumsily coming on to Eikenberry early in the film), Brickman manages successfully to sugarcoat the story's serious message concerning the ongoing folly of arms buildup and reliance upon nuclear deterrence for security. What keeps the film from being a thriller is his matter-of-fact direction, extremely sluggish in many scenes early on. Only a very interesting "Rififi ''-style silent (background sound only) reel in which the hero steals the plutonium from the well-secured lab is strong enough to keep interest from wandering. Fortunately, later situations regain the story's momentum and lead to a rousing climax.

Collet is very appealing as the brilliant hero, almost convincing in situations that require him to be more resourceful than is truly possible. Lithgow adds quirky personality and charm to what might have become a standard "bad guy sees the light" assignment. As their respective sounding boards, Nixon and Eikenberry both contribute to the film's emphasis upon human values over mere hardware in a genre which has increasingly been upstaged by its special effects work.

Those special effects here are entirely realistic rather than showy, another feather in the cap of wiz Bran Ferren, who also appears in an opening reel cameo as a lab assistant. Philip Rosenberg's production design and Billy Williams' camerawork are exemplary.

Feature was financed by Thorn EMI Screen Entertainment, but print caught already had the Cannon logo at introduction, reflecting Cannon's recent buyout of what was once TESE.

Other reviewers have suggested they added the hole-in-the-wall laser and RC car only to add lasers & complications to the plot. But the reason is obvious to me: I'm sure there was a radiation detector at the front door, and he'd sound the biggest alarm in the place if he tried to carry it out the front.

That said, the kid is remarkably lucky to have his plan(s) work perfectly on the first try, without much access to make the plans.

This is a fun movie, just humorous enough and very smart, and if you always wished you were a nuclear physicist as a kid, you will enjoy it!

I don't know why, but this movie has a strange fascination that makes me want to watch it. Not a great movie, but passable. But as far as Before They Were Stars, someone needs to realize that the highpoint of John Lithgow's career is NOT a stupid TV show about aliens. He was a big star WELL before this movie came out. He had two Oscar nominations and won an Emmy. Meanwhile, the other two known stars in this movie, John Mahoney and Cynthia Nixon were also quite well known before their TV roles, each with over 10 movies under their belts by 1986.

"The Manhattan Project" is a fairly entertaining movie, so long as you keep it out from under a microscope. Still, those holes are inescapable. Like how did Paul get the resources to fashion a nuclear lab? More than that, how would a high-schooler know how to handle radioactive materials? Can' really sweep that under the "he's a bright kid" rug; we're talking about resources (or maybe it's completely plausible; hell, I'm not a whiz kid). And didn't any Medatomics personnel notice that four-week-old hole in the wall? Putting that all aside, I kinda like this movie. Mostly because I'm a Lithgow fan, and the big bomb defusal scene packs some suspense. But also for superficial reasons, like Cynthia Nixon's house. And the locations, there's some pretty scenery here.

6/10

This film is entertaining enough, in fact it is quite exciting. However, in a real-life scenario, the end result would not and could not have had such a clichéd "Hollywood ending", so in that respect it sort of resembles a "fractured fairytale". The storyline is credible enough with a bit of imagination stretching, the acting is tolerable, only the irony is laid on a bit too thick. I found the attitude of the principal character to be much too cynical, unrealistic and extremely condescending, even for the likes of some precocious, science-savvy prodigy. Getting back to the entertainment value, the plot progresses expectedly only it thickens toward the direction of the surrealistic, though the basic concept is actually pretty frightening. However, the movie is watchable with its impressive cast; a young Cynthia Nixon, John Lithgow, Chris Collet et al. I have mixed feelings about this film, I did enjoy watching it, but when I began to rationalize it began to appear quite nonsensical. So, if you intend on watching it, simply keep your powers of logic and common sense subdued and it will remain an enjoyable experience.