Let's Get Harry

A group of Illinois metal workers decide to take the law in their own hands when the brother of one of them is kidnapped in Columbia by drugs smugglers. The government refuses to help so the men decide to launch an operation to free their friend/brother. So the director had his name replaced by the occasionally used Alan Smithee pseudonym. It seems that the director Stuart Rosenberg and the producers got into a fight during post production.

Maybe the producers ( who won) should have listened to the director. Because this is not a very good movie. It would have been interesting to see a seasoned mercenary, played with gusto by Robert Duvall train the Illinois rookies. But those scenes where all cut. The dialogues are not very good but the aforementioned Duvall, Gary Busey and Glenn Frey deliver good performances. But it is all rather mediocre and not very exciting.

Over the top unbelievable film and only worth a watch if there is nothing else you haven't seen before

Does anyone else feel that Gary Busy was blatantly snubbed for an oscar for his role as the psychopathic, trigger-happy cocaine-fiend in Let's Get Harry? I mean, the man is pure genius. And Alan Smithee's flawless directing cannot be ignored. Let's face it--Let's Get Harry is simply one of the best films ever made. This movie has everything: an inexplicable plot, countless killings, a dirtball Columbian drug dealer who makes a fortune off of the work of an old man with alzheimer's who is happy with receiving a carton of cigarettes for a million dollar's worth of coke, and, of course...Busy, inflamed nostrils and all.

I was Robert Duvall's character coach or model in Harry. He attended my training camp in Alabama in September 1985 before going on down to Vera Cruz Mexico for the location filming.

The major problem with the film was the director(s) and the editing. The actual script wasn't bad. One director quit, and the finishing director cut so much from the film that Duvall tried to keep it from being released, and the director ended up having his own name removed from the film and "Alan Smithee" (a name used to protect the guilty) credited as director.

Virtually all of the training scenes were cut where the plumbers become commandos, and the character development went with it.

Duvall wanted to make a good movie. The script called for his character to give a dying speech after getting shot. When he and I went over the scene, I told him after getting hit the way he was supposed to, he wouldn't be able to say anything. He played it that way.

When I finally saw the film, I was surprised to discover that not only had Duvall followed my advice on how to dress, etc., but that he had adopted my own personal mannerisms and way of talking. He never said anything about doing that.

I was disappointed in the final release, even more than most viewers. I know what's missing.

Frank Camper

The cast and the plot outline suggested an action-packed thriller. Instead, through a lack of intelligence, or just laziness, we get a cartoon,filled with irksome inconsistencies...examples-they're captured and thrown in a hellhole prison, but manage to keep coke, cigarette lighters a large,fresh cigar and wardrobe changes, for later use. with no obvious bulges in their pockets, or travel gear of any kind, they find seemingly endless ammo clips They are able to survive without water(no canteens), and constantly endanger the mission with meaningless tantrums. Finally,successfully, they return home in triumph to be greeted by a bunch of people we've never seen before, or merely in passing. Lives were lost,but no one seems to care or remember.

Even for me, a waste of time.