Haunted Honeymoon

I was only 4 years old when this movie first came out but I watched years later, I was in my mid teens and I thought this movie was funny. Another reason I like it because it has Gene Wilder in it and Dom Deluise playing his aunt and I'm a huge Gene Wilder and Dom Deluise fan. If your a huge fan of either Gene Wilder or Dom Deluise I recommend Haunted Honeymoon because its a funny movie.

Gene Wilder is good in this movie. There are some very funny scenes throughout and, although it may seem quite dated, it's unquestionably enjoyable sometimes. Plenty of laughs and gags to be had. The other actors are cast great in this movie. SPOOKILY FUNNY! 7/10

I like this movie because of the setting of the haunted castle and his 80s feeling.

But overall the movie isn't that good.

But I have a lot of nostalgia with it.

Having heard for years how awful Haunted Honeymoon was and long wanting to see Gilda Radner in her last movie, I taped this last night while the Emmys were on. Now that I've seen it, I can now say nobody in the cast and crew have anything to be ashamed about. I love the performances in the radio studio with Radner and Gene Wilder playing characters in a show with the same title as film. Dom DeLuise is amusing as Aunt Kate. But I want to really praise the hard-of-hearing butler Pfister (Bryan Pringle) who, because Wilder tells him his fiancée is slightly deaf, keeps shouting at Radner. And, yes, like many other comments here, I love Wilder's using someone else's legs as his in front of policemen. I also loved the "Ballin' the Jack" number between DeLuise and Radner and Radner's joke about the bug on the windshield. So in short, if you're a fan of all three stars, seek this out by all means!

This is a surprisingly well-made movie. It's funny, sure, but not in the punchliney way you'd expect. It's more that the whole thing is just so unexpected. Gene Wilder is completely charming and does some great understated acting in this film; Gilda Radner is funny everywhere she goes. Dom DeLouise pulls off a great drag character, and no one works too hard on their jokes--it's just a good time, filmed with surprising confidence. Though it looks like it's going to be another bad script with tired jokes for a niche videostore crowd, it's actually an extension of many of Mel Brooks' best directorial moments. It even has a Brooksian meta- narrative about film-making. I imagine it might look silly and dated on a TV screen with a movie channel logo in the corner, but when it's treated like a film instead of a schlock night, it's a respectable piece of work well worth anyone's time.