Dress Gray

A new student named David Hand (Patrick Cassidy) is found murdered at the Grant Military Academy. They discover that he had sex with another man before he died. It also turns out he was in love with Rysam Slaight (Alec Baldwin) who is straight...and innocent. But the academy is trying to charge him. Then Hands' sister comes to investigate...

It may seem very tame today, but on TV in the late 1980s, gay characters didn't exist. The only reason this made it on was probably that the gay men in this are "punished" (like Hand) or hate themselves for what they did. Still, for TV, they're portrayed pretty sensitively. But the subject is tiptoed around. People talk and talk and TALK about it till you're ready to scream. Also this movie runs OVER 3 hours! There's no need for it to go that long.

Still it is well written with good performances--especially By Baldwin who was still unknown at this point. So it's kind of worth watching...but have your finger on the fast forward button through some of the endless talking. I give it a 7.

I just saw "Dress Grey" for the first time since it was shown on TV in 1986. It got top ratings and reviews then.

On IMDb, and also searching the Web, I haven't been able to find anything about any other professional work by David Harum (who played Cadet Barham, head of the Honor Council) and Susan Hess (who played Elizabeth Hand).

According to IMDb, "Dress Grey" was Barum's only professional acting job, and Hess just disappeared after 1990.

That is disappointing, since they gave such striking performances.

"Blood and Orchids," is another favorite mini-series that I loved and it was shown on TV in 1986 also. I have two other favorite: "Evita Peron (1981)," with Faye Dunaway, and "The Thornbirds." In general, I hate mini-series and don't watch them ever.

Anyone out there with any info? Thanks!

Lucian K. Truscott IV, scion of a military family, who went into writing and radical politics penned the novel from which Gore Vidal wrote a brilliant screenplay. Closeted gay men will identify with the murder victim and the devastating effects on the psyche that the closet can have.

Patrick Cassidy plays a plebe at U.S. Grant Military Academy which is West Point in all, but name is a closeted gay man who is hardly a typical stereotype. He's a champion athlete in high school who is the son of Eddie Albert one of the wealthiest and most powerful individuals in the state of Louisiana. He's also a total top and when someone he's involved with bottoms him, he has to be killed strictly as a matter of self defense. The body is found in the Hudson River.

Ron Rifkin who is the Academy physician conducts an autopsy on Cassidy and lets slip to Alec Baldwin another cadet who happens to have been involved with Cassidy's sister Susan Hess that he thinks this could be murder after Baldwin tells him that Cassidy was an excellent swimmer. That's a leak that sprung unfortunately when Deputy Commander of the Academy Hal Holbrook and his hatchet man Lane Smith decide to cover up the murder and say it was an accidental drowning.

This television film made in 1986 and set in the Sixties before Stonewall has an exceptional relevancy today. Back then being gay was the most god awful taboo there was. If you risked admitting it, you had an automatic exemption from the service that clung to you like a disease if you wanted to enter any other professions where being gay was similarly frowned upon. As we are now trying to get rid of the military policy of 'Don't Ask, Don't Tell' it would do well to remember that the implementation of that by the Clinton administration was a reluctant compromise and a lessening of the ages old military policy of search and eliminate.

As for Holbrook just the thought of the fact that the U.S. Grant Military Academy ever even had one of those kind of people as a cadet is an anathema to him. When Baldwin insists on digging at the behest of Susan Hess and his own sense of honor about the truth willing out, Holbrook becomes his enemy and is ready to hang Baldwin with that self same honor code.

Holbrook is indeed a sinister figure, but Eddie Albert who in his career played an astonishing variety of roles is just as sinister here. He wants to know the truth, except if his son turns out to have been gay. At that point he's all for shoving Cassidy's corpse back into the closet.

Even with such veteran pros in the cast as Albert, Holbrook, Lloyd Bridges as the school's commandant and Alexis Smith as Baldwin's mother, the best performance in the lot is that of Patrick Cassidy. He gives a riveting portrayal in flashback of a closeted gay man trying to enter a most macho profession and the devastating effects of the closet.

The lives of the people shown in Dress Gray are the best argument you could make for the repeal of Don't Ask, Don't Tell and allowing GLBTQ people to serve openly in the military. This film ought to be required viewing for the members of Congress.

This is a highly superior TV miniseries which has never been on DVD and can only be seen on old video copies. It is based upon a best-selling novel about scandal, murder and cover-up inside a military academy in the 1960s, at the time of the Vietnam War, written by Lucian Truscott IV, grandson of World War II General Lucian Truscott Jr. It all rings very true indeed, and the script is taut and brilliant, written by none other than Gore Vidal. The plot is complex and highly textured. The outstanding performance in the film is by the amazing Hal Holbrook as the Commandant of Cadets in the Academy, General Hedges. Rarely has the brilliant Holbrook had the opportunity to take so much screen time to develop the depth of character we see here. Hedges is a scheming, relentless, conspiratorial, cunning, and extreme believer in 'the system', and the need at all costs to keep all scandal under wraps. Alec Baldwin plays the cadet with a conscience who confront Hedges, in a true David versus Goliath saga of one lone cadet against all the power the system can muster, in his struggle to reveal the truth about the murder of another cadet. Strangely, this intensely male movie was directed by a woman director, Glenn Jordan. I think that may have given it a special dimension, as she sees all that male bonding and shouting and bulging of biceps and coursing of testosterone as something peculiar, and takes a step back to look at it properly. Most male directors would have taken it for granted, as wallpaper. Jordan keeps a highly professional pace throughout this tortuous plot, and sees to it that we do not lose our way with the plethora of characters and endless possibilities as to what might really have happened. She rightly concentrates more on the system and the cover-up than on the crime itself. In this story, whodunit is not the point, but rather will justice triumph or will the lone cadet win his struggle, especially when his own life is seriously at risk. It is strong stuff, set in an unusual milieu which we rarely see and think about even less. All that saluting and standing to attention and then at ease and the uniform known as 'dress gray' (source of the title), the medals, the posturing of the officers, the intrigues, the hierarchical battles, the pomposity, the abuses of power, the false appeals to 'national security' to justify the unjustifiable, smother the truth, and cover up anything nasty, it is all pretty overwhelming. The miniseries is so riveting that you cannot turn it off, you have to see it in one sitting. It is that gripping. Alec Baldwin gives a fabulous performance as the brave cadet. Susan Hess, who vanished off most screens long ago, is just right as the girl friend and has a special charm of her own. Lloyd Bridges gives his usual solid presence to the role of the Superintendent. Eddie Albert is maybe not the right choice for the powerful 'honorary judge' who 'owns Louisiana', but he does OK. Lane Smith is magnificently unctuous as a toady colonel who will suppress anything with a sly grin, and whose highest aim is to be a smoothly functioning cog in the system. This film is more relevant now than when it was made, since more of this goes on today than then, and the invoking of phoney national security concerns has now become institutionalised to such an extent that we can see that this film was way ahead of its time in addressing that problem in a serious manner. The underlying message of this miniseries is profound, and was brought well to the surface by Gore Vidal's pointed dialogue and structuring of the scenes in his excellent script.

Alec Baldwin stars in this TV miniseries about the murder of a gay cadet in a military academy, and he stands accused and has to clear his name. I didn't know what to expect, but this played out more like a political thriller than a drama, especially Part 2, with the investigation and dealing with the people who were tailing Alec and his girlfriend. A lot of older celebrities star in this and are good, but some like Alexis Smith were given literally nothing to do. Hal Holbrook is very memorable, and Eddie Albert was given a rare dramatic role as the victim's father who didn't know he was gay. Some reviewers say there was too much talking and that this could have been much shorter. Maybe. But on the whole, this seemed to be an exceptional miniseries with outstanding, full-force performances by all.