Do ma daan

You'd never see a movie like this in Hollywood. A pack of strong, intelligent women dominating every scene, of course not. The characters are interesting and distinct. Each action scene is fun and engaging. This film has everything you could ever want in a film, comedy, violence and a touch of romance. Not to mention the excellent lead actress Brigitte Lin who's performance is memorable.

This is an intense action comedy from director Hark Tsui, a story set in post-Chinese Revolution of 1911 where triad members fought each other for power while Sun Yat-Sen's underground movement tried to establish a democratic republic. Mixed into the plot are three young women, played brilliantly by Brigitte Lin, Sally Yeh and Cherie Chung. Lin plays Tsao Wan, who is the daughter of a general. Yeh plays opera actress Pat Neil and Chung plays small time thief Sheung Hung. All three get entwined within the feuding wars of two triad groups that drags them back and forth between the Royal Palace and the Peking Opera.

This film blends in action and political satire, to give you an entertaining tale of drama of sacrifice. There are some pretty intense moments as well, from scenes of gun battles to a scene of torture, courtesy of Mark Cheng and Brigitte Lin. All this put added suspense to the film that gives an intriguing aura of tough times during post-revolution China and the yearning of freedom and better lives among its Chinese subjects. Amidst all the carnage and drama is comic relief, most notably provided by Cherie Chung.

Overall, it's a rushed film with a lot of chaos thrown in the mix. But, it's pretty entertaining.

Grade B-

An incredible cast lead by the amazing Birgitte Lin star in this expertly crafted film from auteur Tsui Hark. The comedy is funny, the music is great, the acting is good and the action scenes are well done. Add to this an interesting plot and a fast pace and you get an amazing film that expertly jumps between genres. Entertaining from frame one, this is one of my all-time favorites.

10 out of 10

Opinion seems pretty evenly divided on PEKING OPERA BLUES. One camp regards it as possibly the best film to come out of Hong Kong in the last twenty years, while the other camp thinks it's "stoopid".

Oddly, I come down somewhere between the two.

The first thing to understand is that POB is NOT a kung fu film. Yes, it has fighting in it. It has gunplay and it even has torture. But it is not a kung fu film. Mostly, it's a comedy adventure and those of us familiar with Hong Kong cinema will be well-aware that Hong Kong humour is, at best, an acquired taste, especially for us gwai-loh.

The next thing to understand is that its importance lies in the way it completely subverts the traditional gender roles in Chinese society. Some of this lies on the surface - in the way that Cherie Chung's character tries to get some stage acting in but is chastised by her father for it (at this time in China, all female roles on stage were played by men). Some of this lies in the subtext - in the way that Brigitte Lin's character is completely in charge of both her female and her male companions. And some of it lies in between - in the way that Lin dresses as a man (a long and honorable tradition in Chinese storytelling), but a bit odd here as she's not actually *disguised* as a man.

Add to this that all three female leads are headstrong women who know what they want (Brigitte Lin is just stronger, even, than the other two) and that the men are followers (Mark Cheng follows orders, then Brigitte, and Kwok Keung Cheung just follows Mark) and you can begin to see the impact this must have had when it came out in 1986 - years before we had Xena Warrior Princess or Veronica Mars.

Overall, I think POB is a good movie, though probably not a great one. When I watch it (I have the dodgy DeltaMac DVD release with the eccentric subtitling - "There's a girl. Knock her up!") I just can't help feeling that this should have been much better than it was.

Maybe if Tsui Hark were to do a remake today, POB would be the movie it always deserved to be ...

Really enjoyable film in so many ways ... funny, clever, exciting, thrill ride from start to finish. What the plot is or means we may never exactly know [what is that coveted document everyone is willing to die for, anyway? and how is the second general connected to the first?], but we get the basic story idea. Subtitles are such poor translations to make them added humor. I know this doesn't sound like a winner, but trust me - a bonafied "don't miss" feature.