Devil in the Flesh

the movie is far more sophisticated and intelligent is its exploration of sexual tension than such American attempts as 9 and a half weeks...the courtroom scene itself...with the couple copulating in the cage while the heroine pleads for their orgasm...is amazing...I have not seen this movie in 20 years...but it made indelible pictures in my mind...it is rich in texture and successful in creating a world where sex is the engine for all activity, and at its bottom is the yawning angst that lives in us all....the plot is European, and it meanders a bit, but so does life...especially when you are 17 and have a constant hard on....

I'll be quick to address the matters of the film here: It was a very engaging story about the destructive qualities about all-consuming passions; a young Italian woman who cannot emotionally connect with her jailed political-radical fiancé (due in part to her apolitical attitudes and freewheeling approach to life) finds solace and passion in a new young lover whom she embarks on an explicitly sexual relationship with. The anxieties, rage, tenderness and passions that swirl around in the atmosphere of the story equal the dispassionate quiet that seems to engulf the two leads. It lends the film an unsettling mood that permeates through all the political strife that is otherwise lost on the viewer (unless you have a deep knowledge of Italian politics during the 80's). I found the film compelling...what ruined it somewhat is a gratuitous oral sex scene that the actress performs on the male lead...it isn't simulated and leaves little to the imagination. There are other scenes of sex in the film, which I do feel were necessary because they outline the madness and loneliness that the characters live in. But the oral sex scene, I feel, derails the focus on the actual story. It was smooth sailing up until that point and once the infamous sex scene appears (which caused much hoopla back in its day), it's like hitting a roadblock. It's jarring and unnecessary and I am in the camp that believes that the film would not have been harmed any if the scene had been removed from it. And what's unfortunate is that this particular scene may deter people from watching this intriguing film, which I believe is worth a viewing because there is so much going on underneath the surface, emotions and further turmoils layered in the subtext.

Overall: Wonderful film hampered by a much not-needed sex scene.

Well-worth seeing! Marco Bellocchio succeeds in analysing the rot and opportunism affecting a typical bourgeois family in the late 80s. Long gone is the optimism of the revolutionary 60s and 70s. But underneath all the muck there still is enough life and spontaneity there waiting to break through not only sexually but hopefully politically too. A very authentic, not at all dogmatic film, one which succeeds in showing the erotic side of love without falling into the trap of cheapness or boredom.

We rent a lot of foreign films, with out knowing what they are about. imho - We give this 1.5 out of 5. Long boring shots of closeups of faces, we started using the remote to fast forward until the scene had ended. filming that resembled bad porn. poor character development. the worst bomb we have seen in quite a while. Lately we have seen Belle de Jour, M, Raise the Red Lantern. all exce

This 1986 Italian-French remake of the 1946 film of the same name turns up the heat early, and doesn't let us come up for air. The story is about a high-school student (Federico Pitzalis) who can't keep his eyes off the mysteriously beautiful young woman (played by Dutch phenom Maruschka Detmers) who lives next door to the school. One day, he follows her, and his persistence pays off. There's only one problem: She's engaged to a sketchy character (Riccardo De Torrebruna) who may or may not have committed a heinous crime, and if he repents, will probably be let off with a slap on the wrist. Also, the young woman is a little "funny in the head", and this is corroborated when we discover she has been seeing the boy's father, who is a psychiatrist. Giulia's emotional instability is only equalled by her prodigious sexual desires. Hot, hot, hot, from the word go, with handsome leads and a bombshell performance from Detmers, who plays us like a yo-yo (as she does the boy) from scene to scene, with enough suspense to keep us guessing right up until--and even after--the end. Available in R and X (!) rated versions.