Crossroads

Walter Hill is the director of some of my all time favorite movies. His films tend to be more action oriented, rather than character-driven, which is surprising since I normally don't like action films. He tends to establish the characters just enough for you to care about them before throwing them headfirst into the fireworks. Movies like "The Warriors", "48 Hours", "Southern Comfort", and "The Long Riders" all left their mark and set standards for their genre. It's a little strange that he would sign on to do a movie like this, but he somehow pulls it off.

This kid Eugene (Ralph Macchio) is a classical guitar student with an obsession with the blues. Despite the disapproval of his teacher, he longs to be a bluesman just like his heros of the 30s and 40s. When he gets word of a lost song by the late, great Robert Johnson, he hunts down Johnson's still-living harp player, Willie Brown (Joe Seneca). Willie is a cantankerous old man who spends his days rotting away down at the nursing home. It doesn't take the kid long to track down the old man and make a little deal: If he helps the geezer bust out of the old-folks home, then the geezer will in turn, teach the kid the long lost song. You see, they're in New York and the old man has to get home to the delta to settle an old score. Thus, the road trip begins...hobo-style.

To give much more away would be a crime, but the kid and the geezer are well matched and this gives the movie a lot of laughs and LOADS of memorable quotes from the old man. Joe Seneca was a great actor and I believe this was one of his best performances. Ralph Macchio is perfect as the kid and we really do believe that he is obsessed with the blues. Jami Gertz also gives a credible performance as the temporary love interest. She's perfect for the part.

I really can't praise this movie enough. The music alone, is enough to reccommend it (Ry Cooder rocks as always) and if you're into the blues, chances are you've already seen it. If you can find this one, it's well worth a rental. I guarantee that you won't watch it just once. I can't wait for the dvd. 10/10

I have watched this movie no less than 20 times which is rare for me as I generally don't watch a movie more than 2 or 3 times and that's if I really, really, like it. Everyone in this movie did a fantastic job in my humble opinion.

This is a really, really good movie and I don't understand why no one ever mentions it or why it is never on cable.

It has everything that I love in a movie: good story, great characters well acted, fine comedy and powerful touching drama. Ralph Macchio is a brilliant young guitar student, Eugene Martone, at Julliard (or some other equally good music school) who does not want to play Mozart. He wants to play guitar like his idol, a long dead blues guitar legend. In search of his dreams, he breaks an elderly black blues player out of a prison nursing home.

The two of them go on an odyssey to the Mississippi Delta in quest of memories and dreams. As in any odyssey, they meet a variety of fascinating and/or dangerous characters along the way. Eugene must also overcome the obstacles and tests that all those who quest must face - until it is time to face the ultimate test against the greatest blues guitarist in the Delta.

I enjoy music, but my knowledge is superficial. I probably wouldn't know a good guitar riff from a raft, but even I could recognize awesome guitar work in the final sequence of Crossroads.

So, if you like good movies and good acting and great guitar music, please check out Crossroads. If enough of us spread the word, it may no longer be a forgotten classic.

Here in Australia at the moment we have a series on the Blues and last week they were talking about going down to the Crossroads and making a pact with the devil. All of a sudden I needed to find my old video tape of the movie 'Crossroads', taped from television when I first saw it in 1986. The movie is one of my all time favourites and I can watch it time and time again.

Ralph Macchio plays the role of a young teenager, finding the blues and wanting to be a blues player instead of classical guitarist that he is training for. Joe Seneca plays the role of Willie Brown and he lives that role as though he really is Willie Brown. The music played in the scene at the end where Eugene gets Scratch to tear up the contract for Willie's soul is magic and brings tears to my eyes every time I see it. Maybe there is a place for both blues and classical.

Okay, we have all seen the final scene in the movie, and it is a tremendous scene that would be cool in just about any decade. Who would have guessed the rest of the movie was pretty decent.

So the story plays on the old "deal with the devil" trope that we have seen since Faust. The interesting detail is how they incorporated a new wrinkle to the story. While some might say there are too many holes in the story, I don't think it detracts too much from the overall story (like what is the deal with Eugene's parents).

All I can say is stay for the music, enjoy the fun and drink some whiskey.