IMDb रेटिंग
6.3/10
4.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThree southern sisters try to come to grips with the meaning of their mother's suicide.Three southern sisters try to come to grips with the meaning of their mother's suicide.Three southern sisters try to come to grips with the meaning of their mother's suicide.
- 3 ऑस्कर के लिए नामांकित
- 3 जीत और कुल 4 नामांकन
Gregory Eugene Travis
- Willie Jay
- (as Gregory Travis)
Robert J. Maxwell
- Bus Passenger
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
i liked this movie quite a bit.i guess it's a chick flick,but i also think it was part dark comedy.at least there were elements of that here and there.either way,it was a good movie.it's basically about three sisters who have all grown up and gone their separate ways,who are then reunited under less than ideal circumstances.Diane Keaton,Jessica Lange ,and Sissy Spacek are three sisters that couldn't be more different.once they're brought together again,they form new bonds and learn about each other.the film is very poignant,very moving.this is no action movie,it's dialogue and character driven,so it may seem slow,and it's not for everyone.but in this case,it is the journey,not the destination that's important.watching the three woman as they react to a life changing event is fascinating.a word of caution.there are one or two scenes where a racial slur is uttered,which is disturbing.otherwise though,a wonderful movie with three wonderful actresses.for me,Crimes of the Heart is an 8/10
Faltering singing star Meg Magrath (Jessica Lange) return home to Hazlehurst, Mississippi for a visit. Her sister Rebecca "Babe" (Sissy Spacek) had just been arrested for shooting her overbearing husband. Her other spinster sister Lenny (Diane Keaton) has been caring for their elderly grandfather who raised the girls after their mother's suicide. The grandfather is in the hospital on his death bed as the court case against Babe moves ahead. Chick Boyle (Tess Harper) is the nosy cousin and Doc Porter (Sam Shepard) is the dashing neighbor.
There is an incongruity between the slapstick wacky comedic tone and the darkness of the material. They work together seamlessly in the great black comedies. In this case, I am conflicted about the shooting incident. The carefree attitude about the case seems out of touch with the seriousness of the charge. The simple fix should be that Babe only fires a warning shot. The husband can still over-reach by demanding attempted murder charges but the girls would be well within their rights to take the case lightly. Anyways, the mother's suicide provides plenty of dark material all by itself. The lax attitude is a cause of annoyance to me. Otherwise, these are great actresses and I do love their chemistry. They have easy sisterly relationships and their back-and-forth are great. I just dislike the careless attitude towards shooting the husband.
There is an incongruity between the slapstick wacky comedic tone and the darkness of the material. They work together seamlessly in the great black comedies. In this case, I am conflicted about the shooting incident. The carefree attitude about the case seems out of touch with the seriousness of the charge. The simple fix should be that Babe only fires a warning shot. The husband can still over-reach by demanding attempted murder charges but the girls would be well within their rights to take the case lightly. Anyways, the mother's suicide provides plenty of dark material all by itself. The lax attitude is a cause of annoyance to me. Otherwise, these are great actresses and I do love their chemistry. They have easy sisterly relationships and their back-and-forth are great. I just dislike the careless attitude towards shooting the husband.
Usually when I sense that the actors had a great time making a movie, the result isn't particularly noteworthy. ("Cannonball Run" comes to mind.) But "Crimes of the Heart" is an exception. If Jessica Lange, Diane Keaton and Sissy Spacek weren't absolutely delighted to tackle the lead roles in this film, they are much better actors than I thought.
The material is reminiscent of Flannery O'Connor, who wrote some of the most humorous, offbeat Southern fiction extant.
The three sisters are so controlled by their visceral reactions that one wonders if any of them have ever had an intellectual moment. Although it would be maddening to have such people for friends, they're great instruments for movie comedy.
One final note: If anyone thinks Sissy Spacek is goofy-looking (as I used to), they will change their mind when they see her in this. She is absolutely gorgeous here.
The material is reminiscent of Flannery O'Connor, who wrote some of the most humorous, offbeat Southern fiction extant.
The three sisters are so controlled by their visceral reactions that one wonders if any of them have ever had an intellectual moment. Although it would be maddening to have such people for friends, they're great instruments for movie comedy.
One final note: If anyone thinks Sissy Spacek is goofy-looking (as I used to), they will change their mind when they see her in this. She is absolutely gorgeous here.
Honestly, there's not a lot to say about this film. Sissy Spacek, Diane Keaton and Jessica Lange star as three Southern sisters who reunite when one (Spacek) shoots her husband. The sisters are, of course, incredibly different and their personalities collide over the course of a few days, dealing with what Spacek's character has done while old feuds come to the surface. Clearly based on a play, most of the action takes place in the same house and the film puts everything on the shoulders of the three central women.
Keaton plays Lenny, the matriarch of the trio (both of their parents are deceased and their grandfather who raised them is in the hospital) who is socially inept and often gets stepped on by her siblings. Lange is Meg, the popular and outgoing wild girl, man-eater and failed actress. Spacek rounds it out as the potentially insane and murderous Babe. Tess Harper steals her few scenes as Chick Boyle, who lives next door to the house, but the whole thing is centered around the three sisters and that's what makes it work. The film never takes itself too seriously, despite it's morbid themes and narrative, and the women all do a marvelous job of bringing the laughs mostly without overdoing it.
Crimes of the Heart is a film that on paper doesn't appeal to my tastes at all, but I often found myself cracking up at the ridiculousness of these characters. The women play the characters as straight as possible, approaching them as characters rather than jokes, and this helps make it an enjoyable experience as opposed to a grating one, although Keaton does overdo it at times. The characters are erratic and very large, which opens itself up to potential disaster, but in selecting the proper actresses for each role they were able to make it an entertaining little movie. It's a simple, light and enjoyable film; certainly nothing memorable and I'm sure I won't be thinking about it at all in a few days, but a nice experience while it lasts.
Keaton plays Lenny, the matriarch of the trio (both of their parents are deceased and their grandfather who raised them is in the hospital) who is socially inept and often gets stepped on by her siblings. Lange is Meg, the popular and outgoing wild girl, man-eater and failed actress. Spacek rounds it out as the potentially insane and murderous Babe. Tess Harper steals her few scenes as Chick Boyle, who lives next door to the house, but the whole thing is centered around the three sisters and that's what makes it work. The film never takes itself too seriously, despite it's morbid themes and narrative, and the women all do a marvelous job of bringing the laughs mostly without overdoing it.
Crimes of the Heart is a film that on paper doesn't appeal to my tastes at all, but I often found myself cracking up at the ridiculousness of these characters. The women play the characters as straight as possible, approaching them as characters rather than jokes, and this helps make it an enjoyable experience as opposed to a grating one, although Keaton does overdo it at times. The characters are erratic and very large, which opens itself up to potential disaster, but in selecting the proper actresses for each role they were able to make it an entertaining little movie. It's a simple, light and enjoyable film; certainly nothing memorable and I'm sure I won't be thinking about it at all in a few days, but a nice experience while it lasts.
Putting three powerful actresses into one film isn't necessarily a guarantee that the project will work, however, this is one of those rare exceptions.
Beth Henley's play about three eccentric sisters in the south is adapted well to the screen, thanks in part to the careful direction of Bruce Beresford. Diane Keaton plays Lennie, the eldest sister, who's feelings of awkwardness prevent her from being happy. Jessica Lange is Meg, the fast-moving middle sister who packed up and left town for the big lights of Hollywood, only to be disappointed. And Sissy Spacek is Babe, the kooky youngest sister, recently charged with shooting her husband.
The sisters are tormented by their cousin and neighbor, Chick, played by Tess Harper. Her own desire to be an upstanding member of the ladies league, combined with her desire to outshine and belittle her cousins, make her the villain in this story.
The sisters are reunited when Babe shoots her husband. As she says, she 'didn't like his stinkin' looks.' Babe is slightly unbalanced. After shooting him in the stomach she went out and made herself a pitcher of lemonade. What was most bizarre was that she then had the nerve to offer him a glass!
Over the course of several days the sisters confront the demons that have been troubling them. Lennie has 'shrunken ovaries' and therefore cannot have children. She believes that this is keeping her from getting a man. Meg is tortured by her own selfishness. The rumors about her convincing Doc Porter (played by Sam Sheppard) to hang around in during a hurricane, only to suffer a life altering leg injury, are all true.
The film reads like the play from which is came from. The scenes are often long. The dialogue marches on from subject to subject. The characters are well fleshed out, however most of the information we get comes from suggestions and flashbacks made by the characters. One must listen to the dialogue in this film in order to truly follow the story.
The acting is first rate by all four leads. Sissy Spacek and Tess Harper are definate standouts. They each received nominations at the Oscars that year. Lange and Keaton play their parts well. The cast works as an ensemble, with no upstaging, but rather opportunities for everyone to shine.
Crimes of the Heart is a first rate piece that may not be appropriate for all movie goers, simply because it requires the viewer to pay attention to detail. The action is slow moving, making room for some wonderful dialogue.
Enjoy this film as it offers some great acting with a pretty decent script.
Beth Henley's play about three eccentric sisters in the south is adapted well to the screen, thanks in part to the careful direction of Bruce Beresford. Diane Keaton plays Lennie, the eldest sister, who's feelings of awkwardness prevent her from being happy. Jessica Lange is Meg, the fast-moving middle sister who packed up and left town for the big lights of Hollywood, only to be disappointed. And Sissy Spacek is Babe, the kooky youngest sister, recently charged with shooting her husband.
The sisters are tormented by their cousin and neighbor, Chick, played by Tess Harper. Her own desire to be an upstanding member of the ladies league, combined with her desire to outshine and belittle her cousins, make her the villain in this story.
The sisters are reunited when Babe shoots her husband. As she says, she 'didn't like his stinkin' looks.' Babe is slightly unbalanced. After shooting him in the stomach she went out and made herself a pitcher of lemonade. What was most bizarre was that she then had the nerve to offer him a glass!
Over the course of several days the sisters confront the demons that have been troubling them. Lennie has 'shrunken ovaries' and therefore cannot have children. She believes that this is keeping her from getting a man. Meg is tortured by her own selfishness. The rumors about her convincing Doc Porter (played by Sam Sheppard) to hang around in during a hurricane, only to suffer a life altering leg injury, are all true.
The film reads like the play from which is came from. The scenes are often long. The dialogue marches on from subject to subject. The characters are well fleshed out, however most of the information we get comes from suggestions and flashbacks made by the characters. One must listen to the dialogue in this film in order to truly follow the story.
The acting is first rate by all four leads. Sissy Spacek and Tess Harper are definate standouts. They each received nominations at the Oscars that year. Lange and Keaton play their parts well. The cast works as an ensemble, with no upstaging, but rather opportunities for everyone to shine.
Crimes of the Heart is a first rate piece that may not be appropriate for all movie goers, simply because it requires the viewer to pay attention to detail. The action is slow moving, making room for some wonderful dialogue.
Enjoy this film as it offers some great acting with a pretty decent script.
क्या आपको पता है
- ट्रिवियाJessica Lange was pregnant during principal photography. Lange gave birth to her second child at age 36, a daughter Hannah Jane Shepard on 13th January 1986. The child's father is her then partner and co-star in this film, Sam Shepard.
- भाव
Meg Magrath: Why'd you do it, Babe ? Why'd you put your head in the oven?
Babe Magrath: I don't know... I'm having a bad day.
- साउंडट्रैकHappy Birthday to You
Written by Mildred J. Hill and Patty S. Hill
Publisher Summy-Birchard Music Division of Birch Tree Group Ltd.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Crimes of the Heart?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Verbrecherische Herzen
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,29,05,522
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $14,02,921
- 14 दिस॰ 1986
- दुनिया भर में सकल
- $2,29,05,522
- चलने की अवधि1 घंटा 45 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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