IMDb रेटिंग
6.8/10
4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंEugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He goes through the hardships of puberty, sexual fantasy, and living the life of a poor boy in a c... सभी पढ़ेंEugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He goes through the hardships of puberty, sexual fantasy, and living the life of a poor boy in a crowded house.Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He goes through the hardships of puberty, sexual fantasy, and living the life of a poor boy in a crowded house.
फ़ीचर्ड समीक्षाएं
Whether the actors are really Jewish or not, these are some of the most forced Brooklyn/Jewish accents in Hollywood history. The way they spread the schmaltz around it's downright unbearable. Blythe Danner in an unbelievably poor piece of casting, lumbers her way through the part of the Jewish mother like a shiksa doing the horah. The mess of bad interpretations is practically racist. It made it impossible for me to stick with it. Oy gevalt! Avoid this piece of work at all cost. On the other hand if the play comes around to your local theater, go see it--there it works! Neil Simon always works best in live theater anyway, Yep, that's it.
BRIGHTON BEACH MEMOIRS was the first of a trilogy of plays that Neil Simon wrote about his own life, renaming himself Eugene Morris Jerome. This play was a Broadway smash and made a star and Tony Award winner out of Matthew Broderick. When it was time to bring the play to the screen, Broderick was unavailable because he was back on Broadway in the second play of the trilogy, BILOXI BLUES, so Jonathan Silverman was pegged to star in the film version as Eugene, the slightly neurotic teen going through puberty and other realities of being a Jewish teen during WWII with the help of his loving family. Silverman makes a suitable replacement for Broderick and seems quite at ease speaking directly to the camera. I'm one of the few who really liked Blythe Danner as his strong willed mother...maybe the accent was a bit much, but Danner infuses the character with warmth and strength and Bob Dishy has one of his best roles as Eugene's father, a quiet tower of strength whose world weariness never allows him to neglect his family. Judith Ivey plays Danner's sister, a lonely woman whose lack of self-esteem seems to have stemmed from feeling she has lived in her sister's shadow her whole life and Brian Drillinger also scores as Stanley, Eugene's older brother, who loses his paycheck gambling and then loses his job and doesn't know how to tell Mom and Dad. Gene Saks directs with a loving, if loose hand and the film could have been more tightly paced, but the performances of Silverman, Danner, and Dishy made it worth my time.
This is a gently amusing coming-of-age comedy that comes from the later, more mature period of Neil Simon's writing. Although there are plenty of wisecracks to go around, this is not one of those Neil Simon pieces where every character spouts out one-liner jokes for 2 hours like they're guest stars on a Bob Hope special. There are also dramatic elements (some work, some are overkill) that lend some weight to the story.
The performances are good across the board, especially Blythe Danner as the mother (although she and Judith Ivey were oddly WASP-ish choices to play Jewish women). I've never been a fan of Jonathan Silverman, but I will say that he hits the right notes as the obnoxious, gawky, and totally horned-up teen-age narrator/protagonist of the story.
The movie is very similar in tone to Woody Allen's "Radio Days," but the latter is far more imaginative and funny than this one.
The performances are good across the board, especially Blythe Danner as the mother (although she and Judith Ivey were oddly WASP-ish choices to play Jewish women). I've never been a fan of Jonathan Silverman, but I will say that he hits the right notes as the obnoxious, gawky, and totally horned-up teen-age narrator/protagonist of the story.
The movie is very similar in tone to Woody Allen's "Radio Days," but the latter is far more imaginative and funny than this one.
10Al-164
This is without a doubt one of Neil Simon's best plays turned movies. It's full of great characters, and memorable dialog. Johnathan Silverman makes a great screen version of young Eugene(he was played by Matthew Broderick on stage).This is the first of Simon's autobiographical trilogy, its followed by the wonderful "Biloxi Blues", and closes with the TV movie "Broadway Bound". If I had to say the movie has any flaws it would maybe be that characters sometimes usually speak in obvious dialog, but that's alright because it's great dialog. Rent this little gem, you won't be sorry!
Brilliant! Eugene is just like any 15 year old boy. Silverman comes out with some very funny lines with his mother : 'Theres a bone in my throat' 'THERE ARE NO BONES IN LOVER!' And when they are sat at the table at dinner Voice over-'The tension was so tense i would of cut my wrists but the liver had blunted the knifes'
So if you haven't seen this film go and see right now.
Go and search for and see the golden palace in the himalayes!
So if you haven't seen this film go and see right now.
Go and search for and see the golden palace in the himalayes!
क्या आपको पता है
- ट्रिवियाThe original Broadway play opened in 1983 and ran for more than 3 years and 1,299 performances. The 2009 revival was a huge flop and ran for only 9 performances.
- गूफ़When Eugene runs out of his house at night to catch up to Stanley at the Subway Station, he jumps over some cables laid out in the middle of the street. Cables used to power the lights for the scene.
- कनेक्शनFeatured in Siskel & Ebert & the Movies: Platoon/Lady and the Tramp/No Mercy (1986)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Brighton Beach Memoirs?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Neil Simon's Brighton Beach Memoirs
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,80,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,19,57,943
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $25,80,750
- 28 दिस॰ 1986
- दुनिया भर में सकल
- $1,19,57,943
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