Big Trouble

"Big Trouble" is a mediocre film. You will laugh occasionally but that's about all. And that's crushing considering the two leads, Alan Arkin and Peter Falk, and the writer, Andrew Bergman, previously teamed or "The In-Laws" an all-time great film comedy.

Here the two leads play basically the same parts. Falk is the one in control with his devious ideas while Arkin is the meek, unsuspecting one thrown in over his head. This time around the needlessly complicated plot follows an insurance scam.

The film was directed by John Cassavettes, one of our great directors. But comedy is not a genre he handled well. There were numerous reports of problems during shooting. It shows on the screen.

The one bright spot is Beverly D'Angelo looking as sexy as ever. Maybe they should have relegated Falk and Arkin to backup and made her the lead.

This is a demanding comedy, because much of the humor depends on references to classic films, and will be lost to someone who is not familiar with them. It does have many incredibly funny scenes on its own right, and some great performance bits.

Plus Beverly D'Angelo is gorgeous and very funny both.

See some later reviews for relevent films, and consider seeing the referenced films first to appreciate the humor more. Without understanding the references and parodies of this film-maker's comedy though, it might be confusing.

Also consider seeing some of Cassavetes work first, to get an idea of what he is usually about. This film melds his own idosyncratic style with a more mainstream American comic style, but has the timing and structure of Godard film.

Big Trouble is a a reteaming of some of the acting same talent that made the incredibly funny The In-Laws. It is much more surrealistic and avant-garde, being directed by that greatest of American directors John Cassavetes. Like the films he himself scripted, it is more character than plot driven. Cassavetes is exploring something in this film; it is not a consistently drop-down funny flim like The In-Laws, nor is the action as suspenseful and spine-tingling, but it has some incredibly funny moments, including one of the funniest scenes ever put on film (try some sardine liquor). Not to be missed by Cassavetes fans or die-hard In-Laws fans who want more.

Someone looking for an easy to watch straight-ahead comedy or action/adventure film, however, might be disappointed.

Writer-director Andrew Bergman and stars Peter Falk and Alan Arkin re-teamed after the success of their earlier collaboration The In-Laws with this misfire crime comedy.

Arkin plays an insurance agent who has triplet sons who are about to leave for Yale. He's struggling to find the money to pay for it when along comes seductress Beverly D'Angelo, who wishes to take out a large life insurance policy on her dying husband (Peter Falk). She convinces Arkin to help push through the policy in exchange for a cut of the pay-off. Charles Durning plays a wily insurance investigator who knows something fishy is afoot.

If this plot sounds familiar, this was meant as a take-off on Double Indemnity, although the second half goes off in a completely different direction. Columbia Pictures, which released this, ran into copyright trouble with Universal over the Indemnity similarities. Nice bet that Universal wouldn't notice the similarities, since they seem clueless about most of their classic catalog, but not Indemnity - so famous that even the suits at Universal knew the plot.

This was the beginning of this film's troubles, as the title proved to be all too prophetic. Tensions on the set became unbearable, and Andrew Bergman quit the movie about halfway through filming, as well as his producing partner, resulting in this film having no credited producers. Falk contacted his old friend John Cassavetes, who reluctantly came onboard and directed the remainder of the film. In fact, this ended up being Cassavetes' final directing credit. This isn't very funny or very interesting, and the script problems are obvious fairly early on. The performers try, but they don't have much to work with. This was barely released to theaters.

And what did Universal pictures get in return for the Columbia rehash of Double Indemnity? Columbia gave Universal an unused script they found inane and unworkable - a script titled "Back To the Future".

l rented this movie by accident, recommending my girlfriend rent the other film entitled "Big Trouble" (2002). Well, it turned out we were lucky as Alan Arkin and Peter Falk are some of my favorite actors. The chemistry between Arkin and Falk is magical. The plot parallels some old Hollywood movies such as "Double Indemnity" in an odd fashion. I would describe it as "quirky", a throwback to the 1980's and a "must see" for all fans of Arkin, Falk, and Beverly D'Angelo, who looks fabulous in a variety of sexy outfits and carries her part with typical aplomb. Some of the scenes had me laughing so hard I had to stop the tape to recover (see Sardine Liquor). Charles Durning plays his important supporting role to perfection as well. Look for the uncredited cameo by Samuel L. Jackson near the beginning. This is a winner!

Total parody of "Double Indemnity", with some added twists. The awesome, hilarious team of A. Arkin and P. Falk are together again, seven years after the under-rated "In-Laws". Beverly D'Angelo is "Blanche", the Barbara Stanwyck wife, looking to knock off the husband. Arkin is "Leonard", the insurance salesman, trying to put his sons through Yale. Falk is "Steve", the husband. Robert Stack is Leonard's boss, who refuses to help with the college bills. If you're a big fan of Falk and/or Arkin, you'll LOVE this film; they spend the whole time trying to outdo each other in the over-acting department. Also keep an eye out for Richard Libertini, also from the In-Laws; others will know him as the guru in All of Me (Edwina, Back in Bowl ) and Charles Durning (Tootsie). Written (copied/parodied ?) by Andrew Bergman, who certainly knew comedy... he had written the original In-Laws, Blazing Saddles, Soapdish, and Fletch!

Directed by John Cassevetes, who had done a bunch of stuff with Peter Falk already. Seems like quite a departure for Cassevetes... he had always done serious, pretty rough dramas. Fun stuff. On DVD. Never see this one shown on TV for some reason.