IMDb रेटिंग
5.2/10
1.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंInsurance agent plots with client to kill her nutty husband.Insurance agent plots with client to kill her nutty husband.Insurance agent plots with client to kill her nutty husband.
फ़ीचर्ड समीक्षाएं
l rented this movie by accident, recommending my girlfriend rent the other film entitled "Big Trouble" (2002). Well, it turned out we were lucky as Alan Arkin and Peter Falk are some of my favorite actors. The chemistry between Arkin and Falk is magical. The plot parallels some old Hollywood movies such as "Double Indemnity" in an odd fashion. I would describe it as "quirky", a throwback to the 1980's and a "must see" for all fans of Arkin, Falk, and Beverly D'Angelo, who looks fabulous in a variety of sexy outfits and carries her part with typical aplomb. Some of the scenes had me laughing so hard I had to stop the tape to recover (see Sardine Liquor). Charles Durning plays his important supporting role to perfection as well. Look for the uncredited cameo by Samuel L. Jackson near the beginning. This is a winner!
Writer-director Andrew Bergman and stars Peter Falk and Alan Arkin re-teamed after the success of their earlier collaboration The In-Laws with this misfire crime comedy.
Arkin plays an insurance agent who has triplet sons who are about to leave for Yale. He's struggling to find the money to pay for it when along comes seductress Beverly D'Angelo, who wishes to take out a large life insurance policy on her dying husband (Peter Falk). She convinces Arkin to help push through the policy in exchange for a cut of the pay-off. Charles Durning plays a wily insurance investigator who knows something fishy is afoot.
If this plot sounds familiar, this was meant as a take-off on Double Indemnity, although the second half goes off in a completely different direction. Columbia Pictures, which released this, ran into copyright trouble with Universal over the Indemnity similarities. Nice bet that Universal wouldn't notice the similarities, since they seem clueless about most of their classic catalog, but not Indemnity - so famous that even the suits at Universal knew the plot.
This was the beginning of this film's troubles, as the title proved to be all too prophetic. Tensions on the set became unbearable, and Andrew Bergman quit the movie about halfway through filming, as well as his producing partner, resulting in this film having no credited producers. Falk contacted his old friend John Cassavetes, who reluctantly came onboard and directed the remainder of the film. In fact, this ended up being Cassavetes' final directing credit. This isn't very funny or very interesting, and the script problems are obvious fairly early on. The performers try, but they don't have much to work with. This was barely released to theaters.
And what did Universal pictures get in return for the Columbia rehash of Double Indemnity? Columbia gave Universal an unused script they found inane and unworkable - a script titled "Back To the Future".
Arkin plays an insurance agent who has triplet sons who are about to leave for Yale. He's struggling to find the money to pay for it when along comes seductress Beverly D'Angelo, who wishes to take out a large life insurance policy on her dying husband (Peter Falk). She convinces Arkin to help push through the policy in exchange for a cut of the pay-off. Charles Durning plays a wily insurance investigator who knows something fishy is afoot.
If this plot sounds familiar, this was meant as a take-off on Double Indemnity, although the second half goes off in a completely different direction. Columbia Pictures, which released this, ran into copyright trouble with Universal over the Indemnity similarities. Nice bet that Universal wouldn't notice the similarities, since they seem clueless about most of their classic catalog, but not Indemnity - so famous that even the suits at Universal knew the plot.
This was the beginning of this film's troubles, as the title proved to be all too prophetic. Tensions on the set became unbearable, and Andrew Bergman quit the movie about halfway through filming, as well as his producing partner, resulting in this film having no credited producers. Falk contacted his old friend John Cassavetes, who reluctantly came onboard and directed the remainder of the film. In fact, this ended up being Cassavetes' final directing credit. This isn't very funny or very interesting, and the script problems are obvious fairly early on. The performers try, but they don't have much to work with. This was barely released to theaters.
And what did Universal pictures get in return for the Columbia rehash of Double Indemnity? Columbia gave Universal an unused script they found inane and unworkable - a script titled "Back To the Future".
"Big Trouble" is a mediocre film. You will laugh occasionally but that's about all. And that's crushing considering the two leads, Alan Arkin and Peter Falk, and the writer, Andrew Bergman, previously teamed or "The In-Laws" an all-time great film comedy.
Here the two leads play basically the same parts. Falk is the one in control with his devious ideas while Arkin is the meek, unsuspecting one thrown in over his head. This time around the needlessly complicated plot follows an insurance scam.
The film was directed by John Cassavettes, one of our great directors. But comedy is not a genre he handled well. There were numerous reports of problems during shooting. It shows on the screen.
The one bright spot is Beverly D'Angelo looking as sexy as ever. Maybe they should have relegated Falk and Arkin to backup and made her the lead.
Here the two leads play basically the same parts. Falk is the one in control with his devious ideas while Arkin is the meek, unsuspecting one thrown in over his head. This time around the needlessly complicated plot follows an insurance scam.
The film was directed by John Cassavettes, one of our great directors. But comedy is not a genre he handled well. There were numerous reports of problems during shooting. It shows on the screen.
The one bright spot is Beverly D'Angelo looking as sexy as ever. Maybe they should have relegated Falk and Arkin to backup and made her the lead.
This is a demanding comedy, because much of the humor depends on references to classic films, and will be lost to someone who is not familiar with them. It does have many incredibly funny scenes on its own right, and some great performance bits.
Plus Beverly D'Angelo is gorgeous and very funny both.
See some later reviews for relevent films, and consider seeing the referenced films first to appreciate the humor more. Without understanding the references and parodies of this film-maker's comedy though, it might be confusing.
Also consider seeing some of Cassavetes work first, to get an idea of what he is usually about. This film melds his own idosyncratic style with a more mainstream American comic style, but has the timing and structure of Godard film.
Big Trouble is a reteaming of some of the acting same talent that made the incredibly funny The In-Laws. It is much more surrealistic and avant-garde, being directed by that greatest of American directors John Cassavetes. Like the films he himself scripted, it is more character than plot driven. Cassavetes is exploring something in this film; it is not a consistently drop-down funny flim like The In-Laws, nor is the action as suspenseful and spine-tingling, but it has some incredibly funny moments, including one of the funniest scenes ever put on film (try some sardine liquor). Not to be missed by Cassavetes fans or die-hard In-Laws fans who want more.
Someone looking for an easy to watch straight-ahead comedy or action/adventure film, however, might be disappointed.
Plus Beverly D'Angelo is gorgeous and very funny both.
See some later reviews for relevent films, and consider seeing the referenced films first to appreciate the humor more. Without understanding the references and parodies of this film-maker's comedy though, it might be confusing.
Also consider seeing some of Cassavetes work first, to get an idea of what he is usually about. This film melds his own idosyncratic style with a more mainstream American comic style, but has the timing and structure of Godard film.
Big Trouble is a reteaming of some of the acting same talent that made the incredibly funny The In-Laws. It is much more surrealistic and avant-garde, being directed by that greatest of American directors John Cassavetes. Like the films he himself scripted, it is more character than plot driven. Cassavetes is exploring something in this film; it is not a consistently drop-down funny flim like The In-Laws, nor is the action as suspenseful and spine-tingling, but it has some incredibly funny moments, including one of the funniest scenes ever put on film (try some sardine liquor). Not to be missed by Cassavetes fans or die-hard In-Laws fans who want more.
Someone looking for an easy to watch straight-ahead comedy or action/adventure film, however, might be disappointed.
This comedy according to Cineaste magazine was not directed by John Cassevettes but was lent his name after a young inexperienced director colleague of his fell into big...well, you know. This article went on to say that he was pretty grumpy on his deathbed knowing that this would be his last "credit". Well, that's a shame, because for a man who only made one comedy, a loopy one at that, this movie might have rounded out a legacy of angst, disillusionment and good old-fashioned middle-class American self-torture.
If that last labyrinthian sentence did nothing to sway you then consider this: the supporting actresses Beverly D'Angelo and Valerie Curtin are quite funny, too, enough to make this silly and completely unimportant take on one American's attempt to "send the boys to Yale" worth a watch. There is an unusual amount of improv in certain scenes that actually give the movie a satirical bite, hey folks,I heard on the radio yesterday that 60% of all Americans have $4500 of debt or more! Anyone who's lost sleep wondering "where will I get that kind of money?" will relate to Big Trouble.
If that last labyrinthian sentence did nothing to sway you then consider this: the supporting actresses Beverly D'Angelo and Valerie Curtin are quite funny, too, enough to make this silly and completely unimportant take on one American's attempt to "send the boys to Yale" worth a watch. There is an unusual amount of improv in certain scenes that actually give the movie a satirical bite, hey folks,I heard on the radio yesterday that 60% of all Americans have $4500 of debt or more! Anyone who's lost sleep wondering "where will I get that kind of money?" will relate to Big Trouble.
क्या आपको पता है
- ट्रिवियाMaking this film cost Columbia Pictures the opportunity to make one of the most successful films of the 1980s. Just as the film was set to go into production, Columbia executives learned that the film could not be made unless they got the authorization of Universal. The legal department determined that "Big Trouble" was a remake of Double Indemnity (1944), which the latter studio owned. Universal's then-current head was Frank Price, who formerly ran Columbia. He was willing to give Columbia the remake rights to "Double Indemnity" under one condition - they would give Universal the rights to a sci-fi script that had caught his fancy at Columbia that the current management was sitting on. The trade was successful. Columbia was able to make "Big Trouble," which bombed, while the sci-fi film they passed on to Universal, बैक टू द फ़्यूचर (1985), was a great success.
- भाव
Leonard Hoffman: Fourteen thousand dollars a year, multiply that by three, that's forty-two thousand dollars a year tuition. They want two hundred thousand dollars to send three kids to Yale for four years.
- क्रेज़ी क्रेडिटThe 1976 Columbia "Sunburst" logo, complete with its audio, is used on this film instead of the studio's then-current 1981 logo.
- साउंडट्रैकHappy Brithday to You
Written by Mildred J. Hill and Patty S. Hill
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- How long is Big Trouble?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Sterben... und leben lassen
- फ़िल्माने की जगहें
- 4000 West Alameda Avenue, बर्बैंक, कैलिफोर्निया, संयुक्त राज्य अमेरिका(insurance company office building - exterior)
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