अपनी भाषा में प्लॉट जोड़ेंFive cowboys are sent forward in time from 1899 to 1986, where they start their own detective agency.Five cowboys are sent forward in time from 1899 to 1986, where they start their own detective agency.Five cowboys are sent forward in time from 1899 to 1986, where they start their own detective agency.
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फ़ीचर्ड समीक्षाएं
An enjoyable little romp, using the now well-established "flashback" mode (Highlander, Forever Knight) to explore the characters' pasts. The time travel element is never really explained or rationalized, and the group never really bothers to try getting back to their own time. Most of the plots milk the cowboys' unfamiliarity with the 1990's for all its worth, or contrasts their behavior with our own. Although it's more a matter of contrasting their "movie cowboy" attitudes with our own. Added realism was injected by the characters were always getting wounded and injured in their A-Team shootout-type antics.
"Outlaws" was a very charming show while it lasted. It was the "A-Team" with Western attire and time-travel mixed in. Maybe the upcoming Summer 2011 movie "Cowboys & Aliens" will have the same Western-plus-SF charm.
Things I remember:
Rod Taylor talking ruefully about how everyone he ever knew (a century ago) was now dead and buried.
Also, the time the team rented horses at an urban-park riding stable so they could chase the fleeing bad guys: "Now don't run the horses," the stable manager admonished. "Yeah, right," our heroes replied before galloping off at top speed. (Because horses are for running. Every horse person knows that.)
But the thing I liked best in "Outlaws" was the music score by Joseph Conlan. It was an exceptional Western score, with many facets--rousing action, wistfulness, Americana. I always try to champion this score, and hope someday one of the soundtrack CD companies specializing in old scores will give it a chance.
Things I remember:
Rod Taylor talking ruefully about how everyone he ever knew (a century ago) was now dead and buried.
Also, the time the team rented horses at an urban-park riding stable so they could chase the fleeing bad guys: "Now don't run the horses," the stable manager admonished. "Yeah, right," our heroes replied before galloping off at top speed. (Because horses are for running. Every horse person knows that.)
But the thing I liked best in "Outlaws" was the music score by Joseph Conlan. It was an exceptional Western score, with many facets--rousing action, wistfulness, Americana. I always try to champion this score, and hope someday one of the soundtrack CD companies specializing in old scores will give it a chance.
Outlaws was a mid-season replacement, and those shows are often hard for people to find, especially when the premier comes between Christmas and New Years Day. Outlaws was shown on the Sunday before New Years, and it aired opposite For Your Eyes Only on one network and The Sound of Music on another.
We watched it, but it only got about a 12.5 share, and that wasn't going to be enough to build an audience throughout the winter and spring.
The premise itself was interesting, having an accident of nature propel a marshall and four outlaws, whom he formerly rode with, into 1986 Houston. The fantasy of real Old West gunslingers adapting to modern times, and modern times to them, played well.
The big draw for us? Rod Taylor ... always great, and the rest of the cast, including Richard Roundtree, just added flavor.
We watched it, but it only got about a 12.5 share, and that wasn't going to be enough to build an audience throughout the winter and spring.
The premise itself was interesting, having an accident of nature propel a marshall and four outlaws, whom he formerly rode with, into 1986 Houston. The fantasy of real Old West gunslingers adapting to modern times, and modern times to them, played well.
The big draw for us? Rod Taylor ... always great, and the rest of the cast, including Richard Roundtree, just added flavor.
OK, call me a freak, a devoted lover, a guy who lives the nostalgia powerfully, or call me all of that together. Simply, I have a theory that says something about the TV at an era named the 1980s. I'll cut to the chase, presenting my point of view with enough proofs that that era was childishly funny, innocently entertaining, and boldly imaginative more than any other era I know. Whether these TV shows worked or not, just speculate on their ideas well:
An ex-cop battles the forces of evil with the help of supercar (Knight Rider - 1982). A 1930's Pacific islands bush pilot plunges into adventures (Tales of the Gold Monkey - 1982). A married couple co-run their own private-detective agency, the wife's superpowers are a tremendous asset in solving cases (Tucker's Witch - 1982). A man, who can change himself into any animal, fights crime (Manimal - 1983). A secret agent uses no guns, armed with only scouts' resourcefulness (MacGyver - 1985). Scientist finds himself trapped in time leaping into the body of a different person in a different time period each week (Quantum Leap - 1989). OH MY GOD, have you ever seen anything like that before?!
At such a time, you find real matchless experiences with no precedent at all, for instance (The Days and Nights of Molly Dodd - 1987) the first sitcom that, from its original conception, did not have an audience, and did not have a laugh track. Or (Cop Rock - 1990) the only cop series in history to have been based on a Broadway musical format. So why not to have a show that mixes: the western, time travel, and the detective stories in one form under the name of (Outlaws). Again that was made in 1986, and let's say 1986 only, because I didn't run into such crazy ideas much around any era except that adorable decade.
I believe the production companies' bosses were much adventurous back then, being a bit creative persons themselves, convinced in the methods of entertaining the viewer yet stylishly. So that what made their work a classic fun and fresh chimera hitherto, and without any comparing to nowadays' TV which the most of it stands aside and falls flat apart!
Surely the fancy premise is super. I'm already in love with the time travel theme, so how about a magnificent 6, from Texas 1899, who find themselves living in our modern life, solving crimes in their own unique ways. We saw detective agencies that was run by a private investigator young man (Spenser: For Hire - 1985), ex-marine and ex-lawyer brothers (Simon & Simon - 1981), ex-model and insane detective (Moonlighting - 1985), or 3 police academy graduate girls (Charlie's Angels - 1976), but never with a 6 stiff REAL cowboys from the 19th century before!
Yes, Rod Taylor, William Lucking, Patrick Houser, Charles Napier, Richard Roundtree, Christina Belford weren't my dream cast, but they harmonized well. True that it suffered from main vice whereas there were no explanations or whatsoever for lots of ironies concerning the time travel and other issues, but I surrendered to its different tone, having the biggest kick out of the idea itself; which's - despite some weakness - a dazzling one.
(Outlaws) is the kind of shows that you watch while the sky is gray-clouded, you're under your quilt, and the hot chocolate is right beside you. Ahh.. It's the 1980s ladies and gentlemen, where the ideas were too original, and the enjoyment was wild.
An ex-cop battles the forces of evil with the help of supercar (Knight Rider - 1982). A 1930's Pacific islands bush pilot plunges into adventures (Tales of the Gold Monkey - 1982). A married couple co-run their own private-detective agency, the wife's superpowers are a tremendous asset in solving cases (Tucker's Witch - 1982). A man, who can change himself into any animal, fights crime (Manimal - 1983). A secret agent uses no guns, armed with only scouts' resourcefulness (MacGyver - 1985). Scientist finds himself trapped in time leaping into the body of a different person in a different time period each week (Quantum Leap - 1989). OH MY GOD, have you ever seen anything like that before?!
At such a time, you find real matchless experiences with no precedent at all, for instance (The Days and Nights of Molly Dodd - 1987) the first sitcom that, from its original conception, did not have an audience, and did not have a laugh track. Or (Cop Rock - 1990) the only cop series in history to have been based on a Broadway musical format. So why not to have a show that mixes: the western, time travel, and the detective stories in one form under the name of (Outlaws). Again that was made in 1986, and let's say 1986 only, because I didn't run into such crazy ideas much around any era except that adorable decade.
I believe the production companies' bosses were much adventurous back then, being a bit creative persons themselves, convinced in the methods of entertaining the viewer yet stylishly. So that what made their work a classic fun and fresh chimera hitherto, and without any comparing to nowadays' TV which the most of it stands aside and falls flat apart!
Surely the fancy premise is super. I'm already in love with the time travel theme, so how about a magnificent 6, from Texas 1899, who find themselves living in our modern life, solving crimes in their own unique ways. We saw detective agencies that was run by a private investigator young man (Spenser: For Hire - 1985), ex-marine and ex-lawyer brothers (Simon & Simon - 1981), ex-model and insane detective (Moonlighting - 1985), or 3 police academy graduate girls (Charlie's Angels - 1976), but never with a 6 stiff REAL cowboys from the 19th century before!
Yes, Rod Taylor, William Lucking, Patrick Houser, Charles Napier, Richard Roundtree, Christina Belford weren't my dream cast, but they harmonized well. True that it suffered from main vice whereas there were no explanations or whatsoever for lots of ironies concerning the time travel and other issues, but I surrendered to its different tone, having the biggest kick out of the idea itself; which's - despite some weakness - a dazzling one.
(Outlaws) is the kind of shows that you watch while the sky is gray-clouded, you're under your quilt, and the hot chocolate is right beside you. Ahh.. It's the 1980s ladies and gentlemen, where the ideas were too original, and the enjoyment was wild.
This was one of those great shows that burned like a shooting star. I really enjoyed it especially for the fact that it combined three different genres; westerns, detective shows and science fiction. All the characters really stood out especially Charles Napier as the eccentric Wolf. Too bad this show didn't stay on long enough to catch on. This was a really good show.
क्या आपको पता है
- कनेक्शनFollowed by Outlaws: Outlaws (1986)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does Outlaws have?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.33 : 1
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