Zhestokiy romans

AKA The Cruel Romance

Absolutely one the the very BEST film ever made. Powerful drama thanks to Orstrovsky, and the amazing director and his heavenly cast. Hail to Alisa Frejndlikh, who appeared in his comedy "The Office Romance". Everyone love movie as a form of art should not miss it.

Either I don't understand something, or this film is a montage of scenes that have little to do with each other. The plot is unclear, the actors overact, Ryazanov repeats himself. I don't understand what there is to praise, except that Guzeeva is a cutie. What's happening on screen makes you sleepy, each character is more boring than the next, the script seems to have been written under sedation. I wouldn't be surprised that this film has received great reviews in Russia - apparently, only Russian viewers can understand this awesomeness. The drama is untouchable, the humor is dull, watching this in 2025 means not respecting yourself.

On the surface, this movie looks like it's possibly just another romantic drama about a girl and her suitors, but take a look again!! There is much more to this precious film than meets the eye. For starters, our lead lady, Larissa, appears to be every guy's dream girl. She is beautiful, graceful, has a soothing voice and has different males vying for her attention. With all these qualities, one would think that she is in control of her life and should get what she wants, but instead she is caught in a world where she is powerless and is pushed and pulled one way and another. As strong as she appears, she seems to have an inescapable fate no matter what she does, and her attempts at removing herself from it just causes further issues. Upon her realization, it is interesting and a bit gloomy what she chooses to do upon realizing her fate(but you'll have to watch to find out).

There are many subtle symbols spread throughout the film and they are enjoyable to spot. I love when movies tell their story not only with the characters, but with the environment and this film definitely adds those eye catching little details. It adds a sense of artistry, to what is an already a visually pleasing film. However you do not need to understand or spot the small inferences to enjoy the film, the film as a whole is enjoyable as is as well. However if you are familiar with a little Russian culture, literature, or the play altogether it will get you thinking.

It is important to note that the film is originally based on the play called "the Dowerless bride." A dowry is the property or money a bride will bring to a man if he gets married to her. Well, the film is centered around wealth, the wealthy, and how to maintain wealth so for our lead to be "without dowry," (and yet still be adored) you can see how it can lead to complications. It brings to light necessary topics of women, objectivity, a patriarch society and the harsh reality of a capitalistic world.

All the surrounding men play their parts great and I love that there is a wide cast of characters. The two main male leads are intriguing in the way they develop. (or not develop in some cases). We don't just have the "charismatic" guy, but also have the shy "little man," the wealthy men, gypsies, and serfs. All part of the Russian culture. It is a great film to get a small taste of the Russian lifestyle, but there are also many aspects and behaviors that are not so different than our own.

The film itself is very pleasing to the eye. The costumes are gorgeous and sometimes looking at the modernity of the film, I forgot these folks were in Russia. The style is similar to that of a Russian Audrey Hepburn film, but definitely has its own dark take on matters inside it. I hope you enjoy it as I did.

This film has great music, acting and sets. Overall very good adaptation of the play. I enjoyed it immensely.

The film centers around a young woman who comes from a noble family but has no dowry for suitors. It explores the changing situation in the mid 1800s among the classes. At this time there were 3 classes: the nobles, peasants and the emerging raznochintsy class. Many of the characters in the film are from the latter, and the focus upon wealth and social status is apparent.

In summary, this is a great film which really shows the changing social structures of the 1850s Russia. I would highly recommend this film to anybody interested in romance or Russian history.

This movie by Eldar Ryazanov surpassed my expectations. It really is quite an experience to see how Larissa's life unfolds; how she is coveted by men old and young, rich and poor... And yet every turn of events leaves a much bitter taste on her. It seems like if tears were a permanent mark of every Russian woman, like if, by definition, no woman would dare to call herself Russian without ever tasting the bitterness of life.

Ryazanov is quickly becoming one of my favourite directors. Though here I may be coming late, since he actually achieved fame and glory during Soviet time, a long gone era. Anyway, his "Zhestokij Romans" or "A cruel Romance" tells a tale which seems to me timeless.

Consider the plot of a very beautiful young woman, whose life ahead is full of promise.. But consider also that this girl's life is actually torn apart by events which seem (apparently) out of her immediate control, like if fate was conspiring against her at every other corner. Even her mother, willingly or not, at some point "sells" her -though like every other mother she blindly believes doing what's best for her daughter's future. Zhestokij Romans is sinonimous to drama: just watch the final scene, which is so powerful, telling and poetic...

I especially enjoyed the Gipsy scenes. All that dancing, joy and vodka were very moving in this film. Just as Yugoslav director Emir Kosturica has immortalised the Gipsy people (i.e. "Underground") we also see in "Zhestokij" droves of joyful Gipsies carrying everywhere they go that sound which is at the same time melancholic and joyous. Some other scenes reminded me of "Svadba" (Pavel Lounguine) a film which also features lots of partying and rivers of vodka despite the imminent disgrace and bitterness of life. I even found some parallels with "Luna Papa" another film from the former Soviet republics in which a young and pretty girl has to rapidly mature and leap from childhood into adulthood.

The Gipsy scenes also served as a very effective contrast between joy and doom. While they kept dancing, tragedy was occurring elsewhere. It's like they say: one man's happiness is another man's suffering.

That's why I consider this movie to be "Timeless". That's why I consider the last scene a gem of cinema, like anything I've seen before. Our lovely Larissa is embarked in that permanent quest for real love and affection.