यंग शरलॉक होल्म्स

Am a huge fan of Sherlock Holmes and get a lot of enjoyment out of Arthur Conan Doyle's stories. Also love Basil Rathbone's and especially Jeremy Brett's interpretations to death. So would naturally see any Sherlock Holmes adaptation that comes my way, regardless of its reception.

Moreover, interest in seeing early films based on Conan Doyle's Sherlock Holmes stories and wanting to see as many adaptations of any Sherlock Holmes stories as possible sparked my interest in seeing 'Young Sherlock Holmes'. Thought that with such great talent on board in front of and behind the camera that it couldn't fail.

Fail 'Young Sherlock Holmes' does not. It is not perfect and is not quite great, but it is hugely entertaining and hard to dislike. It is not one of the all-time Holmes adaptations or one of the worst (nothing's worse than Peter Cook's/Dudley Moore's 'The Hound of the Baskervilles'), and of the Sherlock Holmes films seen recently it is along with 'The Private Life of Sherlock Holmes' the best. It may not be Conan Doyle, and how Holmes and Watson meet here is contradictory to 'A Study in Scarlet', but as a standalone it delivers on the entertainment value.

'Young Sherlock Holmes' can get pretty silly at times, with the last act being over-the-top nonsense and in a way that is not in keeping with the rest of the story, which took a fun and light-hearted approach often but never to extremes. There are times where it does feel like it was trying to do too much.

Also found a few cast members to be on the hammy side, Freddie Jones goes overboard a bit.

Otherwise there is not an awful lot to dislike about 'Young Sherlock Holmes'. It still holds up as a great looking film, it is beautifully and atmospherically shot but the stars are the set design for Baker Street and the imaginative special effects (the knight is a standout). The direction is efficient and at ease with the material on the most part.

Bruce Broughton's music score is like a character of its own and adds so much character to the film. The writing is playful and witty while also intelligent and thought-provoking. The story throughout goes at a lively pace and is so much fun to watch, with a mystery that intrigues hugely. There are even some wonderfully strange moments, Watson's hallucination is one of the most bizarre on film but it's great fun to watch and imaginatively handled.

Nicholas Rowe displays much charisma as Holmes, with even in youth shades of the detective's iconic character traits. Alan Cox is a loyal and amusing Watson and the chemistry between them is charming. Sophie Ward exudes charm and class and Anthony Higgins has a whale of a time.

In summary, not great or perfect but a huge amount of fun. 7/10 Bethany Cox

This amusing movie set in a perfect Victorian atmosphere (1870, England) speculates about what might have happened if Sherlock Holmes (Nicholas Rowe) and Doctor Watson (Alex Cox) had met during their student times in London . Holmes falls in love with a beautiful youngster (Sophie Ward) , living with her uncle , a retired professor named Waxflatter (Nigel Stock) . Then , it happens several murders and Holmes helps Inspector Lestrade (Roger Ashton-Griffiths) to resolve it . Later on , young Sherlock performing feats of derring-do in London , including a spectacular flight and dangerous duels . Although Sir Arthur Conan Doyle did not write about the youthful years of Sherlock Holmes , as he established the initial meeting between Holmes and Watson as adults . This affectionate speculation on what might have happened has been made with respect and admiration , knowing references to Sherlock's later existence and in tribute to the author in his enduring Works .

This stirring , fast-paced film is packed with noisy action , adventures , thrills , tension and results to be quite entertaining . It's a genuine ripping yarn with much suspense , intrigue and outstanding surprises . Nicholas Rowe is nice as obstinate and intelligent young Holmes as well as Alex Cox as timid and easy frightened John Watson . Some images are very creepy and eerie and developed in ¨Indiana Jones and the temple of Doom¨ style , for that reason is rated PG-13 for violence and crude scenes . Spectacular special effects by Kit West and Pixar Animation Studios making 'the glass man sequence' and puppets by David Allen . Furthermore visual effects supervisor by Dennis Muren with some of the firsts , images made by means of computer generator . As this one is considered to be the first feature film to have a completely CGI (computer graphics image) character : the knight coming out of the stained glass window . And intervention by Industrial Light & Magic (company run by George Lucas) animated the scene , overseen by John Lasseter in a very early film credit for Pixar . As the "Stained Glass Knight" took Industrial Light & Magic artists 4 months to create . Atmospheric score fitting to action by Bruce Broughton and London symphonic Orchestra . Well written by Chris Columbus and lavishly produced by Steven Spielberg with his usual collaborators , Frank Marshall and Kathleen Kennedy . The picture was well directed by Barry Levinson . Youth and little boys are likely to enjoy this fun film.

My son turned 12 in August. We purchased this movie at a drugstore while on vacation because I remembered watching it a loving it when I was younger. My son has a love of mysteries and "spies", so I thought that this would be a good movie for him to enjoy. He watched it twice the first day and has seen it several times over the last couple of weeks. It really appeals to younger mystery fans, even though it is rated PG-13, for violence. I would recommend any parent see this movie before they let their kids see it. Some of the violence is hallucinatory, and therefore quite "scary". I think the way it begins Holmes's and Watson's friendship is fun and creative. I think the script and characterizations are well done (especially in light of more current movies, which are just to draw viewers to the theater and have no substance.) The casting was inspired, and I don't see how they could have improved upon it. The cinematography was great and the special effects very good for the time of this movie. Some people might find Holmes's character a bit smug, but that is accurate to the stories by Sir Arthur Conan Doyle. I recommend this movie to mystery fans, fans of Sherlock Holmes (but NOT "perfectionist" fans), and anyone who enjoys a young fellow showing up his elders.

In the mid 80s, audiences were hungry for heroes in the mould of Indiana Jones. Films featuring Sherlock Holmes were quite out-of-fashion. People expected a hero with a bit of dash and a penchant for action; not a meticulous, stuffy, ultra-intelligent sleuth. Young Sherlock Holmes and the Pyramid of Fear is an unusual hybrid, because it takes the period trappings of a Holmes mystery and dresses them up with Indy-style action and mysticism.

The story has young student doctor John Watson arriving at a boarding school in Victorian London. He meets, for the very first time, a brilliant young student named Sherlock Holmes and they rapidly become friends. At the same time, a series of bizarre murders have been going on close to the school. In each case, people have had terrible hallucinations and in desperate states of panic have inadvertently killed themselves. Holmes and Watson investigate, and uncover an ancient cult which is responsible for the killings.

The film has its share of problems. For one thing, purists will know that the very first meeting of Holmes and Watson was described at the start of the book A Study in Scarlet, and didn't take place in a school. Some of the performances are overly hammy, particularly Freddie Jones in yet another of his wild-eyed characterisations. The idea of a huge pyramid being ingeniously concealed beneath a London warehouse is hard to swallow (surely someone would have noticed them building a construction of this size in such a tightly-packed city). However, the problems can be forgiven because the film moves at a lively pace and is invested with lots of clever dialogue and stirring action. There's even a touch of humour (something lacking from the original Conan Doyle novels). One scene in particular is most amusing, when young Watson is shot with an hallucinatory dart and imagines an army of living cream buns jumping into his mouth! The climactic duel on the ice is very excitingly staged too. There's also a surprisingly downbeat event at the end which thankfully strips the film of the typical 80s sentimentality. This is agreeable and entertaining stuff.

What if Sir Arthur Conan Doyle created a story where Sherlock Holmes and Dr. John Watson met as adolescents? What if he made it a very suspenseful mystery that explanied may of the great sleuth's character traits and stylistic characterisics? What if...well, he did not, but screenwriter Chris Columbus, director Barry Levinson, and producer Steven Spielberg do bring us a fine film that does these things called Young Sherlock Holmes. Young Sherlock Holmes is the meeting of fantasy film and classic literature, and it is a meeting that coexists very nicely. The great detective meets his future colleague and friend Dr. Watson in a London prep school amidst the mystery of what six men did many years ago in Egypt. Several of the men begin to die in horrible, inexplicable ways, and the young Holmes suspects mischief. The film is a veritable treasure trove of Sherlock Holmes allusions. The film is fast-paced, fun, fantastical, and creates insights into why Holmes developed emotionally the way he did. Nicholas Rowe does a superb job playing Holmes, bringing to the role intelligence as well as compassion. Alan Cox does an equally good job playing his young sidekick and doctor to be. The special effects are first-rate, yet in no way detract from the Victorian world of Doyle and Holmes and Watson. Start watching and it will not be long before you'll be saying, "The game is afoot!"