Weird Science

God bless the 80's, and may they live on way after their time! This film captures the 80's geeks, preps, and class rivalry. It was a hard time to fit in, but a fun time, like most teenagers, I had these fantasies that this movie reflects on. I can not believe they got Wes from the Road Warrior to do a part. The scene where the computer animated women talks to Michael Halls parent is hilarious, but sick. The stuff going out of the chimney, the MX missile, and the kitchen turning blue is funny. Bill Paxion or chet is a classic wait and see what happens to him. Anyways rent it live it and be it! 8/10

weird science is another good movie from the master of teen movies john hughes. this movie is maybe the funniest of all teen movies made by john hughes. but it's not the most entertaining. that award goes to the breakfast club. weird science is entertaining. john hughes goes a bit too far toward the end,but it's still unforgettable. weird science in my opinion comes from the greatest decade of all time.the 80's! i give weird science *** out of ****

Even when John Hughes makes a mediocre film such as "Weird Science," the nature of his intent still shines through, to the point where you can't necessarily fault him for anything except not making a better one. "Weird Science" serves as the ultimate 1980s high school nerd fantasy, one in which babes see social awkwardness as a turn-on and bullies and extortionist older brothers help themselves to large servings of humble pie. The movie truly doesn't need to be anything more, even in spite of the shallowness of its characters and general disregard for logic.

Anthony Michael Hall (in his fourth Hughes film in three years) and Ilan Mitchell-Smith star as two losers who determine that if they can't get girls the "old-fashioned" way that they can use their computer smarts to play Frankenstein and create the ideal woman. After some illegal hacking they pack her with a high IQ (and an appropriate breast size) then hook a doll up to a machine. One crazy storm inside their house later and suddenly there's Lisa (Kelly LeBrock), who's every bit as stunning with a type A personality as a nerd could possibly imagine or desire.

The story then goes the unexpected route. Lisa, equipped with mad street smarts and magic powers, literally takes over the driver's seat and the young Gary and Wyatt for a wild ride. After helping them loosen up a bit, she determines they need a few tests to find the courage they need to stand up to bullies and go after the girl.

Hughes determines that Lisa needs no rhyme or reason other than causing an appropriate amount of mischief so the boys can learn a valuable thing or two. She's the fairy godmother of this fantasy; it's one thing to stand up to your parents, for example, and tell them you're going to a party, and it's another to have a hot model do it for you (and cause your father to forget who you are).

Hughes basically sticks it to everyone who made his life crappy during his teens, though to be fair, he recognizes the nerd's shortcomings and doesn't paint them as heroes. Hughes has always played things close to the chest, filming most of his movies in the Chicago suburbs where he grew up, even naming the high school in "Weird Science" after the main road where his actual high school was. In this film he has absolute loony fun with his usual tropes, going as far as turning Bill Paxton, who plays Wyatt's militaristic older brother Chet, into a steaming pile of crap that looks like Jabba the Hut.

Fans of the more romantic side of Hughes, who love his candid nature toward portraying high schoolers, might find "Weird Science" to be the wild mutt of the family with its irreverence, and high level of silliness. It could be considered the "cult favorite" of the Hughes collection and that's fine. It definitely caters to those who can relate to being a socially outcast teenage boy and not too many others, but by no means is it a slip-up for the coming-of-age master.

~Steven C

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Does a movie need definitive plot points or events that move the characters forward? No! Weird Science proves that a movie need be nothing more than a series of jokes and visual gags. But Weird Science is also a movie with a message. That message – horny boys and science is a wicked combination. Once you see John Hughes' masterpiece about Frankensex, you will be asking yourself why you ever quoted The Breakfast Club. I sense you doubting that Weird Science effectively taps into the troubled teen psyche with sincerity and insight. Well consider the following. A bodacious babe is front and center with Einstein's intellect and essence of David Lee Roth. A teenage girl is stripped naked by a vacuum cleaner chimney – which is okay cuz it's in the name of science. Bill Paxton is reduced to a Jim Hensonesque troll! A giant phallic missile penetrates a suburban house. Still not convinced? Well, just watch the last half hour. A gang of road ragers crashes the obligatory 80s teen party, do donuts all over the floors and smack random guys in the crotch. Bennet from Commando asks the heroes if they have tossed off to any good books lately and Anthony Michael Hall get's all Dirty Harry on their uninvited post- apocalypse asses. This is a work of unparalleled brilliance and sophistication. It's got Robert Downey Jr. in it too!

Weird Science was a lot of fun, a perfect light and frothy 1980s movie.

Although, having said that it is quietly subversive and more than a little risqué, it is unlike the other Directorial works of John Hughes.

In a nutshell, whilst two high-school nerds are watching a colourised version of Frankenstein, they hit upon the idea of using a computer program to literally create the perfect woman, who promptly turns their lives upside-down.

In a scene that echoed the earlier WarGames and perhaps foreshadowed AI our nerds tap into non-specific massive computing power via a dial-up modem!?

In any case, that perfect woman turns out to be Kelly LeBrock at the absolute peak of her powers, and not only does she do a bang-up job as Lisa she also seems to be having an absolute ball.

Aside from the year before's The Woman in Red the rest of Kelly's career was rather a non-event, which on this showing seems a shame.

The film also contains very early appearances for Bill Paxton and a pre-Junior Robert Downey.

We also have Vernon Wells relatively fresh from his rather similar role in Mad Max II, who then went on to appear in the following years Commando up against Arnie.

Last of note is Michael Berryman, best known for playing Pluto in the iconic The Hills Have Eyes.

These latter two actors have gone on to have prolific careers racking up more than 100 movie appearances each.

Of the two lead actors, only Anthony Michael Hall's's career amounted to much, his co-star Ilan Mitchell-Smith went on to do very little else.

I mention all this to illustrate just how varied and fickle this business we call show can be.

As Lisa's classic first line goes, and these are words to live by: "so, what would you little maniacs like to do first"?