IMDb रेटिंग
6.7/10
5.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA former Nazi child-killer is confined in an iron lung inside an old mansion after a suicide attempt. His wife hires him a full-time carer, a mysterious young man who is driven slowly mad by... सभी पढ़ेंA former Nazi child-killer is confined in an iron lung inside an old mansion after a suicide attempt. His wife hires him a full-time carer, a mysterious young man who is driven slowly mad by the old man's disturbing past.A former Nazi child-killer is confined in an iron lung inside an old mansion after a suicide attempt. His wife hires him a full-time carer, a mysterious young man who is driven slowly mad by the old man's disturbing past.
- पुरस्कार
- 2 जीत और कुल 2 नामांकन
Günter Meisner
- Klaus
- (as Gunter Meisner)
Gisèle Echevarría
- Rena
- (as Gisela Echevarria)
Imma Colomer
- Jornalera
- (as Inma Colomer)
Josuè Guasch
- Niño Cantor
- (as Josue Guasch)
Garrett Cassell
- Garcon #2
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
A brutally honest commentary on how atroticies can affect a person for life. The film has guilt, revenge, murder, and love all intertwined in a bizarre story. NOT recommend for those easily disturbed, faint of heart, or victims of child molestation.
No distributor has been foolish enough to try and get this film past the British film censors, (you have to pay, even if your movie is rejected), but it was shown at two local festivals, and at the London screening, an initial audience of about 150 was reduced to a mere 12 by the end. It is unremittingly grim, harrowing and disturbing, and yet it probes the darkest depths to which humankind can sink, and demands that we confront "the unspeakable" which is so often avoided precisely because it is to painful to even speak about. My only moral reservation about this film is the use of very young actors in it. Although on the end credits there is a disclaimer stating that the highest standards of probity were employed during the film's production with regard to minors, I cannot see how some scenes were filmed without the youngsters having some idea of their sado-sexual context. Under British law, the public exhibition of such a film would be illegal unless it could be proven that clever editing etc., avoided these minors being aware of the scene's context. That said however, it is a film I would defend since it goes to the very heart of humankind's propensity for cruelty and barbarism, using the metaphors of authoritarian politics and authoritarian sexuality. And, after all, the film only shows being done to humans what society daily visits upon the animal kingdom - it is just a question of degree. To describe it as a "horror" film is wrong; it is unique and beyond categorization, although "horrendous" is certainly apt.
but I hasten to add, what the director aims to achieve is neigh unattainable.
In the DVD interview, the director says he was inspired by Georges Bataille and that author's study of Gilles de Rais, the French lord who helped Joan of Arc's campaigns, apparently with exemplary Christian zeal, and who later in life became the world's most notorious torturer and killer of children.
Bataille examines human passion with surgical precision. And he doesn't just analyse: his writings evoke the power chords of 'love' that draw their separate ways sinner and saint.
Villaronga's film falls into 'horror' genre mode at key moments in the story's development. If the director could have depicted his characters' behaviour with sustained realism, his film would , like Bataille's work, tell us more about the nature of evil and be indeed a masterpiece of cinema.
As it is, 'In a Glass Cage' is most beautifully realised with remarkable actors and isn't, finally, altogether a 'horror' film: there's enough realism to give us cause for thought.
In the DVD interview, the director says he was inspired by Georges Bataille and that author's study of Gilles de Rais, the French lord who helped Joan of Arc's campaigns, apparently with exemplary Christian zeal, and who later in life became the world's most notorious torturer and killer of children.
Bataille examines human passion with surgical precision. And he doesn't just analyse: his writings evoke the power chords of 'love' that draw their separate ways sinner and saint.
Villaronga's film falls into 'horror' genre mode at key moments in the story's development. If the director could have depicted his characters' behaviour with sustained realism, his film would , like Bataille's work, tell us more about the nature of evil and be indeed a masterpiece of cinema.
As it is, 'In a Glass Cage' is most beautifully realised with remarkable actors and isn't, finally, altogether a 'horror' film: there's enough realism to give us cause for thought.
I picked this movie out of my library's Spanish video selection and was I surprised while watching this masterpiece! I have never seen anything like it in my life. David Sust is my favorite new actor. What a role! His childhood tormentor- the Nazi- is very convincing as an invalid. I am in awe of the young girl Rena, who plays the daughter. How can these kids be such convincing actors. I tip my hat to them and their acting coaches. The Mother- Marissa Paredes, was great, as well. She is one of my favorite female actresses. I had no lingering questions after watching this film in comparison with watching American movies nor, was there any fancy endings, tying it all together. I could not take my eyes off of the screen; as a matter a fact, I watched it twice! Bravo!
"In a Glass Cage" has to be one of the most disturbing horror films ever made.The film is extremely intense and so incredibly depressing and powerful in its honest depiction of mankind's failure and instincts towards violence and sadism.The soundtrack is outstanding and the music alone will make the viewer speechless,not to speak the sound of an iron lung that has to be among the most disgusting sounds I've ever heard.The acting is excellent,but there are several truly disturbing scenes of pedophilia and child murder."In a Glass Cage" is a very difficult movie to watch,however you'll also walk away mesmerized by the disgusting beauty of this film itself.Nazi doctor Meisner abused and killed many young boys during war.After a suicide attempt he is now paralyzed and confined to an iron lung.One day,his former victim Angelo comes to work for him as a nurse.However,the revenge he has planned for the cripple is dominated by traumatic perversion.Give this overlooked masterpiece a look.10 out of 10.
क्या आपको पता है
- ट्रिवियाFor the scene where Angelo cried, actor David Sust put toothpaste under the eyes. He shot the scenes so many times that he injured his eyes and had to wear sunglasses for a while.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is In a Glass Cage?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- In a Glass Cage
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