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5.0/10
21 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA California couple and a survivalist encounter Leatherface and his family.A California couple and a survivalist encounter Leatherface and his family.A California couple and a survivalist encounter Leatherface and his family.
- पुरस्कार
- कुल 1 नामांकन
Duane Whitaker
- Kim
- (as Dwayne Whitaker)
Caroline Williams
- Reporter
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Leatherface had the greatest trailer of all time (Leatherface meets the Lady of the Lake, remember that?). Maybe that's why nearly everyone was let down by the film itself. Most people view Leatherface as an unwelcome addition to the legacy that is the Texas Chainsaw Massacre. No, it's not as good as the original or the sequel, but what do you expect when Tobe Hooper's not on board? However, if you do not compare it to its predecessors, it stands alone as a fun flick. It's at least watchable (unlike the Matthew McConaughey "remake"). The only thing I really don't like about it is the lack of continuity. The David Schow script is great, it just leaves out some needed information. In essence, this is the first in a long line of remakes. The director, Jeff Burr, does succeed in creating tension. My heart still pounds every time when they stop to fix that flat tire. Those far-off squeaking sounds are unnerving. The cast does well also. No one has the energy of Bill Moseley (Chop Top from TCM 2), but he's a tough act to follow. What they do have is horror favorite Ken Foree. Foree is always great. I don't care whether he's in Dawn of the Dead or The Phantom of the Mall, he's great. And you must give credit to Viggo Mortensen. He's come a long way from b horror to star in the Lord of the Rings. When it comes down to it, TCM 3 is worthy of a bit more praise.
A young couple are driving from L.A. to Florida, but when they stop off at a gas station they encounter a crazy attendant with a shotgun. Then they are lured off the main road and take a deserted track that leads them to Leatherface and his cannibalistic family. Now the pairs' only chance of escaping this demented nightmare rests on a well-prepared survivalist, who they had a car accident with and which has left them at Leatherface's mercy.
Well, that just seemed to breeze by with very little impact, but I found "Leatherface: The Texas Chainsaw Massacre" to be rather nasty piece of work that's an exceptionally well-made production. Sure, it's not very explicit because of the MPAA cuts leaving a lot of the real gruel up in the air and causing large continuity shifts in the story. But these factors didn't stop me from mildly enjoying this torturous outing that seems to skip the events that followed on in Hooper's outrageously jokey sequel "The Texas Chainsaw Massacre 2".
It kind of starts off like the original film by providing a voice over dude giving their own interpretation of what had happened after the first flick and there are scenarios that have that rehash feeling about them. Replacing the goofiness of the last feature is a more serious approach that has some dark macabre wit within the script and some crazy antics. There's even a new gimmick involving Leatherface's glistening new chainsaw! Which is the most frightening item you can ever think of, although it would have been great it he got to use it on someone! The problem with the flick was that it looks too clean and really lacks that iron-fisted and repellently grimy nature, because it never gets truly dirty and that ending is totally out-of-place. Again it might look polished, but there is still a ruthlessly unflinching edge about its shocks, but the thing is they are just far from disturbing and lose that subtle realism. Despite all that it efficiently creates an isolated feeling amongst the sticks, the photography is well displayed and an atmospherically Gothic score amplifies a tight knit awe to proceedings. Although it probably could have done without those instrumental, heavy metal cues.
The short story is draped with many activities (some rather vague) and characters that come from nowhere and disappear and then reappear. It might be basic, senseless and foreseeable material, but really there was only one thing that got to me and they were the unexplained details and one or two illogical moments. Like Leatherface's new clan and that of Ken Foree's character. The performances were ho-hum, but it's the fun supporting roles by Viggo Mortensen as the subtle one minute to nut-job the next and legendary horror figure Ken Foree as the likable survivalist make it even more enjoyable. Kate Hodge is okay in the lead role as one of Leatherface's prey and R.A.Mihailoff steps up to the plate as Leatherface and does fair job at it and brings back some of that fear associated with that icon. Although anyone accustomed to the original knows no one gets near Gunnar Hansen performance!
It's certainly not a great film and does lack the heart of the earlier efforts, but still I didn't mind it and it goes by quick enough if caught in the right mindset.
Well, that just seemed to breeze by with very little impact, but I found "Leatherface: The Texas Chainsaw Massacre" to be rather nasty piece of work that's an exceptionally well-made production. Sure, it's not very explicit because of the MPAA cuts leaving a lot of the real gruel up in the air and causing large continuity shifts in the story. But these factors didn't stop me from mildly enjoying this torturous outing that seems to skip the events that followed on in Hooper's outrageously jokey sequel "The Texas Chainsaw Massacre 2".
It kind of starts off like the original film by providing a voice over dude giving their own interpretation of what had happened after the first flick and there are scenarios that have that rehash feeling about them. Replacing the goofiness of the last feature is a more serious approach that has some dark macabre wit within the script and some crazy antics. There's even a new gimmick involving Leatherface's glistening new chainsaw! Which is the most frightening item you can ever think of, although it would have been great it he got to use it on someone! The problem with the flick was that it looks too clean and really lacks that iron-fisted and repellently grimy nature, because it never gets truly dirty and that ending is totally out-of-place. Again it might look polished, but there is still a ruthlessly unflinching edge about its shocks, but the thing is they are just far from disturbing and lose that subtle realism. Despite all that it efficiently creates an isolated feeling amongst the sticks, the photography is well displayed and an atmospherically Gothic score amplifies a tight knit awe to proceedings. Although it probably could have done without those instrumental, heavy metal cues.
The short story is draped with many activities (some rather vague) and characters that come from nowhere and disappear and then reappear. It might be basic, senseless and foreseeable material, but really there was only one thing that got to me and they were the unexplained details and one or two illogical moments. Like Leatherface's new clan and that of Ken Foree's character. The performances were ho-hum, but it's the fun supporting roles by Viggo Mortensen as the subtle one minute to nut-job the next and legendary horror figure Ken Foree as the likable survivalist make it even more enjoyable. Kate Hodge is okay in the lead role as one of Leatherface's prey and R.A.Mihailoff steps up to the plate as Leatherface and does fair job at it and brings back some of that fear associated with that icon. Although anyone accustomed to the original knows no one gets near Gunnar Hansen performance!
It's certainly not a great film and does lack the heart of the earlier efforts, but still I didn't mind it and it goes by quick enough if caught in the right mindset.
Traveling through the desert together, a brother-and-sister attempting to deliver a classic car to a relative encounters a murderous, cannibalistic family that preys on travelers hunting along the highway and must team up with a stranded survivalist to stave off the family's advances.
This here turned out to be decent and actually quite enjoyable actually. One of the main aspects that works really well to this one is an impressive atmosphere, with the film being rather creepy for the most part. There's a lot of fun to be had with this one in the desert despite being set at night but it makes the film just that much better because the majority of the action takes place at night and that is really tough to pull off, yet it's done nicely here. The initial appearance by the couple changing their car-tire which turns into an attack on the car and then leading into the chase down the highway where they bump into their friend gives this a strong launching pad to where the movie really works in the chasing through the patch of woods by the highway. The dark trees and nearly impenetrable layout makes for a perfect spot to unleash the series of ambushes, stumbling across the traps left out and getting plenty of strong, stellar stalking throughout where the killer comes out of the shadows in rather unexpected locations to catch them in the traps or stalk them with the chainsaw leading for a great time throughout here. With the family dinner scene being rather enjoyable with plenty of gruesome, bloody moments that are far more squirm-inducing than expected and a nasty streak that runs throughout, suddenly machine gun fire bursts into the room, gunning down most of the family leading into the final brawl out in the swamp which has a lot to like. The gore is great as well, especially in the unrated form where the gore is a little nastier and it should please the gorehounds looking for a ton of blood and guts. There are still some flaws here, as there is an 'R' rated version of the film that is so heavily cut that it makes no sense why it was rated 'R.' Almost no violence at all occurs in the main cut of the film which is virtually bloodless and with a low body count to chop up, it doesn't have a lot of deaths to dole out. There are way too few people to get involved in the family which keeps the body-count to a point where it's quite obvious there's not a lot of opportunities to knock people off which is really distracting. There's also the fact that the family again changes around members needlessly, offering up another change in the members and characteristics of the group which is never explained and offers up the kind of questions that shouldn't be made in this kind of situation. Ranging from who's who in relation to each other and what they're pasts were like since they're colorful enough to be memorable, however too much is kept off-screen around them which is rather disappointing. Still, it's far better than expected.
Rated R: Graphic Language and Graphic Violence.
This here turned out to be decent and actually quite enjoyable actually. One of the main aspects that works really well to this one is an impressive atmosphere, with the film being rather creepy for the most part. There's a lot of fun to be had with this one in the desert despite being set at night but it makes the film just that much better because the majority of the action takes place at night and that is really tough to pull off, yet it's done nicely here. The initial appearance by the couple changing their car-tire which turns into an attack on the car and then leading into the chase down the highway where they bump into their friend gives this a strong launching pad to where the movie really works in the chasing through the patch of woods by the highway. The dark trees and nearly impenetrable layout makes for a perfect spot to unleash the series of ambushes, stumbling across the traps left out and getting plenty of strong, stellar stalking throughout where the killer comes out of the shadows in rather unexpected locations to catch them in the traps or stalk them with the chainsaw leading for a great time throughout here. With the family dinner scene being rather enjoyable with plenty of gruesome, bloody moments that are far more squirm-inducing than expected and a nasty streak that runs throughout, suddenly machine gun fire bursts into the room, gunning down most of the family leading into the final brawl out in the swamp which has a lot to like. The gore is great as well, especially in the unrated form where the gore is a little nastier and it should please the gorehounds looking for a ton of blood and guts. There are still some flaws here, as there is an 'R' rated version of the film that is so heavily cut that it makes no sense why it was rated 'R.' Almost no violence at all occurs in the main cut of the film which is virtually bloodless and with a low body count to chop up, it doesn't have a lot of deaths to dole out. There are way too few people to get involved in the family which keeps the body-count to a point where it's quite obvious there's not a lot of opportunities to knock people off which is really distracting. There's also the fact that the family again changes around members needlessly, offering up another change in the members and characteristics of the group which is never explained and offers up the kind of questions that shouldn't be made in this kind of situation. Ranging from who's who in relation to each other and what they're pasts were like since they're colorful enough to be memorable, however too much is kept off-screen around them which is rather disappointing. Still, it's far better than expected.
Rated R: Graphic Language and Graphic Violence.
No matter how many sequels, reboots, spinoffs, or rehashes The Texas Chainsaw gets, none will compare to the original. That's a given. But there are some installments in Leatherface's interesting journey throughout the decades that are solid enjoyable movies on their own, such as the 2003 remake and this one. Here I feel like the campiness of TCM2 met the thrills of the original TCM in a healthy middle ground. There are some ridiculous one-liners, but they're placed fittingly unlike the second movie where the comedy felt forced and sloppy. The acting in the movie is above average too, with your standard "now famous but previously in a crappy horror sequel" actor to boot.
The main reason this is better than its predecessor is because it actually has suspense; not a lot of it but it's there. The creepy moments somewhat resemble scenes from the original but none of it feels rehashed. There are characters you can root for, and Leatherface is actually (kind of) scary again. There's also a satisfying climax, fit with heavy metal and cheesy lines that belong in a Marlon Wayans movie. It's just a fun popcorn horror movie with some gore, a couple thrills, and a decent amount of laughs. All in all, a movie is meant to entertain, and for the most part, Texas Chainsaw Massacre III did exactly that. Worth a watch for hardcore slasher fans.
The main reason this is better than its predecessor is because it actually has suspense; not a lot of it but it's there. The creepy moments somewhat resemble scenes from the original but none of it feels rehashed. There are characters you can root for, and Leatherface is actually (kind of) scary again. There's also a satisfying climax, fit with heavy metal and cheesy lines that belong in a Marlon Wayans movie. It's just a fun popcorn horror movie with some gore, a couple thrills, and a decent amount of laughs. All in all, a movie is meant to entertain, and for the most part, Texas Chainsaw Massacre III did exactly that. Worth a watch for hardcore slasher fans.
This second sequel to the horror classic is something of a letdown, purely because of the storyline. While the first sequel, dominated by Dennis Hopper's crazed performance, explored the key figures in a novel way, LEATHERFACE is a film that's content to simply emulate the first movie's storyline. Once again we get unwary travellers falling foul of Leatherface and his family, and an extended climax involving a family dinner. It's all way too familiar, and of course lacks the sheer intensity of Tobe Hooper's original classic.
The film's tone is wildly uneven throughout, and even in the would-be horror scenes it's hard to take it seriously. The movie feels like a spoof; it has a light-hearted tone that sits at odds with the grimness of the plot. Still, on the plus side, it's very fast paced, and it features a great deal of crowd-pleasing horror elements that are sure to win the hearts of splatter fans, although as with the original, it's never quite as gory as you think it's going to be (and I'm talking about the uncut version).
One of those crowd-pleasers is Ken Foree, Mr. DAWN OF THE DEAD himself, playing one of the film's would-be victims. Foree is a delight, and they sure play up to his potential, portraying him as a real ass-kicker of a man. I couldn't care less about the two characters who are supposed to be the leads, but Foree hooks you right from the start. The rest of the actors are less than impressive, and in particular the guy who plays Leatherface is just a stock heavy; there's certainly none of the hulking, imposing brutality that Gunnar Hansen brought to the role.
Of course, one of the draws watching this film today is seeing a pre-stardom Viggo Mortensen playing in a decidedly odd type of role, completely different from what you might expect; I enjoyed his performance, even if much of it is played for laughs. And that's the trouble with the film as a whole: we're back to that spoofy tone, that whole non-serious feel that everyone's laughing at the premise rather than getting to grips with the horrifying implications of it. Take the ear scene, for example, or the string of increasingly ridiculous and unbelievable things that happen at the climax (including the fate of one of the characters, which makes no sense whatsoever; blame a substituted ending for that one, after the original didn't go down too well with test audiences). In fact, come the end, I enjoyed this more as a bizarre comedy than as a genuine horror outing.
The film's tone is wildly uneven throughout, and even in the would-be horror scenes it's hard to take it seriously. The movie feels like a spoof; it has a light-hearted tone that sits at odds with the grimness of the plot. Still, on the plus side, it's very fast paced, and it features a great deal of crowd-pleasing horror elements that are sure to win the hearts of splatter fans, although as with the original, it's never quite as gory as you think it's going to be (and I'm talking about the uncut version).
One of those crowd-pleasers is Ken Foree, Mr. DAWN OF THE DEAD himself, playing one of the film's would-be victims. Foree is a delight, and they sure play up to his potential, portraying him as a real ass-kicker of a man. I couldn't care less about the two characters who are supposed to be the leads, but Foree hooks you right from the start. The rest of the actors are less than impressive, and in particular the guy who plays Leatherface is just a stock heavy; there's certainly none of the hulking, imposing brutality that Gunnar Hansen brought to the role.
Of course, one of the draws watching this film today is seeing a pre-stardom Viggo Mortensen playing in a decidedly odd type of role, completely different from what you might expect; I enjoyed his performance, even if much of it is played for laughs. And that's the trouble with the film as a whole: we're back to that spoofy tone, that whole non-serious feel that everyone's laughing at the premise rather than getting to grips with the horrifying implications of it. Take the ear scene, for example, or the string of increasingly ridiculous and unbelievable things that happen at the climax (including the fate of one of the characters, which makes no sense whatsoever; blame a substituted ending for that one, after the original didn't go down too well with test audiences). In fact, come the end, I enjoyed this more as a bizarre comedy than as a genuine horror outing.
क्या आपको पता है
- ट्रिवियाCaroline Williams reprises her role as Stretch from टेक्सास चेनसॉ नरसंहार 2 (1986) in a cameo as a news reporter. Director Jeff Burr said he imagined Stretch becoming a reporter following the trauma she experienced in the second movie in an attempt to hunt down Leatherface.
- गूफ़The painkillers Benny gives Michelle and Ryan take effect almost instantly and then wear off in about five minutes.
- भाव
Tex: Come on sweetheart. Let's see what you got.
Benny: What the fuck is wrong with you people? Why don't you leave us alone?
Tex: We're hungry.
Benny: You never heard of pizza?
[swings at Tex and misses]
Tex: I like liver...
[punches Benny]
Tex: and onions...
[strangles Benny]
Tex: and pain! And pain! And pain!
- इसके अलावा अन्य वर्जनThere's a second alternate ending in which the heroine escapes the swamp and keeps running throughout the night and eventually stumbles upon a police station. Once she makes it inside, the sheriff pretends to want to help her.After a few moments, it's revealed that he's hiding a chainsaw under the desk and attacks her with it. It was implying that the whole town is involved with the Sawyer family.
- कनेक्शनFeatured in The Many Lives of Jason Voorhees (2002)
- साउंडट्रैकWhen Worlds Collide
Performed by Wrath
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Leatherface: The Texas Chainsaw Massacre III
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $20,00,000(अनुमानित)
- US और कनाडा में सकल
- $57,65,562
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $26,92,087
- 14 जन॰ 1990
- दुनिया भर में सकल
- $57,65,562
- चलने की अवधि1 घंटा 25 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
टॉप गैप
What is the Italian language plot outline for Leatherface: Texas Chainsaw Massacre III (1990)?
जवाब