Joe Versus the Volcano

1990
U
1 घं 42 मि

IMDb रेटिंग

5.9/10

41 हज़ार

आपकी रेटिंग

Tom Hanks and Meg Ryan in Joe Versus the Volcano (1990)

Home Video Trailer from Warner Home Video

trailer प्ले करें1:54

1 वीडियो

56 फ़ोटो

Romantic Comedy Comedy Romance

अपनी भाषा में प्लॉट जोड़ेंWhen a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.

IMDbPro पर प्रोडक्शन की जानकारी देखें

IMDb रेटिंग

5.9/10

41 हज़ार

आपकी रेटिंग

IMDbPro पर प्रोडक्शन की जानकारी देखें

पुरस्कार
- कुल 1 नामांकन

वीडियो1

Trailer 1:54

Joe Versus the Volcano

फ़ोटो56

+ 48

उपयोगकर्ता समीक्षाएं264

5.941.1K

फ़ीचर्ड समीक्षाएं

noclueboy

A brilliant film!

This movie is absolutely brilliant. It is a comedy of immense proportions and also manages to be heart warming and touching.

It follows a man through a journey of self discovery and along the way introduces us to the absurdities of daily living as embodied in the odd group of supporting characters.

Meg Ryan plays three different characters, each one personifying a quirk of personality that we all possess. Tom's Joe goes through as many changes, yet all in the same character. This is how we track his growth.

Some of the most effective scenes are the no or little dialogue scenes which exemplify Joe's journey, not just to the volcano, but to his self awareness.

Along with the beautiful message, we are treated to some of the most clever visual comedy images ever filmed. Add to the mix a superb script and wonderful acting and you have a romantic comedy that I feel is a must see.

Caryn-2

Combines a life-affirming message with "in-jokes" for movie lovers.

This is my favorite film for a number of reasons. One reason is that it includes _homages_ to many classic films. For instance, the very first shot of the factory immediately brings to mind Chaplin's _Modern Times_ and Lang's _Metropolis_. The first minutes of the film, until Joe is called into the doctor's office, are filmed almost in black and white. The tones are all grey, black, or taupe, with some glaring whites. Then the door to the doctor's office opens to show warm leather, paneling, and firelight, and it's a sudden reminder of _The Wizard of Oz_, when Dorothy opens the door into Oz and the movie changes from black and white to color.

I also look for the "crooked path," which shows up four times at different parts of the movie. When Joe says, "We've come a long way on a crooked path," we know exactly what he's referring to!

I could go on with these details for pages, but I don't want to leave out the main reason this is my favorite film. It is one of the most life-affirming movies I have ever seen. When I had received devastatingly bad news about my health, this is the movie I watched, and it helped get me over the hump and start integrating the condition into my life.

Movies like this are one of the reasons for having movies at all, and I will continue watching it, as I return again and again to favorite books, for the rest of my life.

7fopfopfop

This movie is delightful

This movie is funny, well cast, its a real hidden gem

85860backup

One of my all time favorites

I am one of the few who saw this on the big screen TWICE when it opened. This is the movie I would take to the desert island, which miraculously has electricity a big screen and a DVD player. This is one of those rare films where every single character, no matter how minor, has a major impact on the hero and the plot. This film is also rare because the Lion's share of the funny and insightful dialogue belongs to the minor characters and not the protagonists. You have to love a movie where a luggage salesman is a major plot milestone. Ossie Davis is excellent as the wise Limo driver, Lloyd Bridges is hilarious, Tom Hanks is of course everyman, and Meg Ryan, in one of her funniest roles, is actually "every woman". "You know, the first time I saw you I thought that I had seen you before." A witty hero is commonplace and witty cast is truly memorable.

The movie is probably too allegorical for most tastes, but this is a great tale about a character afraid of life, afraid of that next step, who finds his courage and puts his foot forward again.

All in all this is one of the best kinds of movies, Funny and Hopeful.

7ebeckstr-1

Underappreciated and misunderstood

Highlights of this underrated film include witty, dark humor, with many laugh out loud moments and performances; moments of unexpected poignancy; and an equally unexpected reflective quality. Starring and supporting acting is brilliant and, at times, even subtle, which contributes to more character development than usual for this kind of movie. The plot wavers about an hour in, becoming too silly for a time. During this same chunk the script includes some unfortunate '90s style stereotyping of native people and cultures, and what is actually quite a shocking and cavalier conclusion to this segment of the movie. The final 10 minutes recaptures the tone and sentiment from the first part of the movie and brings the story to a fitting conclusion and simultaneously doing justice to the characters.

इस तरह के और

5.7

The Man with One Red Shoe

6.4

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6.8

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6.0

5.5

6.3

5.9

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5.9

कहानी

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क्या आपको पता है

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ट्रिविया
Not only did Meg Ryan play all three female leads, but also did the voice of the flight attendant welcoming the flight to Los Angeles.

गूफ़
When DeDe walks into Joe's apartment at the end of their date, she places her handbag on the floor a few steps across from the door. When she comes back in to get the bag because she forgot it after she leaves, she reaches for the bag just inside the door.

भाव
Patricia: My father says that almost the whole world is asleep. Everybody you know. Everybody you see. Everybody you talk to. He says that only a few people are awake and they live in a state of constant total amazement.

इसके अलावा अन्य वर्जन
The movie was re-shot to change the ending, which was unpopular with test audiences. In the original ending, after Joe and Patricia are expelled by the volcano, they are rescued by the Tweedle Dum (the sister of the yacht that was sunk, the Tweedle Dee.) On board are the rescued crew of the Dee, as well as Graynamore and "Dr. Ellison", who turns out to be Graynamore's tax accountant (and hatchet man) by the name of Kenneth Hindmick. Graynamore reveals he had Hindmick pose as a doctor to make Joe think he had a fatal disease. Hindmick pulls a gun on Joe to protect Graynamore from Joe's anger, and to allow Graynamore to keep the yacht. Joe, having stared into the mouth of a volcano, calmly swipes the gun from Hindmick, then announces to Graynamore that he and Patricia had gotten married by the Chief. They both banish Graynamore and Hindmick to the boat's dinghy in the middle of the ocean. Graynamore tells Hindmick that he likes Joe, and admits being banished in a small dinghy in the middle of the ocean is his price for being too greedy, and tells Hindmick to help him row home. Back at the Tweedle Dum, Joe and Patricia see the four steamer trunks popping to the surface, with the Chief riding the last one, brandishing his Tobi, happily telling them he didn't lose his soul after all. Joe replies he didn't lose his either. The only remnant from the original ending is that in the end credits, you see an artist's rendition of the Tweedle Dum sailing off into the distance.