Impulse

Lottie works a lot of overtime at the police, but she still has money worries. Her boss Joe is constantly bothering her and all relationships she enters into are doomed to fail from the start. Lottie is fed up with all this and withdraws more and more into her fantasy world, in which she is a well-paid call girl who pulls all the strings.

Good crime film by Locke in which Russell plays an undercover agent with more or less psychological issues surrounding her work where she can no longer distinguish reality from fantasy.

When she accidentally witnesses the murder of a drug lord and she finds a large sum of money, she decides to keep it hidden, but her brand new boyfriend and the public prosecutor with whom she has just started a relationship is on her trail.

Russell was in the prime of her beauty around that time, moreover the film is a more than reasonable character study, the ending is feel good romantic, perhaps not realistic but satisfying.

Fairly interesting movie about an undercover policewoman which unfortunately gets muddled. As the story tries to cover too much ground that in the end leaves everyone watching confused and unconcerned about what it's trying to tell them.

Trying to mix big time drug dealers and protected witnesses who the DA is trying to get to testify against their former associates, the mob, with an obsessive and corrupt police officer. Together with an undercover policewoman who has enough problems outside as well as inside the police department doesn't jell together in this very complicated and confusing movie.

Besides all the negative things one can say about the movie "Impulse" the one very positive thing about the film is the appearance and acting of it's beautiful and talented star Teresa Russell. Teresa makes you, in many cases, forget the plot holes and inconsistencies of the movie just by watching her whenever she's on the screen.

A female undercover cop, overworked, exhausted and ready for a break, gets seduced one night into a short walk on the wild side, but it may prove to be her undoing. Well-directed cop thriller isn't a blockbuster, nor is it capable of really expanding its perimeters on the basis of a slight budget, but filmmaker Sondra Locke gets fine performances from her cast, particularly Theresa Russell, exuding palpable street-glamor in the lead, and handsome George Dzundza as her lieutenant. I have never been an admirer of creepy-eyed Jeff Fahey's work (he always seems hyped up for little purpose), but he isn't too distracting here. Little-seen picture is perfect late-night TV fodder; nothing overly substantial or imaginative, but tightly-wound and involving. **1/2 from ****

Intriguing but slow moving thriller about an undercover woman vice cop who yields to the temptation of sex and money. Theresa Russell, who reminds me of a younger Kathleen Turner, provides a very capable performance as a woman who lets her undercover identity take over from her. Fine acting by the cast all around, but the turgid pace of the entire movie puts a dampener on it all. Watch it if you have the patience.

After 'Ratboy (1986)', Sondra Locke would hone down her directorial skills with the vastly overlooked cop thriller 'Impulse'. The voluptuously headstrong Theresa Russell (who doesn't get enough recognition as it is) proves the talent she bestows, as the film asks for a vividly intriguing performance. And she provides a breakaway one as an undercover cop of the Vice squad. Not forgetting Jeff Fahey's outstandingly low-key turn in what could be seen as a breakthrough performance as an assistant district attorney. Along with Locke's moodily terse and measured direction that just takes you into that smoking film-noir ambiance; Russell and Fahey's performances are also the potent backbone to the appeal of the film. Where the film has its share of flaws comes mainly from the dramatically cluttered material, as it's story-bound rather than action-filled. It follows Russell's character as she pins perverts and drug peddlers, but soon she becomes so attached with the power play of the job that the impulsive fantasy of losing control and experiencing criminal temptation becomes overwhelming. The choice is there, and her repressed emotions are starting to crack and anxiety creeps in. Another element thrown into the mixture is the growing affection between Russell and Fahey's characters. This leads onto a complex (and where it hit's a bump is the somewhat implausible developments infesting its way within this) web of psychological, harrowing and heart-racing avenues, plus intensely raw thrills. Characters are actually well-rounded and show what makes them tick with some brooding shades showing. The technical side is professionally catered for with Michel Colombier's seductively sizzling, but at times jarring music score, sullen lighting tinges evoke presence, relaxed pacing and it's gorgeously shot with the Los Angeles backdrop painting a lasting mark. The support cast features capable turns by George Dzundza, Alan Rosenberg, Shawn Elliott and Eli Danker. A really surprisingly tight, mature and stylish thriller by Sandra Locke, but its Theresa Russell's powerfully stimulating performance that stays with you.