Europa Europa

One has to be annoyed with comments that question either the historical verisimilitude or the integrity of this film, whether from the shaky ground of some rigid, illiberal ideological or religious prejudice or from some one-sided version of history. Furthermore, negative ad hominem attacks on someone other than political leaders or other persons who willingly seek out the public eye are reprehensible.

Does this story ring true? It does to me, and if there is even one-tenth as much basis in fact in the life of Salomon Perel as is represented in the film, I am satisfied. Having been to all the places and delved into the culture and history of all the nationalities that comprise its background, I am also convinced that much if not all of the story is correct at a level that goes well beyond whether this or that small factual detail is rooted in what actually happened to the real Perel.

Moreover, "Hitlerjunge Salomon" (better known in English-speaking countries as "Europa, Europa") is a masterful piece of cinema, beautifully produced and directed, and bearing a cachet of authenticity that few cross-cultural films achieve. I can attest to the utterly convincing script and characterization within the German language portion, and the bits in Polish and Russian seem equally strong.

Why is it so difficult to believe that a malleable teenager raised in a cross-cultural environment would be any less rooted in one part of his life than another? Marco Hofschneider captures precisely the right tone as he demonstrates how "Solly" and "Jupp" are two complementary aspects of the same person. Indeed, there are even good Germans and bad Germans, good Poles and bad Poles, etc., etc. throughout the film.

None of this compromises the truth that millions of other Jews did not survive the Holocaust. Nor does it demean their memory to cast a glance or two at this singular exception. The survivors have their stories as do the victims, and to explore the wider spectrum of life that goes on is surely to find hope in the ruins of an otherwise depraved episode in world history.

Europa, Europa by Agnieszka Holland is a very interesting film. It addresses how far people would go to stay alive. Caught in the hostile warfare, a Jewish boy Solomon Perel realizes that the only way he can survive is by pretending to be one of the Nazis. I was very surprised when I found out that this was a true story. For someone to go through such an horrible experience for so many years and stay normal, its just something I found very fascinating. This movie made me realize that one can never say "I would never do this or that". When you are put in a situation where the only two options you have are survival or death, there is no doubt that most of us would do anything to survive. Even that what Solomon did himself. As I watched this film I thought about the war I have experienced. There were so many people that would have done anything to survive. Actually, there were many instances where people surrendered and joined the other side, just to stay alive or save their family. I know of a girl that got married with a guy (her enemy basically) just to stay alive. What sets this movie apart is that this a true story and the person that is depicted in this film is still alive.

Great movie. Must See.

"Europa Europa" is the sort of film that is filled with so many ridiculous coincidences that it can only be true...which it is! Time and time again, a young Jewish man's life is miraculously saved during the Holocaust and this film is his story.

This film begins in Germany just before WWII breaks out. Salomon Perel and his family are Jews and they leave Germany for safety in Poland. Unfortunately, soon the German army invades and takes Poland...and Salomon and his brother run off to avoid the pograms. Here is where the story starts to get interesting. The brothers get separated and Salomon escapes to the Soviet portion of Poland where he is taken into a communist re-education school. He learns to be the ideal communist. But, the Germans are once again on the move and invade--taking the school and its students. Thinking twice, Salomon concocts a crazy story when he's caught--telling them he's a German orphan and he was forced to go to the school. And, because he doesn't appear Jewish and can understand Russian, the Germans keep him as a sort of mascot in their army. Soon, the soldiers adore him! Later, when he tries to defect back to the Russian lines, through a funny coincidence, it appears he's captured a group of Russian soldiers--and he's an even BIGGER hero to Germany! This is only through about half of the film--the coincidences and difficult to believe situations increase tremendously! Overall, this is an excellent production and a truly unique film. There have been so many Holocaust films that it's nice to see one that is so different. It's interesting from start to finish and I strongly recommend it.

By the way, it's a minor problem but the plane Salomon sees up in the sky late in the film is a VERY modern one--made decades after WWII.

An interesting and moving film about a teen : Marco Holfschneider attempting to conceal his Jew origin throughout WWII . The real Salomon Perel is a young Jewish who escaped the Holocaust by passing for a Communist at Russian orphanage , where he learns to be a fervert young Stalinist and subsequently a German person at an elite , Nazi-run Academy. Eventually he falls for lovely Jew-hating Julie Delpy but by this point the effort of hiding behind so many masks is starting to take its toll , as occurring disturbing edge to Perel's fortunes . In the tradition of Voltaire's Candide and Jerzy Kosinski's The Painted Bird .

An incredible and brooding true story of Salomon Perel . A sad and provoking flick in which we watch actual events of the 30s and 40s , such as : the Kristalnacht , Jewish Ghettos , distribution of Poland between Hitler's Germany and Stalin's Russia after covenant between Rosenberg and Molotov , 1939 Poland invasion , 1941 Russia encroachment in Redbeard Operation , camps of death , the murderous SonderKommandos executing the deadly assignments and 1945 Berlín war . A thrilling and twisted movie in which our starring suffers several misfortunes and borderline-absurdist happenings. The tale is at times so absurd that it could have made a grotesque historical burlesque of the Gunter Grass' Tin Drum variety . Such a sharp evocation of the era would have deserved an Oscar , but it wouldn't submit for the Academy Awards . Stars Marco Holfschneider who gives a sympathetic acting as the young suffering lots of distresses , unfortunes and pains , along the way he gets away from Nazi Holocaust by passing for a fervent Nazi at an elitist Academy . And a mostly unknown cast with exception for Hanns Zischler as a German captain and Julie Delpy as a fanatic Nazi girl , all of them give nice interpretations .

It was shot in various languages, in German and Russian with English subtitles . It contains a sensitive and enjoyable musical score by Zbigniew Preisner, including catching leitmotif . As well as atmospheric cinematography , though a perfect remastering being extremely necessary .This thought-provoking and brooding motion picture was compellingly directed by Agnieszka Holland . This prestigious director has made good films , outstanding the following ones : "Copying Beethoven , Julie walking Home , Washington Square, Total Eclipse , The Secret Garden , Olivier Olivier , To Kill a Priest , A Woman on her Own and Sunday Children" . Rating 7/10 . Better than average . Essential and indispensable seeing for WWII aficionados .

OK, I saw "Europa, Europa" in the theater for the first time about 7 or 8 years ago. I always thought it was an amazing story about a young Jewish boy-man who survives WW2 masquerading as a Hitler-Jugend. I was moved to tears at the end of the story (but I won't give away how it ends). Anyway comparisons to Schindler's List and other movies are inevitable.

But I was so intrigued by Solomon Perel's story that I checked the book "Europa, Europa" out of the library and read it for myself. Now having read the book, I watched the movie again and I can tell you that many facts and details of Solly's life were changed to make the movie more dramatic and concise. "Europa, Europa" the movie was not in anyway described as a documentary, so you can take the dramatic moments with a grain of salt. They rewrote most of it in the process of making the movie. I don't know if these alterations were done with Perel's knowledge or permission. But he is shown at the end of the film, so he must have known that the movie was being made. All I can say is, the real truth is even more amazing than the fiction. Read the book for yourself and see what I mean!