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Havana

  • 1990
  • U
  • 2 घं 24 मि
IMDb रेटिंग
6.1/10
8.8 हज़ार
आपकी रेटिंग
Lena Olin and Robert Redford in Havana (1990)
After six decades in show business, Robert Redford announced that 2018's 'The Old Man & the Gun' will be his last performance. The role is a familiar one for the screen legend: a con with conviction. Let's travel "Through the Lens" to explore how Redford developed this character and how this on-screen persona perfectly culminates in his cinematic swan song.
clip प्ले करें5:10
Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona देखें
1 वीडियो
29 फ़ोटो
ड्रामायुद्धरोमांस

1950 के दशक के क्यूबा में, एक पेशेवर जुआरी एक महिला के प्यार में पड़ता है जो क्रांतिकारी आंदोलन में भारी रूप से शामिल थी.1950 के दशक के क्यूबा में, एक पेशेवर जुआरी एक महिला के प्यार में पड़ता है जो क्रांतिकारी आंदोलन में भारी रूप से शामिल थी.1950 के दशक के क्यूबा में, एक पेशेवर जुआरी एक महिला के प्यार में पड़ता है जो क्रांतिकारी आंदोलन में भारी रूप से शामिल थी.

  • निर्देशक
    • Sydney Pollack
  • लेखक
    • Judith Rascoe
    • David Rayfiel
  • स्टार
    • Robert Redford
    • Lena Olin
    • Alan Arkin
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.1/10
    8.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Sydney Pollack
    • लेखक
      • Judith Rascoe
      • David Rayfiel
    • स्टार
      • Robert Redford
      • Lena Olin
      • Alan Arkin
    • 52यूज़र समीक्षाएं
    • 20आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर के लिए नामांकित
      • 3 कुल नामांकन

    वीडियो1

    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona

    फ़ोटो29

    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें
    + 22
    पोस्टर देखें

    टॉप कलाकार51

    बदलाव करें
    Robert Redford
    Robert Redford
    • Jack Weil
    Lena Olin
    Lena Olin
    • Bobby Duran
    Alan Arkin
    Alan Arkin
    • Joe Volpi
    Tomas Milian
    Tomas Milian
    • Menocal
    Daniel Davis
    Daniel Davis
    • Marion Chigwell
    Tony Plana
    Tony Plana
    • Julio Ramos
    Betsy Brantley
    Betsy Brantley
    • Diane
    Lise Cutter
    • Patty
    Richard Farnsworth
    Richard Farnsworth
    • Professor
    Mark Rydell
    Mark Rydell
    • Meyer Lansky
    Vasek Simek
    • Willy
    Fred Asparagus
    • Baby Hernandez
    Richard Portnow
    Richard Portnow
    • Mike MacClaney
    Dion Anderson
    Dion Anderson
    • Roy Forbes
    Carmine Caridi
    Carmine Caridi
    • Captain Potts
    James Medina
    • Corporal
    Joe Lala
    • Cuban Businessman
    Salvador Levy
    • Menocal's Lieutenant
    • निर्देशक
      • Sydney Pollack
    • लेखक
      • Judith Rascoe
      • David Rayfiel
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं52

    6.18.8K
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    फ़ीचर्ड समीक्षाएं

    Kirpianuscus

    the flavor

    I love it for its ...flavor. For Lena Olin and Robert Redford. For the clash between romance and politic. For the old image of people in the womb of bad times. And for a Cuba who was so easy lost. And that is all.
    7Nazi_Fighter_David

    A love story set against one of the sexiest, most dangerous and most glamorous cities in the world

    Jack Weil, played by Robert Redford, feels at home in this corrupt city… He's a professional gambler looking for the game of his life… He played in every Elks Club and Moose Hall in America… He remembers every hand of every game and now he wants a shot, only one shot in Havana…

    But while he is on the verge of winning everything Bobby Duran (Lena Olin) has lost all she ever knew… Olin plays the wife of a Cuban revolutionary, Raul Julia… Bobby has nothing to lose or to protect… And in a super-natural and strange way Jack reaches her… And so, as Cuba crumbles Jack is drawn in Bobby's world of the revolutionaries and, in one crucial moment he sees himself he must choose between the greatest card game of his life and the woman he loves…

    There's a kind of exotic combination between Redford and Olin's characters… Between Redford's very American, blond, golden look and Olin's dark, intense Swedish expression…

    Sydney Pollack's "Havana" is a love story that takes place during the week of Christmas, 1958 which was the last week Batista was in power before Castro came in… It was the last week of this kind of a circus that Havana was… An attractive city full of gambling, of burlesque, of every kind of hedonistic pleasure possible
    Doctor_Bombay

    Bad Reputation Undeserved.

    Many will claim that Sydney Pollack and Robert Redford were on auto-pilot while making this film. Based on their previous collaborative efforts, the well-received Three Days of the Condor, The Way We Were, The Electric Horseman, and Out of Africa, which swept the Academy Awards, people wanted to see their movies. They could make any movie they wanted. They made Havana, and NOBODY wanted to see it.

    Maybe Pollack, brilliant in his own right, set his watch according to Redford's schedule at this time, and history shows that, subsequent to Havana, and its box office failure Sydney Pollack basically quit directing. His influence in film is still served, and may be better served as a producer, witness Sliding Doors, Sense and Sensibility, Fabulous Baker Boys, and Searching For Bobby Fischer, all of which he helped bring to the screen.

    But, back to the matter at hand-Redford as a gambler, Lena Olin, his distraction (and what a distraction)--the film feels good, looks good, and gives us some perspective on Cuba in the waning hours of Batista.

    Olin (pre-Romeo is Bleeding, post Unbearable Lightness of Being) is properly introduced to American audiences, and is not inappropriate as leading lady to one of Hollywood's leading stars, Redford, who, even on auto-pilot, delivers a strong, engaging performance.

    I understand this film was heavily maligned at release, and failed dismally at the box office, but I enjoyed it. It is a beautiful film to watch with attractive leads - and that alone stands it well ahead of many of the alternatives out there today.
    tcabarga

    Mostly effective and plausible rethinking of Casablanca

    Many viewers have noted that Havana is essentially Casablanca in the Caribbean, which is certainly true. But I found the same apocalyptic tension in Havana as in Casablanca, although not quite as effective the second time around. Others criticized the dialogue. I thought it was exceptionally mature, and subtle, which may be what threw some of the reviewers in this forum, who maybe would have wanted something more bombastic. The plot development was very compressed - things had to happen very quickly, and so some thought they happened far too quickly. But I thought Olin in particular showed all of the pain and turmoil necessary to make her quick transitions of emotion believable. You have to believe that the times were so tumultuous that people had to adjust very quickly to changing circumstances. As for Jack falling in love with Bobby so fast, that's entirely believable, and the look they exchanged at the party where Jack meets her husband for the first time was our signal that this love affair was happening, and was one of those insane passions that overtake people, not infrequently, and in this case, again, against the apocalyptic backdrop of this incipient revolution, which made all involved feel very much at loose ends, ready for, or dreading, the vast changes about to happen to them. I though the end was too dragged out, but other than that, the movie mostly plausible.
    coboconk

    Better than mediocre

    Havana is a favorite of mine. Sure it's a slick Hollywood movie but I thought Redford and Olin were marvelous together and fit their roles perfectly. Doesn't it seem natural to find Redford in exotic Havana playing cards on the eve of the revolution? And doesn't Olin's intelligence , charm, and beauty fit her role ? The supporting cast were flawless and the intriguing plot stood on it's own merit. The sentimental ending was superb and the musical score which received an academy award nomination was brilliant. Better than mediocre.

    इस तरह के और

    The Electric Horseman
    6.4
    The Electric Horseman
    Legal Eagles
    6.0
    Legal Eagles
    Three Days of the Condor
    7.4
    Three Days of the Condor
    The Way We Were
    7.0
    The Way We Were
    Absence of Malice
    6.9
    Absence of Malice
    Jeremiah Johnson
    7.6
    Jeremiah Johnson
    This Property Is Condemned
    7.0
    This Property Is Condemned
    Brubaker
    7.1
    Brubaker
    Up Close & Personal
    6.1
    Up Close & Personal
    The Great Waldo Pepper
    6.7
    The Great Waldo Pepper
    Amazing Grace
    7.5
    Amazing Grace
    Out of Africa
    7.1
    Out of Africa

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Actor Raul Julia appeared in a significant supporting role in the film without any credit or billing at all in the film. Julia chose to be uncredited because producers for contractual reasons could not accommodate Julia's request for him to be billed second alongside Robert Redford, as the top two above-the-title star-teaming credits had already been signed over to top first-billed Redford and second-billed actress Lena Olin, with the third billed credit already having been contracted to actor Alan Arkin. According to the "LA Times," Raul Julia's agent Jeff Hunter said: "Our usual above-the-title credit wasn't available. So, we decided not to take any credit at all." Director Sydney Pollack said told the same paper: "The only billing left for Julia was to be stacked with the rest of the names . . . his agent felt that would be a step backward" and there is a dilemma when there is "an actor on the ascendancy, like [Raul] Julia, and you ask the actor to do a role that's somewhat smaller [than their emerging star status]." Julia had found rising-star status since his performance in the Academy Award winning film Kiss of the Spider Woman (1985).
    • गूफ़
      Although the film is set in 1958, the garage scene uses a 1961 re-recorded version of Rum And Coca Cola by The Andrews Sisters. This version was recorded for Dot Records, two years after the movie's setting.
    • भाव

      Professor: Take the advice of an old man. There's nothing like a woman, or two. They love men. Even jerks. The biggest jerk you ever knew somewhere somehow has a woman that's nuts over him. Women are perfect. The rest is bullshit.

    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: The Rookie/Berkeley in the Sixties/Edward Scissorhands/The Grifters (1990)
    • साउंडट्रैक
      Round and Round
      Written by Lou Stallman & Joe Shapiro

      Performed by Perry Como

      Courtesy of RCA Records

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल19

    • How long is Havana?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 14 दिसंबर 1990 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
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      • Universal Pictures Home Entertainment
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    • फ़िल्माने की जगहें
      • डोमिनिकन गणराज्य
    • उत्पादन कंपनी
      • Mirage Enterprises
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $4,00,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $92,43,140
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $21,75,360
      • 16 दिस॰ 1990
    • दुनिया भर में सकल
      • $96,45,440
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 2 घं 24 मि(144 min)
    • रंग
      • Color
    • पक्ष अनुपात
      • 1.85 : 1

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