1979 में न्यूयॉर्क शहर और इटली में अपने व्यापारिक व्यवहार को वैध बनाने की कोशिश के बीच, माफिया डॉन माइकल कोरलियोन अपने भतीजे विन्सेन्ट मनसिनी को अपने कब्ज़े में ले जाते हुए, अपने पापों का ला... सभी पढ़ें1979 में न्यूयॉर्क शहर और इटली में अपने व्यापारिक व्यवहार को वैध बनाने की कोशिश के बीच, माफिया डॉन माइकल कोरलियोन अपने भतीजे विन्सेन्ट मनसिनी को अपने कब्ज़े में ले जाते हुए, अपने पापों का लाभ उठाने की कोशिश करता है.1979 में न्यूयॉर्क शहर और इटली में अपने व्यापारिक व्यवहार को वैध बनाने की कोशिश के बीच, माफिया डॉन माइकल कोरलियोन अपने भतीजे विन्सेन्ट मनसिनी को अपने कब्ज़े में ले जाते हुए, अपने पापों का लाभ उठाने की कोशिश करता है.
- 7 ऑस्कर के लिए नामांकित
- 6 जीत और कुल 23 नामांकन
फ़ीचर्ड समीक्षाएं
First off, I adore the first two Godfather films. They were wonderfully made, scored, directed and acted with compelling elegiac stories. However, while I do not think it is as bad as it is made out to be, The Godfather Part III is a disappointment. I did like it in general, but in comparison to the first two it is like a distant relative.
Starting with the good things, it does look splendid. The cinematography is beautiful and the settings are superb. The music is also outstanding, and the direction is good. The acting is uneven, but not all of it is bad. Al Pacino does have a lot of fine moments as a more gentler Michael, while Andy Garcia is electrifying too.
However, I didn't like the story as much here. It lacked the elegiac feel of the first two, it has a lot of loose ends and there was a number of times I didn't know what was going on. The script isn't as thoughtful, intelligent or as sophisticated here, instead some of it is quite stilted. As much as I do love Diane Keaton I personally don't think she was necessary here, she served her purpose perfectly in the first two. Finally I have to concur about Sophia Coppola. She never convinces as the "symbol of innocence", and just comes across sometimes as embarrassing. Much has been said about the climax in the opera house, some loved it, others didn't. I think it was a mixed bag. I had no problem with Pacino, the way it was shot and the music but it did come across as very protracted.
So all in all, not awful, not great. 6/10 Bethany Cox
Starting with the good things, it does look splendid. The cinematography is beautiful and the settings are superb. The music is also outstanding, and the direction is good. The acting is uneven, but not all of it is bad. Al Pacino does have a lot of fine moments as a more gentler Michael, while Andy Garcia is electrifying too.
However, I didn't like the story as much here. It lacked the elegiac feel of the first two, it has a lot of loose ends and there was a number of times I didn't know what was going on. The script isn't as thoughtful, intelligent or as sophisticated here, instead some of it is quite stilted. As much as I do love Diane Keaton I personally don't think she was necessary here, she served her purpose perfectly in the first two. Finally I have to concur about Sophia Coppola. She never convinces as the "symbol of innocence", and just comes across sometimes as embarrassing. Much has been said about the climax in the opera house, some loved it, others didn't. I think it was a mixed bag. I had no problem with Pacino, the way it was shot and the music but it did come across as very protracted.
So all in all, not awful, not great. 6/10 Bethany Cox
I recently watched all three Godfather films again in sequence and was surprised at how bad GF III is when closely compared to the other two fims. There are characters in the film whose presence is never made clear (i.e. George Hamilton, Brigette Fonda and Don Novello - Father Guido Sarducci??) The major characters bear little resemblance to themselves from the previous films. Connie Corleone is now a major supporter of Michael even though she knows he had her husband killed? Michael now has a change of heart and tries to go "legit" even though he so eagerly immersed himself into the power and control of the Corleone family. And Kay continues to "hang around" even though she dreads Michael and all that he stands for. Why?? The movie drags on in parts and never really gains it's true identity untill the end of the film during the opera scene. Not even Winona Ryder who was scheduled to be cast in the part of Mary could have helped. It only serves to give us an appetite for the earlier two films. Both of which I consider masterpieces.
I finally saw it ! As a total devotee of the two previous installments, I avoided seeing the third one, on purpose, people I respect had told me about the disappointment and, quite honestly, I didn't go there. Last night I did and surprise, surprise, it moved me no end. Maybe because I haven't seen the other two in four years. Yes at times is more Ken Russell than Francis Ford Coppola and in my book that's not a bad thing. I was, however, a bit taken aback by the healing in Pacino's Michael as far as Keaton's Kay is concerned. As it nothing had ever happened, while in Diane Keaton the memory of that pain is always present. Talia Shire is a lot of fun as a sort of Madame Sin. Raf Vallone, superb as the doomed Pope John Paul I and then a bit puzzling casting choices that I think they me code for something. George Hamilton, for instance, takes over from where Rubert Duvall left off. Helmut Berger plays the head of the Vatican Bank. Helmut Berger! Just as curious as to find Troy Donahue in The Godfather Part II - All in all, I'm really glad I've seen it and I'm sure I'll see it again.
80U
Definitely not my favorite of the 3 but it's hard when the first 2 were just that good. It still portrays well, from my historical knowledge, much of the struggle of the mob families to legitimize their business dealings and try to enjoy life in the later age of the mafia in America. Al Pacino performs brilliantly and I enjoyed Joe Mantegna in his roll. Definitely worth the watch if you were a fan of the previous 2 films.
This film came out about the same time as Goodfellas, and pales in comparison with the Martin Scorsese effort. I know the two shouldn't be compared, but the fact that they are both gangster films begs some sort of comparison.
Does Godfather III "complete" Coppola's Godfather series? Only in the sense that we see what happens to Michael when he is an old man. In my opinion, we didn't really need to know that. To me, the Godfather films ended with Michael Corleone as a shell of a man after losing his wife and murdering his brother.
Besides, I'm of the view that the best American films of the 20th century were made in the 1970s.
Does Godfather III "complete" Coppola's Godfather series? Only in the sense that we see what happens to Michael when he is an old man. In my opinion, we didn't really need to know that. To me, the Godfather films ended with Michael Corleone as a shell of a man after losing his wife and murdering his brother.
Besides, I'm of the view that the best American films of the 20th century were made in the 1970s.
क्या आपको पता है
- ट्रिवियाAl Pacino was offered $5 million to reprise his role as Michael. But Pacino wanted $7 million plus a percentage of the gross. Francis Ford Coppola refused. He threatened to rewrite the script by starting the story with Michael's funeral sequence instead of the film's introduction. Pacino agreed to the $5 million offer.
- गूफ़When Cardinal Lamberto hears Michael Corleone's confession, he is not wearing the purple stole all priests wear during the sacrament. There is no reason why he wouldn't have one, since all priests carry one on their person at all times in case of emergency (such as giving absolution during last rites).
- भाव
Michael Corleone: Never hate your enemies. It affects your judgment.
- क्रेज़ी क्रेडिटThe original theatrical and home entertainment releases had the 1987 Paramount Pictures logo with the 1989 Paramount Communications byline, the pre-2020 Blu-Ray releases meanwhile had the 2002 Paramount logo with the 1995 Viacom byline tinted in sepia, and the post-2020 home entertainment releases and current streaming releases had the current Paramount logo with 2020 ViacomCBS byline.
- इसके अलावा अन्य वर्जनThe VHS release is called "Final Director's Cut", features 8 minutes of additional and alternate footage not included in theatrical version and has been the version released on all subsequent home media and television releases, until the 2020 "Coda" version. The theatricals version was released in certain non USA countries on VHS and DVD, but never on Blu Ray or 4K until the 2022 Godfather 50th anniversary box set. The changes mostly consist of additional footage, but some alternate footage and dialogue in select scenes. Full set of changes are as follows:
- New scene of Don Altabello giving to the Vito Andolini foundation (1.5m).
- There is an added scene in Michael's party of the Arch Bishop and Bj talking (30s).
- New scene of Michael and George Hamilton at breakfast; then Andrew Hagen enters and speaks with Michael (1m 18s).
- New establishing shot of the church before Michael and the Arch Bishops meeting (7s, this is the opening shot of the 'Coda version')
- New scene of Mary questioning Michael's motives on the rooftop (1m 30s).
- Alternate take of Altabello leaving the Chinese restaurant before entering Michael's car (-3s)
- Two medium close-ups shots of Mary and Vincent added to the scene where they make gnocchi (8s).
- New dialogue is added to Michael reprimanding Vincent, Connie, and Neri (30s).
- Alternate dialogue in the scene where Mary is being told to not date Vincent, by Mary. Then additional dialogue is given to Michael and Anthony (10s).
- New scene of Michael giving Anthony the drawing form part II (32s).
- New scene of a shot of Michael and Kay's car driving through the hills, which dissolves into the next new scene (16s).
- New scene of Michael and Kay standing outside the door of Vito's old house, which references a deleted scene from the first film (30s).
- Deleted dialogue after Kay comments about the puppet show (No time difference).
- New scene of a cycling priest with flowers, who then gives them to Kay (28s).
- Alternate dialogue between Michael and Kay at lunch. The 1991 cut is far more emotional, where as the the article cut is far less emotional, having the characters find a much more blatant peace.
- Two superimposed shots were cut from the Restoration (making no change in the timing.) When the new Pope is elected, the Restoration at around 2:05:04 shows three superimposed shots of newspaper front pages. But the Theatrical Version included two extra front pages not included in the Restoration: a German newspaper 15 seconds later, and then an Italian newspaper another 15 seconds after that.
- कनेक्शनEdited into The Godfather Trilogy: 1901-1980 (1992)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- El Padrino. Parte III
- फ़िल्माने की जगहें
- Mare Chiaro bar "Toni's nut house" - 179 Mulberry Street, Little Italy, मैनहटन, न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका(Actual owner Toni sat in background smoking cigar as always..)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $5,40,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,67,61,392
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $63,87,271
- 25 दिस॰ 1990
- दुनिया भर में सकल
- $13,68,61,392
- चलने की अवधि
- 2 घं 42 मि(162 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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