डिक ट्रेसी

"Dick Tracy" is one of our family's favorites -- the actors are great -- the art direction is exceptional -- the music is magic. It's not supposed to be "To Kill A Mockingbird" -- it's a fun experience.

Stephen Sondhemim's songs are stellar: "Back in Business" is energetic, "Sooner or Later" is just right, "What Can You Lose" is haunting -- even tunes like "Live Alone and Like It" add to the story

Got to love the giddily over-the-top performances of Al Pacino, Dustin Hoffman, Glenn Headly, Charlie Korsmo, Mandy Patinkin, James Caan, Dick Van Dyke, supporting villains... The list is far too long. And, yes -- even Madonna and Warren Beatty are awesome. Written with a smile a minute (how many times have we looked at each other and said, "Wait a minute -- I'm having a thought -- it's gone!"?).

However, one of most telling things about in this film is that everyone involved seems to be having a good time -- and that above all adds to the enjoyment for the viewer. So, if you haven't already, why not give "Dick Tracy" a chance -- accept it for what it is -- a Sunday comic strip brought to life -- and in a wonderful way!!

An all-star cast, vivid colors that could give you a headache and Madonna's sizzling performance made many think that "Dick Tracy" is much better than it actually is. It is one of those typical quantity over quality projects that uses smoke and mirrors to make the audience think that it is something unique and intriguing. However, the film is little more than a comic strip that jumps up at you ala the "Superman" or "Batman" group of films. Warren Beatty's performance and in-your-face direction are not totally successful. The seemingly endless name of cast members also becomes dizzying. Al Pacino (Oscar-nominated) steals every scene and pulls a Jack Nicholson from "Batman" out of his hat. "Dick Tracy" is a good film, but it is far from being a masterpiece. 4 stars out of 5.

If Dick Tracy was in black and white, the pope wouldn't be religious. Giving a new sense to the concept of color in a movie, we are offered an unique experience throughout a comic-strip world, and it's one of the few movies which succeeded in doing so, thanks to a serious script, good direction, great performances (Al Pacino is astonishing) and most importantly a powerful mix of cinematography, art direction and costume design. Using only primary colors, the experience is quite different from anything we have seen before. And there is also a quite successful hommage to all the gangster-movie genre, pratically extinct from modern cinema. Overall, I see this movie as a fresh attempt and a touch of originality to a cinema which relies more and more on the old and already-seen formulas. 7 out of 10.

First and Formost, this movie hits the comic strip right on the nose (it was goofy looking and freak'n violent). The one thing that always gets me is that we have detectives, feme fatales, rutheless gangsters, exploding cars and machine guns, all done in super bright rainbow colors. I find that the bright colors really pull this movie off, It conveys the whole "comic book" idea, better than the giant balloons from Batman, the verbaitum sound effects from X men, and certainly those annoying "panel" shots from hulk.

This is a marvelous film. Warren Beatty managed to film it just like a comic book MIGHT be brought to film with humourously grotesque and bizarre characters, beautiful colours, and a plot that really only could have come from a comic book. The buildings, set design, make-up, and props are like nothing I have ever seen in film before. Now, never having read the original strip leaves me out as far as making probably very insightful comparisons with this film and the original source. That being said, I think that Beatty, although drastically changing some of the villains in the film to fit smaller roles, tried to keep the spirit of the film inside the comic strip. Does that make sense? Probably not. Anyway, Dick Tracy offers a lot. It is a visual feast with a decent story and some prime time stars doing some things you may not expect from them. Beatty is very good as the lawmen, but much of the supporting cast steals many scenes from him. Al Pacino as Big Boy Caprice is sensational as an over-the-top thug out to get every criminal under his control, while he intermittenly quotes folks like Nietchze, Jefferson, and other historical figures. Dustin Hoffman as Mumbles is wonderful - if you can finally figure out that it is him(notice in the scene where a stenographer is taking down what he says((That is Oscar winner Kathy Bates!))). James Caan has a brief yet good scene with Pacino Godfather style and Beatty gives Michael J. Pollard and Estelle Parsons cameos as well(both co-starring with him in Bonnie and Clyde). Then there is Madonna. She tries her best to live up to her name of Breathless and does a VERY credible job at it. And then of course there is the music of Stephen Sondheim, an Oscar winner for this film. It is very good and in some ways more memorable than much of what goes on in the film. Perhaps a song here or there might have been cut, but for the most part the music greatly added to the overall effects created in the film. Is Dick Tracy great? No, but it is a whole lot better than it is generally given credit for. In some ways its innovation must be reviewed again. I think that for its type of film it is one of the best.