Darkroom

It would be much easier to watch this bird and cicada soundtrack movie if it weren't for all the bad actors talking during the whole thing. If this review makes no sense, watch and you'll understand.

Produced by Nico Mastorakis, of Island of Death infamy, but directed by Terrence O'Hara, Darkroom is an obscure late-'80s horror that owes a debt to the Italian giallo genre in in its opening scenes, but which descends more and more into tired American slasher territory as the plot progresses.

The giallo elements are evident in the opening double murder, in which an unseen photographer, who has been spying on a married couple with his high-powered lens, dons yellow rain coat and rubber gloves before picking up a hatchet to kill his subjects. The maniac then sets his sights on the family of pretty teen Janet (Jill Pierce), who has gone to visit her folk at their remote farmhouse. One by one, the family members are picked off, leaving Janet and her mulleted boyfriend Steve (Jeff Arbaugh) to try and stay alive until help arrives.

With pedestrian direction, a weak script featuring dreadful dialogue and obvious red herrings, and most of the deaths occurring off-screen, Darkroom is, for the most part, predictable trash, O'Hara even seeing fit to throw in a gratuitous shower scene (for which I am grateful - it helped to alleviate the tedium). Admittedly, I was impressed by the number of family members who fall victim to the killer, and surprised by the film's flirtation with the taboo subject of incest (although, thinking about Mastorakis's debut movie, I shouldn't have been), but the majority of the film is so by-the-numbers that it all proves rather mundane.

4.5 out of 10, rounded up to 5 for the creative opening credits, which were apparently the work of Mastorakis.

I saw this recently for the first time and what a waste of time.

Generous with a 4 cos of the settings of that of a remote farmhouse, nestled deep in the countryside and the only neighbors is a couple and they disappear very early, making the area even more secluded.

This is a boring slasher with almost zero nudity inspite of a shower scene, clothes changing scene n a sex scene.

Wait, even the sex scene is offscreen.

The guy with the mullet hair looked like a slimmer version of Brian Thompson. He gets injured in an offscreen scene but pops up in the end as a hero.

Ther is absolutely no the character development n we dont feel anything for any victims.

My review was written in July 1990 after watching the movie on Quest Entertainment video cassette.

Slasher film "Darkroom" starts well but sputters once the killer's identity has been revealed midstream. Direct-to-video feature is merely okay for target fans.

Best thing here is the opening credits sequence, imaginatively using frames of film to display the title cards as if magnified.

Film proper has a maniacal killer preying on victims in a family setting and taking photographs of same. Incest is the key plot gimmick as a childhood trauma solves the mystery.

As long as the characters and suspects are introduced in opening reels and the killer is confined to stalking footage, the film holds up, but once the cat's out of the bag it becomes boring. Finale has two characters thought to be dead bouncing back for a hokey fight.

No-name cast is game.

A psycho-killer is on the loose at Janet Templeton's family farm.When Janet's sister is brutally murdered,her boyfriend and her family become targets of the killer's psychotic and passionate aggression."Darkroom" is a fairly routine slasher flick that offers literally nothing new for the fans of this sub-genre.The pace is painfully slow and almost all the killings are committed off-screen.The acting is bad and there is absolutely no suspense."Darkroom" was produced by Nico Mastorakis,but his sleazy and infamous "Island of Death" is much better than this piece of mediocrity.Give it only a look,if you are a collector of obscure and forgotten slasher flicks.5 out of 10 and that's being generous.