Vampire's Kiss

A man decends into madness. His madness distorts his reality to where he believes he is becoming a vampire. Not a vampire movie. Not really a dark comedy either. Cage did a great job but his accent was really bad. I felt at times his character was really cruel and there was no dark fun side to laugh at.

However, I gave it high marks because it was different and put a new twist on the whole madness thing. The acting (except for the accent) was good. My wife hated this one.

Nicholas Cage is a terrific actor, and I have enjoyed his work in all the movies I've seen him in. That said, he does an outstanding job holding one's attention throughout this movie.

Nonetheless, this isn't a great movie. It goes in a few too many directions for it to remain coherent. It offends too many senses for it to be a good a comedy, and provides too few scares as a horror film.

One highlight, as others have mentioned, is with the fake vampire teeth. But the best part to that bit was the fact that he had to settle for the CHEAP teeth, because he didn't have $20 for the good ones! That really made me laugh!

My rating: 6

This movie is NOT about vampires; there isn't a single vampire in it. Instead, it is about a man (played by Cage) who loses his mind and begins to think he is a vampire after an unsatisfying series of one-night stands that make him feel empty. It's a metaphor about relationships, and this is one fantastic black comedy. Check it out and thank me later.

Vampire's Kiss is a pretty original dark comedy/horror film starring Nicolas Cage in one of his best performances. Cage is an executive in NYC that throughout the course of the movie is convinced he is a vampire. Cage's character is on a rapid downward spiral to complete insanity. Whether loneliness or too much stress is a factor, it is never specified. I have no idea what types of drugs Cage was taking, but he is totally bonkers in this film. Maria Conchita Alonso is his office assistant and doormat of which his abuse towards her escalates throughout the course of the film. Once Cage is convinced he is a vampire, he embraces his destiny. He has an aversion to sunlight and sleeps under his couch upside down like it is a coffin. He even bought some three dollar fangs in the local occult store. Now that's commitment to the lifestyle! Combine George A Romero's Martin with American Psycho if you want to get an idea of the style of Vampire's Kiss. Anyway you slice it this is one freaky deaky film and it works due to Cage's wild, eccentric and absolutely unhinged and explosive performance. If you are looking for something dark, offbeat, but well done this is one you won't want to miss.

Okay, so Nicolas Cage eats a real cockroach. So the majority of the people who've seen this film don't understand the plotline. So black comedy is new to a late eighties audience. These points are minimal considering the great lengths to which the filmmakers go to to reveal the downfall of a hideous relationship between two people. A relationship gone so wrong that the male has to commit himself to therapy and conversely...murder.

Imagine a relationship wherein the woman was so soul sucking, so evil in her ways that you now feel as if she has sucked you dry - literally and figuratively - you are left as nothing but (in this case) a shell of a man - a walking corpse, yearning for the life's blood that she has stolen from you through your very own veins!

Cage gives the performance of his career and should have received an Oscar as the twisted, quintessential jilted lover who now desperately tries to recapture the joy of his most passionate and influential relationship by revisiting the empty, vampiretic bar hopping lifestyle where he found her - working his way through subsequent women, then just as unsatisfactorily moving his way through rape, suicidal tendencies and ultimately, murder.

It's tone is unforgiving alternating comedy and tragedy, confusing us as to whether he is really a vampire or just thinks he is. By flipping from his therapeutic sessions to his bitter and pathetic reality we see just how badly his male ego has taken rejection.

Here is a film where the simple plotline of a man being bitten by a vampire and believing he has become one becomes one where we see a man disintegrating before us, sliding into madness because he is forced to face his empty life.

His obsessive attention to detail, penchant for house bugs, absence of reflection in the mirror and avoidance of sunlight all match the prerequisites for vampirism, but his clumsy attempts at finding another woman and to fill the void that is left by a woman put so far onto a pedestal he cannot reach are overshadowed.

This is not a film for the feint of heart but for anyone who has ever been screwed over by a woman they have loved (or imagined they did) this is a welcome little cult revelation that makes them laugh and brood at the same time.