UHF

Weird Al Yankovic's only excursion into film making proved to be a solid effort on his part. With an off-beat story such as this, the frizzy haired patron of pop polka proves his acting is adequate enough to carry a film such as this. While I feel there could have been more Weird Al songs, the comedy wasn't lacking. Michael Richards had his best role ever as Stanley Spadowski the janitor. All of the children's show sequences were hilarious. While this film isn't for all, it was certainly a movie which I can enjoy on many occasions. 6.8/10

It's very telling that I had to look 15 pages deep into the user comments to find one negative review of this movie. And the negative reviews were from insufferable snots.

This movie made me laugh as a teenager, but it also makes me laugh as a fully grown adult. Does that mean the humor is dumb or sophomoric? Not necessarily. What exactly is "adult humor" anyway? Does it necessarily need to contain graphic depictions of sex and generous uses of profanity to be considered sophisticated and adult?? I contend that it does not, and I cite UHF as an example.

The laughs here are genuine, and they come from lack of pretentiousness and an honest feeling that one need not take oneself too seriously at any given moment. Al lets us know that it's OK to make fun of yourself as well as the rest of society. Much of what he does is self-deprecating, and UHF is no exception. He doesn't stand around making fun of others and establishing an air of superiority over the rest of society. As George Newman, he becomes the everyman, infusing much of his own personality along with his on-stage comedic persona. And he's not afraid to kick himself around and then proceed to pull himself up via his own bootstraps. Nobody else has to be hurt.

Plot has never been a big necessity in these spoof/parody movies. "The Naked Gun," "Airplane," "Top Secret," "Johnny Dangerously," and many others have had the most skeletal of plots. Cop must find and bring to justice bad guy who shot his friend. Burned out ex-pilot must save aircraft when crew dies. Rock and roll star must overthrow Nazi plot. Mobster must overcome those who wish to take him down. And in "UHF" we have Loser Man must save TV station from evil network exec. The plot is not important; it's just a vehicle to get us from laugh to laugh and set up the next joke.

UHF's comedy, though basic, rings true, and if you'll drop all of your pretentious airs, you'll get it. (We all know you're not nearly as sophisticated as you think you are anyway.) Who among us can keep from laughing while Raul teaches poodles to fly? Who can stifle a chuckle when Stanley is doing... well... doing just about everything he does in this film? Al admits in his commentaries and interviews that "UHF" is no "Citizen Kane." But that's the beauty of it. There's nothing complex here. It's all about the laugh, and there's where this movie really scores.

"UHF" is, to me, one of the greatest comedies ever. So many great scenes, so many awesome quotes, and best of all, a chance for Weird Al Yankovic to show off his talents, both as an actor and as a singer. Also, it's so much fun to see if you can pinpoint all the references to famous movies that Al puts into this film, such as the "Raiders of the Lost Ark" parody at the beginning, and many others.

The film is the story of George Newman, a young man who has trouble holding a job (and frequently gets his best friend Bob in trouble too) due to his overactive imagination. When he is given ownership of a local TV station, UHF, his imagination can finally be put to good use, in inventing the most bizarre show lineup you can imagine. When a network owner gets jealous of UHF's success, George and his friends and fans must unite to stop him and keep UHF on the air. Michael Richards is also quite excellent as the optimistic, not-too-bright Stanley.

Though it can be somewhat difficult to find, it's definitely worth the time and effort to buy "UHF" on DVD, so you can enjoy Weird Al's movie again and again and again...

It's a real shame this beast didn't do better at the box office; thank heaven it has found its niche among cultish Weird Al fans and 9-year-olds everywhere.

I saw this in the theater when it first came out. Although I've seen more cerebral and highbrow comedies I have never laughed so hard in my life as I did at "UHF". From the sight gag at the very beginning with the tiki head giving a raspberry to the karate guys bursting out of the supply closet in the denouement ("SUPPLIES!") this movie is a consistent howler. It's less a coherent whole than a series of set pieces which are almost entirely extremely funny.

Interesting also are the before-they-were-huge-stars performances, notably Fran Drescher and Michael Richards, who is vaguely disturbing as kiddie-show host Stanley Spedowski.

The PG-13 rating is very harsh. There's a lot here that younger kids will get a real bang out of. I'd say anyone over the age of about 7 will flip over "UHF", unless you're an insufferable snob.

Michael Richards battling a gang of mobsters with a mop and a staplegun. A clown being smashed with a frying pan, then force-fed dog biscuits. Emo Phillips accidently slicing off his thumb with a tablesaw. And Fran Drescher. Yup, I think it's safe to say that this movie has everything, folks!

"Weird Al" Yankovic's first (and only) movie is everything you would expect from this underappreciated comic genius. It has the same goofy charm as a Weird Al record, and works as an effective visual representation of what Al's music is all about. As you would expect, UHF contains plenty of movie parodies, all of which are spot-on and generally harmless. Die-hard fans can also look forward to seeing a wide array of "Al-isms" like Twinkie-Wiener Sandwiches, detailed rants about bizarre nonsense, usage of the word "weasel", et cetera.

Casual viewers will find the good (U-62) vs. evil (Channel 8) story a bit ho-hum and the humor a little too... Well, a little too weird. But let's face it: this film wasn't made to tell a captivating love story or to inspire us with biting social commentary. It's an excuse for using a new medium to show Al doing what Al does best: being himself. And, as all of us devoted fans can agree, we couldn't possibly ask for anything more! LONG LIVE MR. YANKOVIC!