IMDb रेटिंग
5.7/10
1.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंBenadette Peters stars in this ironic film based on Tama Janowitz's best-selling collection of short stories that defined the downtown New York art scene of the 1980sBenadette Peters stars in this ironic film based on Tama Janowitz's best-selling collection of short stories that defined the downtown New York art scene of the 1980sBenadette Peters stars in this ironic film based on Tama Janowitz's best-selling collection of short stories that defined the downtown New York art scene of the 1980s
Jsu Garcia
- Marley
- (as Nick Corri)
Denise Beaumont
- Ballerina
- (as Denise Marie Beaumont)
Mark Boone Junior
- Mitch
- (as Mark Boone Jr.)
फ़ीचर्ड समीक्षाएं
When I saw this movie, I thought it was surreal. Then I moved to New York and realized that it was just being honest. The movie takes place against the colorful (sometimes to a ridiculous extent) new york artist scene. I never read the book, so I don't really know (or care) if the movie was true to it or not, but I thought that all the characters were well developed and gave some hilarious performances. The plot flowed seamlessly and by the end you know that, despite the fact that little of what you saw made much sense, there is some strange order to the world and that it's all good. I find myself recommending this movie to all my friends as I would recommend it to anyone interested in New York, art, or the simultaneous crappiness and lovableness of humanity.
Struggling hat-maker Eleanor (Bernadette Peters) lives with her unstable struggling artist boyfriend Stash in a rundown New York City neighborhood. They are deep into the art scene.
James Ivory is the director. Ismail Merchant is the producer somewhere. Tama Janowitz is the writer based on her New York stories. This has a good sense of time and place although I want them to talk more about money. Maybe he gets enough from his art. It would be more compelling if there is some drug dealing, tricking, or minor scamming. I love "Dad I'm In Jail" which is a big moment in Pump Up the Volume a year later. The scene is not actually that memorable but it's about the song. The movie drifts from one situation or party to the next. At times, I wondered if there is any point to any of this. Maybe that is the point. New York may not be a good place for Merchant Ivory.
James Ivory is the director. Ismail Merchant is the producer somewhere. Tama Janowitz is the writer based on her New York stories. This has a good sense of time and place although I want them to talk more about money. Maybe he gets enough from his art. It would be more compelling if there is some drug dealing, tricking, or minor scamming. I love "Dad I'm In Jail" which is a big moment in Pump Up the Volume a year later. The scene is not actually that memorable but it's about the song. The movie drifts from one situation or party to the next. At times, I wondered if there is any point to any of this. Maybe that is the point. New York may not be a good place for Merchant Ivory.
Why did Eleanor put up with Stash? Why is Daria so annoying? Why didn't this movie get any play at all?
It has a great cast, with (literally) hundreds of "New York" types, and every single SoHo type is represented, eventually. I like Bernadette Peters so I appreciate this movie cause its one of her only starring roles.
For a touch of trivia, at the party Eleanor throws at the end, the woman who spends the party hiding in the bathroom is Tama Janowitz, who wrote the novel "Slaves of New York".
It has a great cast, with (literally) hundreds of "New York" types, and every single SoHo type is represented, eventually. I like Bernadette Peters so I appreciate this movie cause its one of her only starring roles.
For a touch of trivia, at the party Eleanor throws at the end, the woman who spends the party hiding in the bathroom is Tama Janowitz, who wrote the novel "Slaves of New York".
This over-long look at New York's art scene in the 1980 is based on a book of short stories by Tama Janowitz. Like the stories, this film has lots of characters and a meandering plot that basically follows Eleanor (Bernadette Peters) through her life of being a New York "slave" (a person who lives with a person who owns the house or has the lease for the apartment), designing weird hats, looking for love, and the endless whirl of parties, art openings, and friends.
Peters lives with an artist named Stash (Adam Coleman Howard)who is self-absorbed and unpleasant. Stash latches onto wealthy Daria (Madeleine Potter) who is a would-be artist but is too wealthy to really care. They run in the same circle as Marley (Jsu Garcia billed as Nick Corri) who paints but who really wants to start a church in Rome. His agent (Mary Beth Hurt) puts him in touch with a wealthy nutjob (John Harkins) who finances all sorts of weird "art" projects such as the guy in Montana who moves mud from one end of the garden to the other.
The plot follows Peters but also exposes the incredible arrogance of art as well as its cyclic trendiness. What is art? Who knows.
Co-stars in the film include Stanley Tucci, Tammy Grimes, Christine Dunford, Tama Janowita (as Abby), Steve Buscemi, Betty Comden, Chris Sarandon, Mercedes Ruehl, Michael Schoeffling, Bruce Peter Young, Louis Guss, Anthony LaPaglia, and Charles McCaughan as Sherman.
There's a brilliant and very funny interlude as three drag queens with a boom box and dressed in skin-tight red gowns parade down the street as the Supremes lip-syncing to "Love Is Like an Itching in My Heart." The sequence is just another look at fun and silliness of performance art.
Peters lives with an artist named Stash (Adam Coleman Howard)who is self-absorbed and unpleasant. Stash latches onto wealthy Daria (Madeleine Potter) who is a would-be artist but is too wealthy to really care. They run in the same circle as Marley (Jsu Garcia billed as Nick Corri) who paints but who really wants to start a church in Rome. His agent (Mary Beth Hurt) puts him in touch with a wealthy nutjob (John Harkins) who finances all sorts of weird "art" projects such as the guy in Montana who moves mud from one end of the garden to the other.
The plot follows Peters but also exposes the incredible arrogance of art as well as its cyclic trendiness. What is art? Who knows.
Co-stars in the film include Stanley Tucci, Tammy Grimes, Christine Dunford, Tama Janowita (as Abby), Steve Buscemi, Betty Comden, Chris Sarandon, Mercedes Ruehl, Michael Schoeffling, Bruce Peter Young, Louis Guss, Anthony LaPaglia, and Charles McCaughan as Sherman.
There's a brilliant and very funny interlude as three drag queens with a boom box and dressed in skin-tight red gowns parade down the street as the Supremes lip-syncing to "Love Is Like an Itching in My Heart." The sequence is just another look at fun and silliness of performance art.
this is a very cool little film.i rented it because i really dig the actors that are in it.this film apply represents the artsy community and how they all hang out and go to parties together.maybe its not for everyone, because since its independent its not effervescing with action scenes. the pace of the movie is cool because it is just like real life.you go places and meet people and try to pursue goals that may or may not work out. its important that artsy people should see this film, because everyone in it represents someone they know.great cameos from mercedes ruehl, stanley tucci, steve buscemi, and bernadette also does a great job as eleanor who lives with her crass and selfish boyfriend.
क्या आपको पता है
- ट्रिवियाWilfredo's clothing line and the outfits and costumes in the fashion show were created by New York costume designer Stephen Sprouse.
- गूफ़At about 1:17:55 when Stash comes home after spending the night with Daria, the shadow of the boom mic can be seen on the red door.
- साउंडट्रैकGirlfriend
(end title)
Written by Boy George (as G. O'Dowd), Vlad Naslas
Performed by Boy George
Produced by Vlad Naslas
Published by Virgin Music (ASCAP)
Copyright Control
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Slaves of New York?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Esclavos de Nueva York
- फ़िल्माने की जगहें
- The Saint nightclub, 105 2nd Avenue, East Village, न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका(formerly Fillmore East, originally The Commodore Yiddish theatre, , fashion show)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $50,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,63,972
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $26,118
- 19 मार्च 1989
- दुनिया भर में सकल
- $4,63,972
- चलने की अवधि2 घंटे 4 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.78 : 1
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