सी ऑफ़ लव

Great screenplay, acting and settings combine to make a dynamite film. The constant tension between the police investigation and Pacino's love interest keep the suspense going strong, and the chemistry between Barkin and Pacino is fabulous. John Goodman is excellent as always, the sex/death themes add to the tension, and the ending will throw most for a loop... this film delivers. Try it, you'll like it.

8/10

Sea of Love is directed by Harold Becker and written by Richard Price. It stars Al Pacino, Ellen Barkin, John Goodman, Michael Rooker and William Hickey. Music is by Trevor Jones and Ronnie Taylor is the cinematographer. Plot has Pacino as New York Police Detective Frank Keller, a borderline alcoholic and lonely after his wife left him for one of his colleagues. Tracking a serial killer of men, an investigation set-up leads him to date a number of women with the idea of obtaining forensic evidence off of the wine glasses. One of these women is sultry blonde, Helen Cruger (Barkin), who Frank starts to have a passionate relationship with…..

The erotic thriller is a tough premise to get right on film, so many elements have to fall in to place for the film to win over critics and film goers alike. Chemistry of lead cast members, a gripping plot, plausible outcome, and so on. Too many over the years have failed miserably at it, resorting to either gratuitous tactics or simple star casting to entice the paying public in to the theatre. Sea of Love is not a complete success, but it's certainly one of the best of its type. Were it not for a weak murder motive that's not fully explored, resulting in something of an unsatisfying finale, we would probably be talking about Sea of Love being the template movie for the erotic thriller.

All else that leads up to the last 15 minutes is sizzling, Barkin and Pacino spark in every scene they share, where even with the sex scenes, the fact that Barkin towers over Pacino doesn't detract from the sexual chemistry, it adds to it. It's smart, too, that we don't see Barkin for the first third of the movie, the anticipation builds up and thankfully upon arriving into the picture she doesn't disappoint. Goodman is ebullient and makes a good foil for Pacino's haggard life sucks act, his Sherman an easy to get on side with character.

The guessing game at the heart of the plot is well handled by the makers, there's no stupid giveaways or overkill of red herrings, while the edgy lonely hearts basis for both the killings and the investigative trap is nicely written by Richard Price. Fusing both loneliness and sexual needs together as one, Becker is able to get much emotional mileage out of the story. If only the ending could have made good on the promise shown. Come the last 15 minutes the "is she or isn't she the killer?" factor has run out of steam, with what follows inducing cries of "oh, is that it?"- instead of- "oh my god!". Damn shame that. 7.5/10

Men who've answered personal ads in the lonely hearts column featuring poetry are being found naked, face down on their beds. There are cigarette butts with lipstick on them in their ashtrays. Detective Frank Keller (Al Pacino), along with his sidekick Sherman (John Goodman), decide to enter their own ad in the lonely hearts column, and try to match the killer's fingerprints.

A great premise that definitely justifies making yet another police procedural, this Al Pacino vehicle won this reviewer over, which is hard to do these days with cop thrillers - once you see enough they all start to look the same.

But here we've got a great script, with some terrific wisecracking cop lines, great actors, especially Pacino, Goodman and sexy Ellen Barkin - which make for a very enjoyable ride. Sure the score is a little 80's, and Ellen Barkin may look back and regret that hair-do, but otherwise this is a very successful piece of film.

This is largely due to the terrific screen presence of Al Pacino - he's such a firecracker! And the hugely enjoyable chemistry between partners Pacino and John Goodman. They play off each other so well. The dating scenes are particularly fun - personal highlights for me. And, of course, Ellen Barkin exudes sensuality. Its incredible.

The title may sound pulpy and cheap - but its for good cause. We find out in the first few minutes that its the name of the song the killer was playing when the first murder of the film occured. Its also ironic - the crime-ridden world of this film is anything but a sea of love.

7/10. Must-see for Pacino fans and fans of cop thrillers. For everyone else, not essential, but great saturday night fair.

I've watched it many times and never get tired of it. "Sea of Love" is one of few films where Al Pacino is very sexy, and it is adds to the film's many pleasures. The rest of them are - well constructed story of a New York Homicide cop (Pacino) attracted to a mysterious blond woman with a charming crooked grin (Ellen Barkin - talented, sexy and underrated actress) who may or may not be a serial killer. The chemistry between Pacino and Barkin is powerful and undeniable and the love scenes between them are among the best and most memorable ever filmed. John Goodman is very good as Pacino's partner and friend and yes I love the soundtrack and the title song.

Al Pacino is excellent as the lonely and alcoholic Frank Keller, a veteran New York City cop, hot on the trail of a serial killer. In addition to Keller, and his tough-minded romantic interest, Helen, played well by Ellen Barkin, a third major character is the city wherein the story takes place. Ronnie Taylor's noirish cinematography and Trevor Jones' appropriately downbeat score paint rather a lonely picture of nighttime Manhattan, with all that colorful and flashy neon and the dreary rain. The overall effect is a sense of psychological isolation, alienation, and ... danger.

It's a perfect setting for a story about a series of murders, seemingly tied together by oldies-but-goodies songs. Keller searches for a killer who seems normal, but on the inside is a smoldering volcano. As a murder mystery, "Sea Of Love" works, because of its focus, and because of its restrictive narration. The viewer knows what Frank Keller knows, but nothing more. Clues are very subtle, and lie more in what is not said, than what is said. The ending was a surprise to me. I did not see it coming.

I have a couple of problems with the film, neither of which is serious. First, there are several plot segments that seem unnecessary, and could have been edited out. Second, certain scenes involving the victims are confusing.

"Sea Of Love" is a mystery/thriller that I recommend highly. It is psychologically intense, and it has an atmosphere that is suitably sinister. The acting, the music, the cinematography, the script, and the production design are all credible. And I could listen all day to that oldies-but-goodies song by Phil Phillips, from 1959.