से एनीथिंग

The magic, the heart of Say Anything, is that it dares to be normal. You remember the 80 teen romantic comedy genre. It was a nice idea that became an epidemic, but once and awhile there was a gem like Some Kind of Wonderful. But here is the major difference, the lack of cliche, the lack of formula, the lack of cute dialogue, and saying things without any words. Instead it is said with a look, a touch, a smile, and a tear falling down a face. It allows these talented young actors to _act_!

John Cusack plays Lloyd and it is the fact that Lloyd dares to be normal that explains why the film works. Lloyd is just a regular guy who dares to just call the beautiful class brain Diane (Ione Skye) after they graduate. It is the genuine "niceness" and persistence of Lloyd's phone call, that is responsible for her caving and saying yes. And it goes from there. What is a friendship, a respect for each other, grows into "friends with potential", and then goes even farther. Writer-director Cameron Crowe is famous for not pushing it and he perfected that style here. He doesn't try to make John and Ione look and feel "hot", he lets them continue to play young adults, who would by all rights still be awkward, nervous, testing the waters of life, love, and trust.

In a brilliant parallel, we learn of Diane's relationship with her father Jim (John Mahoney) which she has always been sure of, even when she needed to chose between her parents after their divorce. The subtle and detailed scenes between Diane and Jim are important to the twists in the story when Diane grows to trust someone other than her father and finds deceit with something she had faith in. Jim, is not your typical teen movie father. He's real and normal as well. His car is not backed into a house, he is not thrown into a great body of water, and he is not a typical ogre. He is allowed to be a three dimensional character, a driving force and an obstacle in the teen romance. Jim runs a nursing home and wants the best for Diane. He holds their relationship very dear, as it is all a part of Diane being the best she can be. That desire will end up being a double edged sword as Diane's growing pre-occupation with Lloyd the summer before she is set to go to England, threatens his plans for her. And although Jim seems to respect how Lloyd treats his daughter and him, he is bothered by Lloyd's lack of drive, that the only thing that drives Lloyd is the then almost unheard of sport of kick-boxing and Diane.

When the story comes to important moments that changes Jim, Diane, and Lloyd's world, this is when the story shines. This is when Lloyd's rambling and desperation to re-define his life due to his despair is a welcome change from the overbearing or over brooding of most teen flick "heroes". This is when Diane's confusion and discovery is so wonderfully done with little dialogue. This is when Jim, feeling his world is spiraling out of his control, grows quiet, and the power of un-showy direction from Crowe says all we need to see.

The supporting characters as well are gems, who are true supporting characters. Joan Cusack appeared uncredited as Lloyd's single mother sister who, once a blast is now uptight, but is still a supportive guardian for Lloyd. Lloyd's girl friends D.C. and Corey are like salt and pepper for Lloyd. Corey (played by Lili Taylor) is terminally depressed. She previously had attempted suicide due to fellow classmate, Joe, playing with her heart like a yo-yo and is always being the voice of negativity for Lloyd, always telling him what will go wrong, what can't happen, what should happen, and how he is different from Joe. D.C. is practically dwarfed by Corey, never being allowed to talk and never being able to steer Lloyd in a much more sane direction which Lloyd usually discovers on his own anyhow. All of the supporting characters of friends, former classmates, and residents at Jim's nursing home, are important, none are cardboard cut-out cliches. They all have dimension, depth, feeling, and we can understand their motivation, what drives them with carefully crafted scenes and dialogue.

When the ending comes, it is the subtle way they foreshadow the future instead of the standard frantic pacing most romantic comedies have when it comes to a conclusion. That in itself pretty much sums up the beauty of the film.

It is pure genius, this film is pure genius.

Most people I know loved Say anything and I am among the many who thought this was a very good touching, funny movie for teens and young people. It is a bit more wholesome then a lot of what's out there in this genre and although it doesn't rank among my favorite teen movie it definitely earned it's praise.

There are some terrific one liners in Say Anything and the male/female relationship is depicted in a touching and often very accurate-surprisingly accurate way. Plus there are moments of just pure hilarity and unforgettable lines, one of them being what I headed my Quote(my buddy and I still throw this line around to this day.) John Cussack stars here and was very good, it was my introduction to him. I'd recommend this movie to anyone who just wants to see a nice fresh teen movie with both touching and hilarious moments. My vote is 8 out of 10.

Very few films have even tried to be as smart and honest as Say Anything. The film, which is more then 10 years old, still remains to be one of the strongest pieces of romantic cinema. Not only do John Cusack and Ione Skye have perfect chemistry; not only is John Mahoney's character one of the most complicated father figures in the history of film; not only is the screen play delightfully honest; but everything just seems to fit right in this movie. A true treasure

SAY ANYTHING is one of those movies from the 1980s that during all these years assumed some sort of cult following, and it's probably Cameron Crowe's most famous movie along with JERRY MAGUIRE. When I saw it few months ago I didn't consider it a classic but still a good movie in its own right.

Lloyd Dobler (John Cusack) is a good-hearted underachiever that falls for valedictorian Diane Court and wants to ask her out despite they belong to different social groups. Lloyd lives with his sister and still hasn't plans for his future: Diane comes from a sheltered academic upbringing, and she is about to take a fellowship in Britain for the summer. Some time pass, they become intimate much to her father's concern, and he is also investigated from the Internal Revenue Service but the real culprit is her dad, and they end up going together in Britain.

There are many good and memorable moments in it (most famous of them, when Lloyd stands under Diane's window playing Peter Gabriel's IN YOUR EYES on a boombox), and has a great 1980s vibe to it and a nice performance by the always good Cusack. The only negative would be the father subplot, but overall, it's just a decent comedy that has achieved some sort of cult status.

That was one incredible line: "I gave her my heart and she gives me a pen." You could just feel the pain. I caught this tonight and was really surprised. Cusack was magnificent. Maybe I need to watch more of his movies to get some tips.

Ione Skye was so much more that "Girls in Prison." She really played a great part and was so sweet. She has that Drew Barrymore smile.

I really like Lili Taylor, too. She really played a great part. And, when he went to the guys, I swear I recognized one of them, but I can't place him.

All in all, I have to agree that this was one good movie.