Penn & Teller Get Killed

this movie has some interesting stunts that are pulled, but I kept asking myself during the duration of the film, Is Penn the guy who does the "next on Comedy Central" voice. Otherwise I could dig this movie, jay and silent bob seemed to rip it off a little bit.

Penn and Teller is a fictional film about how inviting killers to your head on national TV can lead to potential problems, even if you are Penn and Teller.

This film embodies almost everything that is Penn and Teller, because that is what a Penn and Teller film should represent: Penn and Teller. Let's get the bad out of the way first: The acting in the film is decent and comical, but not superb - especially the actors that play the side roles. Of course considering Penn and Teller are magicians whose job is to act in a way that conceals their tricks, their acting is not bad, although it feels like something is missing, especially in the more "emotional" parts of the film.

Also, there's a slight issue with the writing. The film is sort of a mix between comedy and thriller, but the twists are generally somewhat predictable, and a lot of the humor does not cause explosive laughter. Again, the writing is just a wee bit weak, but in my opinion not the main point of the film.

What the point of the film is though is lots of Penn and Teller: The viewer gets to see plenty of magic tricks and how they are done, Penn and Teller make commentary on various forms of superstition, and deliver what is in my opinion the silliest, somewhat apologetic yet quite possibly best ending a film could ever have.

Overall, I would recommend Penn and Teller Get Killed, even if I were on national TV.

Penn and Teller Get Killed isn't what you'd call a triumph of skilled film-making. The primary function of the movie is to allow Penn and Teller to perform their routines and display their trademark style -- a style that has as much to do with their attitudes as it does their 'magic.' If you like them, you'll like the movie; if not, you probably won't.

That said, the plot is interesting enough, and the film is not JUST a vehicle. The film itself really does reflect their twisted sensibility, and that may be its strongest point -- it's not just "Penn and Teller do some magic with a plot pasted on." It's really what you'd expect if someone allowed these two to make a movie. (The ending, in particular, is one of the strangest I've ever seen.) The film is perfectly Penn and Teller: it gets inside your head, twists things around, breaks some stuff, and leaves with a smile as you try and figure out what to do with the mess.

The idea is promising: is someone actually trying to kill Penn (following his peculiar request), or is it all a big hoax? But the result is a mess. The script that Penn and Teller wrote is unstructured and complex, and it doesn't seem to have a discernible beginning, middle or end. There is a funny and creative scene in an airport, early on, and then the film goes downhill. The VERY last monologue we hear, however, is kind of clever... (**)

This starts with a recreation of their upside-down trick on SNL like a late night talk show. As an off-handed comment to the host's question, Penn says that he wishes someone would try to kill him for excitement. They and their assistant Carlotta (Caitlin Clarke) are off to expose psychic surgery as fake. Her uncle is being tricked by some con-men.

This movie needs a good writer to write an actual script. Instead, Penn & Teller have written a meandering story. It does have some fun with their pranking and their magic tricks but at some point, I wonder when the story finally gets some traction. It tries to go surreal with Caitlin Clarke playing a completely different character. It takes awhile before I realized that it's not a dream sequence and that it is actually Caitlin Clarke. This is a movie where the concept of the ending supersedes the traditional narrative writing. The guys have a wild idea and write a rambling story to get to the finish. I still do like the absurdity of the ending.