Night Game

Surfing Tubi in the middle of the night, I originally turned it on mainly for Roy Schneider and Astros baseball. But when the opening credits started, I instantly recognized shots of the causeway, Flagship hotel, east beach and then a house in the east end historical district. I gave up thoughts of going back to sleep and settled in for a watch. Roy Schneider was very good with what he had to work with. Terrible accents, lame script and poor editing. But seeing an intact Balinese Room is worth missed sleep any day. Many locations are gone or don't exist in the same form. My family was in the bar business in the late 30s and war years and my bedtime stories were different, to say the least. Schneider"s character talks about his Dad also being part of this world. My extended family includes descendants of the island famous Johnny Jack Nounes. Anyone from the Gulf Coast or even other parts of Texas should enjoy it just for the scenery.

The Popular Success, from Fans and Critics of the "Serial-Killer" Genre in the History of Cinema is a Clear Representation of the Filmography that has More "Hits" than "Strike-Outs".

This One is Definite Entry in the Strike-Out Category,

where Nothing Seems to Work and Coalesce into a Watchable "Thriller" or Cinematic Study of the Modern Mayhem and its Murderous Perpetrators.

The "Tone" Set-Forth in this Dull Display, well, there is No Tone.

This Law v Killer is a Misguided Affair, with Distracting, Hardly Relevant Side-Stories (Mother-In-Law) that are Embarrassing.

A Usually Reliable "Lead", Roy Scheider Plays the Act OK, but is Dealt a Numbing and Dumbing-Down Script with Little to Shine and Much to Cause a Cringe.

The Genre has had some Mediocre and Unremarkable Films, ranging from Fair to Great, Depending.

But this One Takes the "Wedding Cake"...

Concluding in the "Astro-Dome" with Scheider and His New Bride (Karen Young), and She Is...about 20 Years Too Young, still Wearing Her Gown from the Wedding, by the way... the Writer that Wrote this Thing Thought it Interesting, or Provocative, or Something, that Scheider Actually Dated Her Mom in High-School...

Wow...Talk about Cringe-Inducing.

The Starting Pitcher, that the Story Revolves Around, Leaves the Mound Goes to the Stands to Congratulate the Detective (by the way a former Minor-Leaguer) for Solving the Case...

He Tells Him to..."Enjoy the Game"...then the Ump Yells...Play Ball.

Few will "Enjoy" this Awful Movie.

Roy Scheider plays a Galveston, Texas police detective trying to catch a serial killer. It seems when a popular Houston Astro pitches a winning night game, a beautiful blonde winds up dead near the beach.

This crime drama also stars Richard Bradford, Paul Gleason, Karen Young, Lane Smith and Rex Linn. This movie quickly becomes predictable, but keeps your interest to the end.

Thanks to brilliant genre classics, such as "Jaws", "The French Connection" and "Sorcerer", Roy Scheider is one of my - admittedly many - cinematic heroes, but it's nevertheless quite difficult to take him seriously here in this film. Roy depicts a police detective in a coastal Texan town, who asked the daughter of his high-school sweetheart to marry him (!), and meanwhile he tries to solve the case of a serial killer who slays beautiful blond women with a hook. His modus operandi also seems to be linked to the calendar of the local baseball team. Neither the plot nor any of the characters are very plausible, but luckily there are other things to enjoy in "Night Game". There's a lot of misplaced humor, for instance one of the deputies gets sick upon the discovery of a new body whereas another one orders pizza to the place of a crime scene. The killer cuts the throats of victims with a hook; hence the murders are reasonably gory and sadist, and the stalking that he does before killing them results in a couple of suspenseful moments, notably at the mirror-palace at the carnal or on the construction site near the beach. Scheiders' quarrels with his future mother-in-law are often funny, and there are pointless supportive roles for familiar faces like Lane Smith and Paul Glaser.

The main drawcard is the exciting actor, Roy Scheider. Sadly, he can't carry such a deadweight on his own. The script was absolutely awful and the directing dreadful. The story was slow and the fight scene at the end was like a children's recital. That's not the fault of the actors as I blame that on the director. I like to know who finances these type of films. Too much money and not knowing what to do with it must be the diagnosis. On one interesting note is Karen Young. Does she remind you of Shirley MacLaine or what?