Non aver paura della zia Marta

This terrifically trashy, but frequently fun low budget B-Horror is riotously replete with maniacal aunts and all manner of spooky, crudely exploitative Italianate B-horror lunacy! Produced by esteemed horror icon Lucio Fulci, starring charismatic actor Gabriele Tinti, and directed with 'relative' competency by Euro-cult hero Mario 'Satan's Baby Doll' Bianchi. While Mario Bianchi's initially tepid creepshow 'The Murder Secret' takes a wee while to come to the B-Movie boil, but when it finally reaches body temperature it righteously rewards the more patient horror fan with a scurrilous selection of screw-headed set pieces!

The benign inclusion of a tantalizing shower scene luridly exposing the gratifyingly buxom assets of super-starlet Jessica Moore effectively increases the film's more aggressively voyeuristic content! 'The Murder Secret' is no less bemusing a proposition than many of the Fulci/Lenzi helmed horror films from the same era, and might be more essential to those obsessive B-Movie mavens compelled to watch every gonzo, blood-spattered Italian horror made in the 80s! Happily, there is just enough warped, schlocky shenanigans in 'The Murder Secret' to merit a single viewing, and the distractingly zesty electronic score by maestro Gianni Esposito certainly didn't go unnoticed! Perhaps it might be time for a comprehensive Bianchi Blu-ray horror box set? In addition, ardent Lucio Fulci fans might care to note that this was one of the six films that had its bloodier elements edited into his audaciously skewed splatter masterpiece 'A Cat in The Brain'.

The Murder Secret (1989)

* 1/2 (out of 4)

Richard Hamilton (Gabriele Tinti) takes his wife (Adriana Russo) and their two kids to visit his Aunt Martha. Even though Richard hasn't seen her in years when they arrive to her house she's no where to be found. The family is told to just wait around but soon murders begin to happen.

THE MURDER SECRET, aka THE BROKEN MIRROR and many other titles, is one of the handful of films that were released as "Lucio Fulci Presents" and, as you can probably tell, he had very little to nothing to do with the actual film, although clips would eventually show up in his A CAT IN THE BRAIN (as well as clips from other movies). If you're looking for a great Italian horror film then you certainly won't find it here, although there are a few interesting moments.

People often talk about how the Italian horror market was in its dying days during the late 80s but people also seem to forget that the genre was pretty much dying everything. This film here has a few interesting ideas that I'm sure could have been better exploited back in the early part of the decade when film's were allowed a bigger budget. There are a couple twists in the story, which is actually pretty good but the biggest problem is the fact that there's way too much talking and not enough action. Not to mention, the film really drags, contains no atmosphere and certainly no scares.

Outside the nice plot twists, the film also offers up a couple memorable death scenes. The decapitations are all done without too much of a budget so they aren't very convincing but at least there's some blood here. There's also an obvious wink to the shower scene in PSYCHO, which is certainly the highlight of the picture.

Your enjoyment of this film 80's Italian horror flick will probably depend somewhat on your expectations. If you're expecting a superior Lucio Fulci film (Fulci produced this), you'll probably be somewhat disappointed (but to be fair it's really no worse than a lot of the stuff the gore-master himself was directing at the end of his career). On the other hand though, if you've seen any of the previous work of Mario Bianchi, the actual director of this (for instance, his deadly dull "Satan's Baby Doll") you'll no doubt find this one comparatively entertaining.

A family, consisting of a father (Gabriele "Mr. Laura Gemser" Tinti), his second wife (Adriana Russo), and his three children--a young son, a voluptuous "teenage" daughter (Jessica Moore), and his adult son who shows up later--all drive out to a secluded family estate to meet the father's "Aunt Martha" who has just been released after spending thirty years in a mental institution for the criminally insane. Naturally this sounds like bad idea, but if dumb characters didn't do dumb stuff like this, we'd have a lot less gory horror movies. The place is managed by a creepy caretaker and "Aunt Martha's" arrival is mysteriously delayed. Meanwhile, all kinds of strange things begin to occur. . .

This movie is not very well paced as almost all the murders take place in a ten minute period near the end. They're suitably gory at least--one thing I like about the Italians is that they have no compunctions about doing things like decapitating annoying child actors with chainsaws. Tinti is always enjoyable, even in roles like this where he's not making "the beast with two backs" with his more famous wife. Russo and Moore both have memorable nude scenes. I think the former might be the sister of the voluptuous Carmen Russo (they look a lot alike anyway) while the latter appeared in several Joe D'Amato movies like "11 Days, 11 Nights" and "Convent of Sinners". (Here she takes a very long and very hot shower that all by itself might be worth the price of admission). Unlike most latter-day Fulci films or Bianchi's earlier "Satan's Baby Doll", this is not yet available on legitimate DVD. But it really ought to be.

This movie was one hard to find little treasure. If anyone has seen Fulci's "Cat in a Brain" then you most likely have seen some of the death scenes from this flick. A family of four are heading over to stay at Aunt Martha's house for a few days. Apparently, Aunt Martha has been in a psych ward for a good portion of her life and just got out a month earlier. So, she feels compelled to invite her nephew and his family over to celebrate. The problem starts when they arrive. Aunt Martha is not there. Only the caretaker of the estate explains that Aunt Martha got caught up in out of town business and will arrive next morning. Will the family make it through the night? This is not a bad flick. The movie gets a bad wrap because the first hour of the movie is just a lot of atmosphere and character development. The movie does have a pretty good musical score carrying through most of the film. And yes, there is a very obnoxious little brat in the movie (who does get his). Once you get past the first hour the film picks up to several decent gore scenes and a very unusual ending. All in all, not a bad movie and I give it a 7/10.

After spending 30 years in a mental hospital, aunt Martha is free to leave and writes a letter to her relatives, inviting them to spend a weekend on her isolated country house. But when they get there, they meet only the caretaker, who informs them that their aunt has not arrived yet....After 50 slow minutes of virtually NOTHING HAPPENING, there are a few gory murders, and then it's time for the twisted secrets and nonsensical plot revelations. As it often happens in these Italian horror films, there is a very atmospheric score, which actually does most of the director's work for him. And I must mention that the actress who plays the daughter (Jessica Moore) is really hot. There are two scenes of her checking herself out in the mirror, and let me tell you, this girl has every right to be proud of what she sees. (*1/2)