IMDb रेटिंग
5.1/10
6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn unconventional corporate agent is given the task of shaping a group of violent criminals and technical wizards into a helicopter defense force assigned to protect a mining station on a re... सभी पढ़ेंAn unconventional corporate agent is given the task of shaping a group of violent criminals and technical wizards into a helicopter defense force assigned to protect a mining station on a remote moon.An unconventional corporate agent is given the task of shaping a group of violent criminals and technical wizards into a helicopter defense force assigned to protect a mining station on a remote moon.
- पुरस्कार
- कुल 2 जीत
Mehmet Yilmaz
- Marc
- (as Mechmed Yilmaz)
William Begatie
- Pilot Taxi-Crane
- (as William Begatte)
फ़ीचर्ड समीक्षाएं
It's 2038. Earth's resources are depleted. Multinational corporations control far off mining operations in the outer zone. Moon 47 is attacked by robot fighters. With an expected attack on Moon 44, Galactic Mining sends in young tech nerd navigators to guide helicopter pilots. With no one for the dangerous piloting jobs, the company recruits willing prisoners. There is an issue with the situation and internal affairs is needed. The company offers the job to Felix Stone (Michael Paré) in exchange for cancelling his contract.
This is early B-movie Roland Emmerich. I remember watching some of this back in the day. It's got good miniatures but the action is limited filmmaking. Limited is the catch phrase for most of this movie. While I remember the conflict between navigators and pilots, the secret sabotage is forgettable. More than anything, the acting is B-level led by Michael Paré. They are perfectly fine for this solid B-movie. Perfectly fine B-movie defines everything aspect of this movie.
This is early B-movie Roland Emmerich. I remember watching some of this back in the day. It's got good miniatures but the action is limited filmmaking. Limited is the catch phrase for most of this movie. While I remember the conflict between navigators and pilots, the secret sabotage is forgettable. More than anything, the acting is B-level led by Michael Paré. They are perfectly fine for this solid B-movie. Perfectly fine B-movie defines everything aspect of this movie.
Moon 44 is a bad start for director Roland Emmerich and nobody-actor turned producer Dean Devlin (who later team up with one another to make the blockbusters: Stargate, Independence Day and Godzilla).
The plot of this movie is really weak... It's 2036, and Earth's resources are gone. Mankind is now out in space mining moons somewhere for resources. However, it seems that even the big ol' universe doesn't have enough resources to sustain us greedy, and wasteful humans. The supercorps that run the mining operations have to literally battle each other for the goods.
To defend it's last territory, Moon 44, one company resorts to hire convicts to pilot helicopters (helicopters? on a moon?) yes, helicopters, to protect their mining robots from theft, even though the ships are stolen IN SPACE while their on transit to Earth. Makes a whole lotta sense doesn't it? Since no reputable pilot wants the suicide job of defending the base, the convicts are given the opportunity to do the job for a reduced sentence.
One convict is actually an undercover cop (Michael Paré) and his job is to infiltrate the mining complex and expose a traitor who is reprogramming the robot ships to never make it back to Earth. Because everyone involved is a potential suspect, it makes the cop's job more difficult.
The movie is filled to the brim, with bad acting, lame dialogue, dry characters, cheesy special effects (even for a 1990 film it looked more like something from 1980) and there is even some homoeroticism thrown in for good measure.
Avoid Moon 44 at all cost, and stick to Emmerich's blockbuster hits.
The plot of this movie is really weak... It's 2036, and Earth's resources are gone. Mankind is now out in space mining moons somewhere for resources. However, it seems that even the big ol' universe doesn't have enough resources to sustain us greedy, and wasteful humans. The supercorps that run the mining operations have to literally battle each other for the goods.
To defend it's last territory, Moon 44, one company resorts to hire convicts to pilot helicopters (helicopters? on a moon?) yes, helicopters, to protect their mining robots from theft, even though the ships are stolen IN SPACE while their on transit to Earth. Makes a whole lotta sense doesn't it? Since no reputable pilot wants the suicide job of defending the base, the convicts are given the opportunity to do the job for a reduced sentence.
One convict is actually an undercover cop (Michael Paré) and his job is to infiltrate the mining complex and expose a traitor who is reprogramming the robot ships to never make it back to Earth. Because everyone involved is a potential suspect, it makes the cop's job more difficult.
The movie is filled to the brim, with bad acting, lame dialogue, dry characters, cheesy special effects (even for a 1990 film it looked more like something from 1980) and there is even some homoeroticism thrown in for good measure.
Avoid Moon 44 at all cost, and stick to Emmerich's blockbuster hits.
I'm suprised about the amount of positivity expressed towards this movie as it is quite poor. As a long standing SF fan I was looking forward to it, despite it's low budget and the fact that the director's subsequent movies have been less than satisfactory.
The good points: The special effects are reasonable (although not great) and the set designs are excellent (quite reminiscent of Alien.)
The bad points: Cliche after cliche hits you until you can't take it seriously. The handsome tough guy cop who smokes a cigarette out of the corner of his mouth. You'll hate this character unless you like one dimensional humourless carboard cut out stereotypes.
The muscle bound convicts who bully everyone else. IS this a prison for body builders or something?
The geeky computer wiz kids and their quirky humour. How we laughed.
The obvious 'good guy saves the day' ending.
Malcolm Mcdowell. Why does he take movies like this? Such a fine actor is wasted here.
The plot holes are too numerous to mention here but there are lots and lots - probably about 44.
There really isn't anything to like about this film apart from the average visuals.
I advise you to give this one a miss and pick up a very similar but far superiour movie called 'Outland' starring Sean Connery and directed by Peter Hyams.
The good points: The special effects are reasonable (although not great) and the set designs are excellent (quite reminiscent of Alien.)
The bad points: Cliche after cliche hits you until you can't take it seriously. The handsome tough guy cop who smokes a cigarette out of the corner of his mouth. You'll hate this character unless you like one dimensional humourless carboard cut out stereotypes.
The muscle bound convicts who bully everyone else. IS this a prison for body builders or something?
The geeky computer wiz kids and their quirky humour. How we laughed.
The obvious 'good guy saves the day' ending.
Malcolm Mcdowell. Why does he take movies like this? Such a fine actor is wasted here.
The plot holes are too numerous to mention here but there are lots and lots - probably about 44.
There really isn't anything to like about this film apart from the average visuals.
I advise you to give this one a miss and pick up a very similar but far superiour movie called 'Outland' starring Sean Connery and directed by Peter Hyams.
This is a stylish looking movie, with moody lighting and atmospheric industrial sets. The space ships are cool - though why the good guys only have helicopters is a puzzle. The characters are likable enough but some are out-of-the-box Hollywood cutouts. The actors are either almost famous, or look hauntingly like people who are - I spent a lot of time wondering if I had seen them before (I hadn't it turns out). The story is OK, however there are a few plot glitches, and at times the story line is a bit thin. There are no real surprises - and no moral ambiguity. The dialogue is OK but once or twice stinks so bad you'll cringe (it may have been an attempt at humour?). At least there are no sudden swerves into the horror genre, and no completely unexplainable plot twists (as in Sunshine for instance).
If you like sci-fi anyway you probably be forgiving enough to enjoy this. I got the DVD for £1 at Tescos so I feel I got my money's worth.
If you like sci-fi anyway you probably be forgiving enough to enjoy this. I got the DVD for £1 at Tescos so I feel I got my money's worth.
I like to compare apples to apples,this is a B movie,so... compared to other B movies,this one is great.Michael Pare is almost always a very charismic actor,in this movie he is at the top of form,cool story,cool guy,and over the top acting(thats what makes a great B movie). Even my wife liked it.
क्या आपको पता है
- ट्रिवियाMoon 44 (1990) is the first orchestral symphonic score written by composer Joel Goldsmith. Prior to this he had only written electronic scores to such films as The Man with Two Brains (1983) among others.
- गूफ़When the Pirite drones finally attack Moon 44, only Stone takes a helicopter to confront them. The base is filled with choppers and pilots able to use them, but everybody else just hang with Stone's navigator (Tyler) waiting for him to save the day. Funnily enough, the inmates crew was there precisely to defend the base from these drone attacks, that's the whole point of the movie.
- कनेक्शनFeatured in Master of Desaster: Roland Emmerich - eine Hollywoodkarriere (1998)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Moon 44?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Estación lunar 44
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बॉक्स ऑफ़िस
- बजट
- DEM 70,00,000(अनुमानित)
- चलने की अवधि1 घंटा 38 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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