Moon 44

I'm suprised about the amount of positivity expressed towards this movie as it is quite poor. As a long standing SF fan I was looking forward to it, despite it's low budget and the fact that the director's subsequent movies have been less than satisfactory.

The good points: The special effects are reasonable (although not great) and the set designs are excellent (quite reminiscent of Alien.)

The bad points: Cliche after cliche hits you until you can't take it seriously. The handsome tough guy cop who smokes a cigarette out of the corner of his mouth. You'll hate this character unless you like one dimensional humourless carboard cut out stereotypes.

The muscle bound convicts who bully everyone else. IS this a prison for body builders or something?

The geeky computer wiz kids and their quirky humour. How we laughed.

The obvious 'good guy saves the day' ending.

Malcolm Mcdowell. Why does he take movies like this? Such a fine actor is wasted here.

The plot holes are too numerous to mention here but there are lots and lots - probably about 44.

There really isn't anything to like about this film apart from the average visuals.

I advise you to give this one a miss and pick up a very similar but far superiour movie called 'Outland' starring Sean Connery and directed by Peter Hyams.

I like to compare apples to apples,this is a B movie,so... compared to other B movies,this one is great.Michael Pare is almost always a very charismic actor,in this movie he is at the top of form,cool story,cool guy,and over the top acting(thats what makes a great B movie). Even my wife liked it.

This is a stylish looking movie, with moody lighting and atmospheric industrial sets. The space ships are cool - though why the good guys only have helicopters is a puzzle. The characters are likable enough but some are out-of-the-box Hollywood cutouts. The actors are either almost famous, or look hauntingly like people who are - I spent a lot of time wondering if I had seen them before (I hadn't it turns out). The story is OK, however there are a few plot glitches, and at times the story line is a bit thin. There are no real surprises - and no moral ambiguity. The dialogue is OK but once or twice stinks so bad you'll cringe (it may have been an attempt at humour?). At least there are no sudden swerves into the horror genre, and no completely unexplainable plot twists (as in Sunshine for instance).

If you like sci-fi anyway you probably be forgiving enough to enjoy this. I got the DVD for £1 at Tescos so I feel I got my money's worth.

If "Moon 44" deserves to be remembered, it's for authentic atmosphere. It breathes 80's style SF realism, a cross between "Aliens" and "Blade Runner" -- did they pilfer Deckard's living room interior for their company headquarters scenes, by the way? Look closely...

It was Roland Emmerich's first genre movie before "Independence Day", and the two share the same flaws. Yes, it is full of stereotypes and the end is cheesy, by "B-movie" standards, but it also has some good drama and an interesting mix of characters. The real letdown is Michael Paré as the pretty face/mercenary hero -- a little more depth to his bleak and boring character might have improved the ratings. The main assets of the film are its visuals, they make for a totally believable outer space "mining" colony. This is a rather low budget production, but you don't see it. With some refinement to the story, and a few long shots and explosions more, it might have come out really good. This is one of those films that make you wonder, what if.

Moon 44 is a bad start for director Roland Emmerich and nobody-actor turned producer Dean Devlin (who later team up with one another to make the blockbusters: Stargate, Independence Day and Godzilla).

The plot of this movie is really weak... It's 2036, and Earth's resources are gone. Mankind is now out in space mining moons somewhere for resources. However, it seems that even the big ol' universe doesn't have enough resources to sustain us greedy, and wasteful humans. The supercorps that run the mining operations have to literally battle each other for the goods.

To defend it's last territory, Moon 44, one company resorts to hire convicts to pilot helicopters (helicopters? on a moon?) yes, helicopters, to protect their mining robots from theft, even though the ships are stolen IN SPACE while their on transit to Earth. Makes a whole lotta sense doesn't it? Since no reputable pilot wants the suicide job of defending the base, the convicts are given the opportunity to do the job for a reduced sentence.

One convict is actually an undercover cop (Michael Paré) and his job is to infiltrate the mining complex and expose a traitor who is reprogramming the robot ships to never make it back to Earth. Because everyone involved is a potential suspect, it makes the cop's job more difficult.

The movie is filled to the brim, with bad acting, lame dialogue, dry characters, cheesy special effects (even for a 1990 film it looked more like something from 1980) and there is even some homoeroticism thrown in for good measure.

Avoid Moon 44 at all cost, and stick to Emmerich's blockbuster hits.