Millennium

This is a neat "what's going on here" mystery with plenty of clues, if you watch closely. The time travel premise is great and the story is told from the perspective of present day. That is, until the secret is revealed. Then the mysterious parts are retold, in flashback, from the perspective of the future. Kris is OK, Cheryl is wonderful (as usual), and Travanti almost steals the show.

Millennium is mixed bag. The script is reasonably good - not too exciting, but thoughtful and well constructed. But there are some problems that drag the movie down.

The romance/relationship at the heart of the story is not bad, and has been unfairly panned. It's actually one of the strengths of the story. Kristofferson does a good job of playing a rather dull character without a lot going for him... a working stiff without much of a life, who wakes up a bit when he meets Cheryl Ladd's character.

Ladd underplays her part nicely, with a nice understanding of the nuances and double meanings of some of her dialogue. The directing is fine, low key, and the editing is good (apart from the ending, which I doubt was the editor's choice). The script sparkles most when it deals with Ladd's character, her difficulties in communicating across a profound cultural barrier, her inadvertently humorous faux pas when interacting with a world very different from her own. The "cigarette scene" in the restaurant is a classic.

There are some problems, mainly around the ending, some of the acting on the part of the minor characters, and the character of Sherman. I won't reveal the ending, but I will say it was disappointing, and probably responsible for the cool reception the film received. The robot Sherman is poorly designed and conceptualized, and drags down the rest of the story. It's not a question of budget, in Sherman's case, but of someone without a good intuitive feeling for science fiction concepts, making decisions about that character. He's not campy, to my mind, he's an embarrassment.

Some people posting here have complained about the dialogue. I think they may be missing the profound reason for Ladd's character's odd choices of words, and what the words reveal about her. Others have complained about the scenes that are shown twice, telling the same story from different points of view. I can understand that people looking for a more action packed movie could have been bored by these scenes, but they do reveal key information; they're not just reruns of the first, they're revelations. They're an effective device for showing the parallel but very different points of view of the key characters.

In sum, Millennium is a reasonably good but not great movie. It's frustrating because a genuinely good movie could be made from the existing footage if the robot was redone (redesigned digitally after the fact and given a better voice and better dialogue), and if the final voice-over was omitted. But I still like watching it and appreciate the elements that are successful in the movie.

Here's a guilty pleasure for science-fiction buffs: Kris Kristofferson plays a plane crash investigator who becomes involved with a mysterious woman (the smoldering Cheryl Ladd, looking quite the fox); turns out she's a time-traveling visitor from the future who rescues doomed passengers aboard crippled airliners, replacing them with lookalike corpses. Intriguing premise gets a decent treatment on a medium-sized budget. The plot threads are wound fairly tight and the story plays out satisfyingly. Daniel J. Travanti is terrific in support as a wily physicist and time travel specialist with a Cheshire cat-like grin; Kristofferson is quite commendable, and Ladd is frequently amazing. A real sleeper, and an entertaining slice of '80s cinema. *** from ****

This movie should be a total piece of ****, but what comes through all the bad acting, cheesy effects, bizarre plot turns, and embarrassing characters, is a lot of heart and an actual dark and dank apocalyptic film which is just as optimistic, NAY MORE OPTIMISTIC, than anything the STAR TREK universe has presented to us viewers to date. Yes, you can have it both in this movie...the end of the world AND the rescue of humankind. It's all in this little grade "B" movie which is filled with so many idiosyncrasies that it's a hoot to watch more than once.

This film is not as bad as the comments here indicate. Good premise and a few comedic touches enhance this time travel tale starring Cheryl Ladd (who, in my opinion is an very underrated actress) and Kris Kristofferson. I have to admit that although the (not so) special effects could have been better and the last line at the end should have been left out, it's still a memorable film that will entertain most time travel fans. Exterior scenes were filmed in Toronto although the setting is supposed to be Minneapolis.

I wasn't expecting much so maybe that's why I enjoyed it.

"Take a chance, Louise"

7/10