अपनी भाषा में प्लॉट जोड़ेंA movie mogul in search of a tax shelter screens a space parody about a young woman, a mad scientist and a space monster.A movie mogul in search of a tax shelter screens a space parody about a young woman, a mad scientist and a space monster.A movie mogul in search of a tax shelter screens a space parody about a young woman, a mad scientist and a space monster.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
Barry Hansen
- Narrator
- (वॉइस)
- (as Dr. Demento)
Richard 'Dub' Wright
- The Bearded Slave
- (as Richard Wright)
Stanley Sheff
- Brainex
- (as Itself)
फ़ीचर्ड समीक्षाएं
i saw this film some years ago now, and i can still remember it. at the time, and on subsequent viewings, it made me laugh myself quite silly, not quite as silly as this film however. it is somewhat like a cheaper, tackier, Z grade, sci-fi version of gremlins two, just taking the piss out of as many things as it can. somtimes it misses, but mostly it hits. a bizarre indie classic. go find it now, you won't regret it.
Well, I wasn't really expecting to be wowed by this movie, but it turned out to be the funniest movie I've seen in a long time. I rented it mainly because of the title. After all, who doesn't want to see a movie named "Lobster Man from Mars"? I settled down with some friends and chocolate, and had the most laugh out loud night.
This movie is filled with ridiculous moments, akin to the old fifties Scifi movies, complete with a badly costumed lobster who's face keeps changing between scenes. The acting isn't that good, but then again, it really isn't meant to be. This is the perfect movie to watch when you want to have a good time, and if you're full of too much energy.
This movie is filled with ridiculous moments, akin to the old fifties Scifi movies, complete with a badly costumed lobster who's face keeps changing between scenes. The acting isn't that good, but then again, it really isn't meant to be. This is the perfect movie to watch when you want to have a good time, and if you're full of too much energy.
First of all, I understand what parody is, and I realize that this movie is supposed to be bad, as it's poking fun of bad 1950s science fiction movies. My rating is not based on the acting, special effects, or dialogue, which, as I said, are meant to be bad. Unfortunately, I just didn't think this was particularly funny! For one thing, the whole film-in-a-film conceit seemed to be weakly developed. I wasn't quite sure why they even bothered doing this, except to highlight that the movie isn't meant to be taken seriously. However, if you have to explicitly tell people that your movie is a parody, maybe you're not doing it right. Or you're underestimating your audience (and thus insulting their intelligence).
Anyway, I thought it was somewhat amusing, and I dutifully recognized each of the pop culture references, but, really, it just wasn't all that funny. Something like Killer Klowns From Outer Space makes me laugh hysterically every time I watch it, but this.... not so much. Chalk it up to personal taste, I guess.
Again, I've been rather let down by Anthony Hickox, after really liking Waxwork and Waxwork II. I just don't think I've ever really liked anything else he's done since then.
Anyway, I thought it was somewhat amusing, and I dutifully recognized each of the pop culture references, but, really, it just wasn't all that funny. Something like Killer Klowns From Outer Space makes me laugh hysterically every time I watch it, but this.... not so much. Chalk it up to personal taste, I guess.
Again, I've been rather let down by Anthony Hickox, after really liking Waxwork and Waxwork II. I just don't think I've ever really liked anything else he's done since then.
So what have we got here with this "Lobster Man From Mars" (1989) movie? Think "The Producers" (1968) meets "Plan 9 From Outer Space" (1959). If you don't get parody you should give this one a wide berth. If you want really "clever" parody you should probably skip it as well. If you thought Buster Crabbe's Flash Gordon stuff was fun because it was so "unintentionally" hokey you might want to go into avoidance mode along with the others.
The hokey elements in "Lobster Man From Mars" are anything but unintentional, it wants your attention like a one-trick pony mad for a carrot. This lack of subtlety would pretty much doom the thing had it not already expired from a case of terminally lame screen writing.
The root of the problem is that they were given too much money to make this thing. Much like the fake disaster movie playing in the background of "Drive-In", it utilizes a film within a film device; only this time a Hollywood executive is screening what is supposed to be a bad "student" film. The saving grace of bad student films is their unity of weak writing, poor production values, and unpolished acting. But the student film being viewed in "Lobster Man From Mars" has some recognizable cast members and enough money for semi- authentic production design; which does not work to its benefit.
Here's the premise: a Hollywood studio needs a really bad film to use as a tax write-off. They screen a high school kid's science fiction film, which while really bad would be another "Citizen Kane" compared to any bad student film. In the film within the film, Mars is running out of air and sends the "dreaded" Lobster Man to earth where he and a hairy sidekick begin randomly zapping people with a ray gun. The too competent cast includes Patrick Macnee (playing a British scientist) and Deborah Foreman looking (as the film moves along) like she is gradually deciding in favor of retiring from acting (which she actually did-was it coincidence or was her decision made midway through the production of this turkey?).
The problem is that there is very little in the movie that is particularly funny, intentional or unintentional. The only bit that works repeatedly involves the zany space bats who fly around cackling manically. And there is one good line by Tommy Sledge, as a film noir parody private detective who inspects the giant lobster tracks leading away from the site of an explosion and then says: "It means that either he escaped, or he walked backwards from the horizon to commit suicide in this bonfire".
If you want to see this stuff done right, cleverly written and with a student film level of production design, check out Larry Blamire's "The Lost Skeleton of Cadavra" (2001). 90 minutes of inspired spoofing.
Then again, what do I know? I'm only a child.
The hokey elements in "Lobster Man From Mars" are anything but unintentional, it wants your attention like a one-trick pony mad for a carrot. This lack of subtlety would pretty much doom the thing had it not already expired from a case of terminally lame screen writing.
The root of the problem is that they were given too much money to make this thing. Much like the fake disaster movie playing in the background of "Drive-In", it utilizes a film within a film device; only this time a Hollywood executive is screening what is supposed to be a bad "student" film. The saving grace of bad student films is their unity of weak writing, poor production values, and unpolished acting. But the student film being viewed in "Lobster Man From Mars" has some recognizable cast members and enough money for semi- authentic production design; which does not work to its benefit.
Here's the premise: a Hollywood studio needs a really bad film to use as a tax write-off. They screen a high school kid's science fiction film, which while really bad would be another "Citizen Kane" compared to any bad student film. In the film within the film, Mars is running out of air and sends the "dreaded" Lobster Man to earth where he and a hairy sidekick begin randomly zapping people with a ray gun. The too competent cast includes Patrick Macnee (playing a British scientist) and Deborah Foreman looking (as the film moves along) like she is gradually deciding in favor of retiring from acting (which she actually did-was it coincidence or was her decision made midway through the production of this turkey?).
The problem is that there is very little in the movie that is particularly funny, intentional or unintentional. The only bit that works repeatedly involves the zany space bats who fly around cackling manically. And there is one good line by Tommy Sledge, as a film noir parody private detective who inspects the giant lobster tracks leading away from the site of an explosion and then says: "It means that either he escaped, or he walked backwards from the horizon to commit suicide in this bonfire".
If you want to see this stuff done right, cleverly written and with a student film level of production design, check out Larry Blamire's "The Lost Skeleton of Cadavra" (2001). 90 minutes of inspired spoofing.
Then again, what do I know? I'm only a child.
A film within a film; a producer needing a tax write-off agrees to screen and buy the rights to a student film called LOBSTER MAN FROM MARS. Most the of the film spent viewing the film which about an alien lobster man wrecking havoc on Earth. The producer finds the film so shoddy that he agrees to buy it in order to lose money so he doesn't owe the IRS so much money. The film is obviously inspired by the producers. The film is loaded with many jokes that only buffs of horror and science fiction films would get. For example: the colonel is named "Ankrum", after Morris Ankrum who played military men and other authority figures in dozens of 1950's science fiction and horror films. The film is loaded with gags like these that most viewers probably would not get. I would mention any more as I would not want to spoil it for people who are in the know.
क्या आपको पता है
- ट्रिवियाIn his autobiography, Tony Curtis says that he worked on the movie because they paid him $100,000, and he needed to make child support payments. He also mentions that during the production, he never saw the scenes of the movie that his character was reacting to.
- भाव
Professor Plocostomos: If you were a lobster man, would you go into a haunted house surrounded by hot springs?
- क्रेज़ी क्रेडिटNo lobsters were harmed during this production, only eaten.
- कनेक्शनFeatured in Waxwork II: Lost in Time (1992)
- साउंडट्रैकRock Lobster
Written by Kate Pierson (uncredited), Fred Schneider, Keith Strickland (uncredited), Cindy Wilson (uncredited) / Ricky Wilson
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Lobster Man from Mars?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Lobster Mann vom Mars
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