The Kill Reflex

Fred Williamson should not be allowed behind a camera. While I find his classic blaxploitation films to be some of the finest of its genre, this latter one was simply Godawful. Acting, storyline, title ("Soda Cracker" when aired on cable), you name it. I've never seen as many inconsistent emotions to scenes than this film. The continuity was all over the place. It was unintentionally hilarious at times. The only positives that I can see: eye candy provided by Maud Adams & Phyllis Hyman. Albeit, Fred spent so much time on one scene with singer Hyman that it could have been released as a concert film. LOL! Pass on this, and stick to any of his classic ones from the 70s.

The Kill Reflex (1989) is a movie I recently watched on Tubi. The storyline follows a Chicago detective with a new partner because his long time partner was murdered. Together they'll need to hunt down why his partner's death seems to be getting swept under the carpet.

This movie is directed by and stars Fred Williamson (Adios Amigo) and also stars Maud Adams (Octopussy), Bo Svenson (Kill Bill), Julie Gregg (The Godfather) and Frank Pesce (Beverly Hills Cop).

The storyline for this picture is very straight forward and fairly bland. The lines are corny but will give you a few chuckles here and there. The action scenes are fairly mediocre and not as abundant as you'd expect. The conclusion shootout and action sequence is probably the best part of the movie.

Overall this is a bad movie added to the genre without enough redeeming aspects to recommend watching it. I'd score this a 2/10 and recommend skipping it.

Who would have guessed that there was a Fred Williamson picture out there that is not worth watch? Worse yet, he produced and directed it, so he has no one else to blame.

It was a cop picture, and he is after the baddies that killed his partner, so you would expect plenty of action. You would be wrong. It just plods along with nothing special to excite you. Heck, even when Williamson and Maud Adams (the double Bond Girl) get in bed together with a smooth jazz background, the song ends and the scene changes just as they are getting started.

A little action at the end doesn't make up for slow pace for the first hour or so.

My review was written in July 1990 after watching the movie on RCA/Columbia video cassette.

Fred Wiliamson tips the balance from action to drama in the effective direct-to-video feature "The Kill Reflex", originally monikered "Soda Cracker".

Nicknamed Soda Cracker, Williamson is his usual relaxed cop in Chicago out to find his partner's killer. Though there is an action-packed finale involving baddie Bo Svenson (Williamson's regular screen teammate), film concentrates on the human drama of the cop's widow Julie Gregg adjusting as well as policewoman Maud Adams' relationship with the principals.

Vocalist Phyllis Hyman, previously on screen performing in Spike Lee's "School Daze", makes a strong impression as Svenson's girlfriend.

Movie is now showing on Screenpix Voices under the title "Soda Cracker."