IMDb रेटिंग
4.7/10
1.9 हज़ार
आपकी रेटिंग
स्कॉट एक फैशन फोटोग्राफर है जो अपने रात के सपनों में बुरे सपने की अचानक उपस्थिति के बारे में चिंता करता है।स्कॉट एक फैशन फोटोग्राफर है जो अपने रात के सपनों में बुरे सपने की अचानक उपस्थिति के बारे में चिंता करता है।स्कॉट एक फैशन फोटोग्राफर है जो अपने रात के सपनों में बुरे सपने की अचानक उपस्थिति के बारे में चिंता करता है।
फ़ीचर्ड समीक्षाएं
This is a slick erotic thriller with an interesting plot, lengthy sex scenes that will appeal to both men and women, and a few amusing references to Brian De Palma and Hitchcock's "The Birds". Although it bogs down a little in the middle, and has some atrocious dialogue, it is still one of Mastorakis' best efforts (out of the handful I've seen). And it would perhaps be even better if the two main actresses had switched roles, with Shannon Tweed being the mysterious femme fatale instead, and Adrienne Sachs getting the thankless supporting part. (**1/2)
This one's a hot, hot mess. There's no denying that much of the cinematography is well done and there are some visually compelling moments.
But truly, this is a terrible movie. The dialogue/script is overblown and comical. I'm a big fan of trash cinema but I'm really hard pressed to recall a movie that took itself so seriously but was so cliched and vacuous as this is.
The acting veers wildly between wooden and dinner theater histrionics and there are zero sympathetic characters in it.
Amusing and there are some stupefyingly bad moments of dialogue that will have you howling with laughter. The positive reviews are really difficult to comprehend.
But truly, this is a terrible movie. The dialogue/script is overblown and comical. I'm a big fan of trash cinema but I'm really hard pressed to recall a movie that took itself so seriously but was so cliched and vacuous as this is.
The acting veers wildly between wooden and dinner theater histrionics and there are zero sympathetic characters in it.
Amusing and there are some stupefyingly bad moments of dialogue that will have you howling with laughter. The positive reviews are really difficult to comprehend.
I only have one thing to say about this movie, and that is that the guy sleeps on a water bed with a fluorescent light *inside* the mattress!
Say what you will about the rest of the film, that alone is one of the dumbest things I have ever seen. No wonder the guy has nightmares.
Say what you will about the rest of the film, that alone is one of the dumbest things I have ever seen. No wonder the guy has nightmares.
Or is it nightmare woman? No pun intended - and a typical 90s thriller. The acting really isn't up to the - well any standard for that matter. But it is what it is. And this is a movie that has some skin (nudity) to it. While trying to make us feel the thrill from start to finish. Might not work for everyone.
But this tries to concentrate on the story, so there is not that much erotic stuff, if that is what you are looking for. Do not waste your time is what I am saying. Visually this is also quite clearly a product of the 90s. There is not a high budget this is working with - this just meets ends - or however that saying goes.
But this tries to concentrate on the story, so there is not that much erotic stuff, if that is what you are looking for. Do not waste your time is what I am saying. Visually this is also quite clearly a product of the 90s. There is not a high budget this is working with - this just meets ends - or however that saying goes.
My review was written in January 1991 after watching the movie on Republic Pictures video cassette.
A very sexy lead performance by Adrienne Sachs highlights the farfetched nightmare thriller "In the Cold of the Night". Pic should score in the sex noir video and cable market; it's available in both NC-17 and R formats.
Filmmaker Nico Mastorakis harks back to the 1982 thriller "Blind Date" (one of Kirstie Alley's first leading roles) for a sci-fi thriller plot that has too many holes and is too attenuated for its own good.
Glamor photographer Jeff Lester is haunted by nightmares starring Sachs as a woman (whom he's never met in real life) that he kills. Shrink David Soul can't help much, and Leter's sex life with beauties like Shannon Tweed (a young vet of this genre) is hampered by his violent craziness brought on by the bad dreams.
Sachs shows up in the flesh in the third reel and pic slows down for endless sack time of her with Lester. Though the viewer knows they're headed for an unhappy ending, it's rewarding to watch this young actress. Lester is a bit bland; the role could have benefited from a name actor.
Film's credibility comes unglued with the introduction of Marc Singer as Sachs' boyfriend, who has rigged up a ludicrous mind-controlling experiment involving implants and laser disk recordings. Finale is a confusing anticlimax.
Mastorakis brings plenty of visual style to the thriller genre, and should attract a following in the wake of similar sex-oriented titles "Night Eyes", "Last Call" and "Deceptions". His in-jokes are poor, such as Tippi Hedren guest starring as Sachs' unlikely mom, who "has this thing about birds" or Lester glumly watching laser disks of Mastorakis' films "The Wind" and "Glitch".
A corny musical score, credited to many people, features a wailing tenor sax whenever the Pavlovian sex is about to begin.
A very sexy lead performance by Adrienne Sachs highlights the farfetched nightmare thriller "In the Cold of the Night". Pic should score in the sex noir video and cable market; it's available in both NC-17 and R formats.
Filmmaker Nico Mastorakis harks back to the 1982 thriller "Blind Date" (one of Kirstie Alley's first leading roles) for a sci-fi thriller plot that has too many holes and is too attenuated for its own good.
Glamor photographer Jeff Lester is haunted by nightmares starring Sachs as a woman (whom he's never met in real life) that he kills. Shrink David Soul can't help much, and Leter's sex life with beauties like Shannon Tweed (a young vet of this genre) is hampered by his violent craziness brought on by the bad dreams.
Sachs shows up in the flesh in the third reel and pic slows down for endless sack time of her with Lester. Though the viewer knows they're headed for an unhappy ending, it's rewarding to watch this young actress. Lester is a bit bland; the role could have benefited from a name actor.
Film's credibility comes unglued with the introduction of Marc Singer as Sachs' boyfriend, who has rigged up a ludicrous mind-controlling experiment involving implants and laser disk recordings. Finale is a confusing anticlimax.
Mastorakis brings plenty of visual style to the thriller genre, and should attract a following in the wake of similar sex-oriented titles "Night Eyes", "Last Call" and "Deceptions". His in-jokes are poor, such as Tippi Hedren guest starring as Sachs' unlikely mom, who "has this thing about birds" or Lester glumly watching laser disks of Mastorakis' films "The Wind" and "Glitch".
A corny musical score, credited to many people, features a wailing tenor sax whenever the Pavlovian sex is about to begin.
क्या आपको पता है
- ट्रिवियाFilmed back to back with Hired to Kill (1990).
- गूफ़Obvious stunt-double in place of Jeff Lester when on the motorcycle.
- इसके अलावा अन्य वर्जनOriginally rated "X" by the MPAA, film was cut to be re-rated "R". The complete version was restored on video in 1990, earning an "NC-17" rating.
- साउंडट्रैकFever
Performed by Peggy Lee
Courtesy of Capitol Records, Inc.
By Arrangement with Cema Special Markets
Written by Eddie Cooley and Otis Blackwell (as John Davenport)
Fort Knox Music, Inc./Trio Music, Inc.
World Rights Administered by Hudson Bay Music, Inc.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is In the Cold of the Night?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- En el frío de la noche
- फ़िल्माने की जगहें
- Third Street Tunnel, Bunker Hill, Downtown, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Night time car chase scene.)
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- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.78 : 1
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