In the Cold of the Night

Full Synopsis Cast & Crew Related Movies In the Cold of the Night is an above-average psychological thriller, directed with superb visual style by Nico Mastorakis, but plagued by an uneven, derivative plot. Photographer Scott Bruin (Jeff Lester) is very successful but begins to have frightening visions of himself murdering a beautiful woman. When he meets the woman in those dreams, Kimberly (Adrienne Sachs), they begin a highly charged romance. When Scott becomes suspicious, he finds out information which leads to a "surprise" ending. In the Cold of the Night generated a great deal of controversy when it was originally released. Despite the weak plot, the extraordinary visual style of Mastorakis, and the haunting cinematography make In the Cold of the Night a treat for fans of psychological thrillers or anyone who appreciates technique and style in filmmaking. ~ Linda Rasmussen, Rovi

A weirdly ridiculous, atmospheric late-night erotic thriller aping Brian De Palma (who's even mentioned by name?!), but even more so campy and convoluted (I know, how's that even possible?!). Nico Mastorakis' trashy conspiracy laced plot involves realistic nightmares of recurring themes/images, virtual reality murder visions, laserdiscs and a mysterious dream woman (Adrianne Sachs). It really does take on an outlandish turn in the last half-hour when Marc Singer makes himself known, letting us into the bigger scheme of things after a languidly teasing midsection. Doesn't make much sense, but it does enliven the plot in-spite of its lack of high-stake thrills favouring light weight mystery shades, hallucinogenic befuddlement and plenty of night time mist.

Visually it's lit and well-shot. Very 80s in style. Plastered with vibrant colours, sometimes neon and spacious white/cream decors. Right down to the glowing waterbed mattress. It simply pops. Cue in the sultry, smooth sax. And talking about bold and sexy, there's a minor part for Shannon Tweed. I wish she had been picked for the lead actress role, but I can see why Mastorakis went with the exotic Sachs. However I wasn't entirely feeling her spotty performance. Her delivery felt more forced than sincere compared to everyone else. Then there's the beefy Brian Thompson who shows up every once and awhile to provide some helpful advice, when he's not working out or shoving food into his mouth. Lastly there's the very odd, if rather self-aware cameo by Tippi Hedren.

I know people have their kinks. And no, I'm not talking about the protagonist's love for pineapple pizza. But actually the steamy sex scene involving an orgasm brought upon by marbles being poured onto Sachs' breasts. Oh the ecstasy! Forget about the candle wax, or massage oil fellas, marbles should do the trick.

HANDSOME, blonde, romantic-at-heart, pizza-loving, thirtysomething LA photographer (with own neon sign) who specialises in swimwear shoots looking for the girl of his (murderous) dreams. Ride on over and surprise me.

Part 80s lingerie catalogue, part foreigner's Cali love letter, In the Cold of the Night probably isn't what most film buffs consider good cinema... yet, it's got everything that makes cinema good... for the right audience.

Greece's one-man-movie-machine Nico Mastorakis (had his hits and misses, but you can't say he's unambitious), made this along with a bunch of straight-to-video genre flicks in the late 80s-early 90s. For me, it's his most accomplished thriller.

A Skinemax, De Palma and Hitchcock homage (it even STARS Tippi Hedren!), it's filled with 80s style (satin sheets: check, nouvelle cuisine: check, neon bikinis: check, men's short-shorts and Reeboks: check, Venice Beach, Laserdisc... you get the idea). If you love Brian De Palma at his most indulgent (think Femme Fatale or Passion) and late-80s Italian giallo (Nothing Underneath or Too Beautiful to Die), how could you dislike this?

It even features the decade's underused icon Brian Thompson in his usual 'hunk-with-the-one-liners' role ("you ever get the desire to make it with your mother?") who looks fresh off Fright Night II. Shannon Tweed's here, too (in the waterbed), giving a surprisingly tender performance.

Adrienne Sachs (1986's Miss Brazil), looking every bit the high fashion model, takes the Deborah Shelton-in-Body Double role and carries the sexy, mysterious female lead fairly well. Jeff Lester, coming across as the poster-boy from a menswear catalogue, is likeable but wooden as the photographer weekend sleuth.

While it never manages De Palma's flair, is light on story development and lags in the middle, it's still entertaining enough to warrant a great night in - if you're a fan of the erotic thriller and want one which makes a good stab at actually being a thriller.

Make sure you've got 80s cocktails, are appropriately (under)dressed and have a camera watching over you when you go to sleep.

Like an iconic motorcycle, it's stylish and flashy but hard to maintain (although it's a great ride).

I think Doppleganger (1993), by Israel's Avi Nesher (a man whose career is somewhat similar to Mastorakis) shares a lot of this flick's lets-go-to-town DNA.

I only have one thing to say about this movie, and that is that the guy sleeps on a water bed with a fluorescent light *inside* the mattress!

Say what you will about the rest of the film, that alone is one of the dumbest things I have ever seen. No wonder the guy has nightmares.

Or is it nightmare woman? No pun intended - and a typical 90s thriller. The acting really isn't up to the - well any standard for that matter. But it is what it is. And this is a movie that has some skin (nudity) to it. While trying to make us feel the thrill from start to finish. Might not work for everyone.

But this tries to concentrate on the story, so there is not that much erotic stuff, if that is what you are looking for. Do not waste your time is what I am saying. Visually this is also quite clearly a product of the 90s. There is not a high budget this is working with - this just meets ends - or however that saying goes.