Ilha das Flores
- 1989
- 13 मि
IMDb रेटिंग
8.5/10
6.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA tomato is planted, harvested, transported and sold in a supermarket, but it rots and ends up in the trash. The film follows it to its true end, all to make clear the difference between tom... सभी पढ़ेंA tomato is planted, harvested, transported and sold in a supermarket, but it rots and ends up in the trash. The film follows it to its true end, all to make clear the difference between tomatoes, pigs, and human beings.A tomato is planted, harvested, transported and sold in a supermarket, but it rots and ends up in the trash. The film follows it to its true end, all to make clear the difference between tomatoes, pigs, and human beings.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 4 जीत
फ़ीचर्ड समीक्षाएं
10jordani
Jorge Furtado needed no more than 13 minutes to prove his theory "there's no God", showed in the beginning of the movie. This movie is as raw as fresh meat and cuts like a knife. No more words to describe. You must see it for yourself. Believe me, after you watch this movie you won't forget it never more.
Here's a work that definitely proves how exciting and questioning a short movie picture can be.
Acting as a director, writer and producer, Jorge Furtado couragely aims a dazzling machinegun at issues as assorted as religion, Holocaust, Brazilian government, poverty, capitalism, and how human intelligence has been used throughout the ages.
Using a dialectical method, and narrating the story in a way that "even a Martian would understand", in the words of the author, the film forges a real cinematographical theorem of Brazilian deplorable situation, borrowing as the stage a neighbourhood in the city of Porto Alegre (one of Brazil's most developed ones, by the way). The degrading scenario, however, would apply to any community on the world in which the effects of money (or its lack) on the lives of its inhabitants are more visible.
In the movie's touching final take, Furtado destroys the bourgeois concept of Freedom, quoting a line from one of Brazil's greatest poetesses, Cecilia Meirelles, and leaves us wondering whether modern 'civilisation' is as far as the human intellect can take us.
Acting as a director, writer and producer, Jorge Furtado couragely aims a dazzling machinegun at issues as assorted as religion, Holocaust, Brazilian government, poverty, capitalism, and how human intelligence has been used throughout the ages.
Using a dialectical method, and narrating the story in a way that "even a Martian would understand", in the words of the author, the film forges a real cinematographical theorem of Brazilian deplorable situation, borrowing as the stage a neighbourhood in the city of Porto Alegre (one of Brazil's most developed ones, by the way). The degrading scenario, however, would apply to any community on the world in which the effects of money (or its lack) on the lives of its inhabitants are more visible.
In the movie's touching final take, Furtado destroys the bourgeois concept of Freedom, quoting a line from one of Brazil's greatest poetesses, Cecilia Meirelles, and leaves us wondering whether modern 'civilisation' is as far as the human intellect can take us.
10huineman
Very seldom is one given the opportunity to watch a documentary like Ilha das Flores. It is less a TV product than an essay not written but filmed, and well filmed indeed. The ideas displayed throughout barely quarter an hour are so many and so profound that you might need more than one view to assimilate them all; but the script is so agile that you will never grow bored. Instead, even if you are not in the mood for documentaries at the beginning, will find yourself deeply interested in this humble production within minutes, if not seconds. But remember, you are not dealing with an entertainment product but with one of the best lessons of ethics you might come across ever. Anyway, that you will realize for sure at the end of the film, when its ideas, lingering in your head, will keep you pensive for long.
10Trufó
Funny at first, demolishing in the end. When I saw this movie for the first time I spend the first minutes laughing: the editing is fast paced and the voice over explains one after another different concepts that apparently are barely connected. But in the end all grows into a perfectly mounted description of the economical and political aberrations of our times, all in less than 30 minutes.
This short is a fine example of people with something crucial to say, having to bend to commercial whims of entertainment in order to hold the audience's attention span long enough to get the message across. It is remarkably witty, and runs at a fanatical pace. The jokes cause a smile, but when the holocaust clips arise, we get the clue that there are weighty matters at stake here. People need to see films like this. Remarkably effective.
क्या आपको पता है
- ट्रिवियाThe short opens with three short sentences on screen: "Este filme não é um filme de ficção. Existe um lugar chamado Ilha das Flores. Deus não existe." [This film is not a work of fiction. There is a place named Island of Flowers. God does not exist.]
- कनेक्शनFeatures Nazi Concentration Camps (1945)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Isle of Flowers
- फ़िल्माने की जगहें
- Ilha das Flores, पोर्टो एलेग्रे, रियो ग्रांडे डो सुल, ब्राज़ील(30º 12' 30" S, 51º 11' 21" W)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि13 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.37 : 1
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