Homer and Eddie

This is easily the "craziest" Road Movie ever made - and one of the best. It's funny, tragic, dramatic and intelligent. Konchalovsky's composition is without any flaws - you'll find no plot holes or boring sequences destroying the flow of the story. The soundtrack supports the atmosphere of the movie perfectly. James Belushi stars as Homer, a retarded man, who goes on a long journey to see his dying father. Right at the start he's being robbed of all his cash and has to sleep in a car cemetery. There he meets the criminal Eddie, played by Whoopi Goldberg, who's slowly dying of a brain tumor. This tumor is the reason for several violent outbreaks. Eddie escorts Homer and arranges the first sexual contact for him - with a monstrous prostitute. This results in one of the most charming and funny "sex scenes" I've ever seen, beaten only by the priceless dancing scenes with Homer and Eddie at the pier. I've never seen one of the two acting better. But don't miss the guest appearances of Anne Ramsey, Karen Black and Jesus! And be warned: even though this film is full of funny, charming and lovable scenes it has also its violent parts.

If you liked "Harold & Maude" and "Gilbert Grape" this is a film for you!

This is not a film with a script that Konchalovsky wrote--it is by an unknown Patrick Cirillo. (For the uninitiated, Konchalovsky's scripts include the early works of Tarkovsky, his classmate in film school.) There are a few distinct Konchalovsky sequences--the appearance of Jesus-like characters carrying a wooden cross on the empty streets of California viewed twice by the Whoopi Goldberg character of Eddie. This is the best performance of Ms Goldberg that I have seen to date. Two, the original music is by Eduard Artemyev, the composer of Tarkovsky's classic films "Solaris" and "Stalker" and a host of Konchalovsky's own works. The Hungarian maestro Lojas Koltai is the cinematographer--famous for his contribution to the works of the Italian director Tornatore and the Hungarian Istvan Szabo. For cineastes, there is a cameo by Karen Black as a madam of a US brothel. More importantly, the film is a sad tale of how the rich and poor alike in the US, disown their own family members with disabilities. That is a touch of the real Konchalovsky.

Whoopi Goldberg-James Belushi road movie isn't very good, isn't well-directed, but it does have something. Wrongly advertised as a wacky comedy, "Homer and Eddie" is actually a surprisingly sensitive and light-on-its-feet drama about friendship. Mentally backward man (Belushi) partners with an escaped mental patient named Eddie (Goldberg) who also has a brain tumor and keeps thinking she sees Jesus going by. Sort of a tragic love story between two unfortunate people that life threw away. Both stars are just fine, but the sloppy editing shows signs of an indecisive captain of the ship, and the blue-collar rock music on the soundtrack is grating. Panned by the critics, I found several scenes between the leads to be moving and funny, and Belushi shows a wonderfully huggable side of himself with a lovely monologue at a funeral; this is his best performance to date. **1/2 from ****

Let's start with the ugly just to get it out of the way. I think this movie would have been considered a cult classic on par with Harold and Maude if someone besides Belushi had played Homer. At times he seemed to fall out of character at others it just looked like he was an actor playing a retarded person and very rarely he seemed in character. It wasn't a role that could be pulled off by over-acting or playing bigger than life. This was a great role played by the wrong actor. Now the bad, the continuity and sound track distracted from the story, How would people recognize Homer if he had been gone since childhood and his parents had denied him? The times you were expected to suspend belief to forward the story or develop characters were too glaring and the music was out of sync with the moods.

But yet I gave it a 5 out of 10 because of the good. Whoopi who is not my favorite actress did everything with her character that Belushi could not do with his, and the story as a whole and what it was trying to convey about the cast-aways of society kept me watching to see the inevitable ending.

Let's see: a foul mouthed, violent murderer, thief, escaped mental patient dying from an inoperable brain tumor (Goldberg)is driving a witless, infantile, drooling wanderer who has severe and permanent brain damage (Belushi) home to see his ashamed, abusive father who completely disowned him years earlier. Sounds like a fun road trip picture, doesn't it?

Not even close. This movie was so vile that most theater chains passed on it, and those that didn't yanked it from their screens in less than a week.

It is not funny, even in the context of a black comedy. It is violent, disturbing, foul and completely off the entertainment meter in the negative values. I have yet to see this on any retail or rental shelf, or any cable or TV station, even during the graveyard hell populated by Psychic Fraud Network and Ronco Commercials.

Don't hitch a ride with these two. Your sense of humor may be permanently hijacked.