IMDb रेटिंग
6.6/10
2.8 हज़ार
आपकी रेटिंग
एक असली लेखक खुद को अपनी वर्तमान पत्नी, एक विवाहित महिला और अपनी लंबे समय से गायब पत्नी के साथ रोमांटिक रूप से शामिल पाता है.एक असली लेखक खुद को अपनी वर्तमान पत्नी, एक विवाहित महिला और अपनी लंबे समय से गायब पत्नी के साथ रोमांटिक रूप से शामिल पाता है.एक असली लेखक खुद को अपनी वर्तमान पत्नी, एक विवाहित महिला और अपनी लंबे समय से गायब पत्नी के साथ रोमांटिक रूप से शामिल पाता है.
- निर्देशक
- लेखक
- स्टार
- 3 ऑस्कर के लिए नामांकित
- 4 जीत और कुल 10 नामांकन
Malgorzata Zajaczkowska
- Yadwiga
- (as Margaret Sophie Stein)
Shel Goldstein
- Mrs. Regal
- (as Shelley Goldstein)
फ़ीचर्ड समीक्षाएं
Paul Mazursky's best film but then he was working with great material, in this case Issac Bashevis Singer's novel about a Holocaust survivor who, having moved to America after the war, finds himself with three living wives; he's a bigamist more by design than choice, believing his first wife died in the concentration camps, he remarried in America, (now wife number three is a whole different story).
This is a great tragi-comedy; the situation is farcial and sometimes very funny but the horror of the Holocaust permeates every frame and Mazursky treats the material with the respect it is due. This is a movie that comes close to perfection from the superb period design down to the faultless performances of the entire cast.
Ron Silver is superb as Herman, a man confident enough to try to balance three relationships at once, convincing himself he loves all the women in his life, Angleica Huston, the wife who returns from the dead, Margaret Sophie Stein as the simple servant girl he marries after the war and Lena Olin as the clinging beauty who emotionally blackmails him into marriage. Herman is a liar and a cheat and a shyster but Silver makes him hugely sympathetic, an amoral man who, nevertheless, wants to do right by everyone but who is constantly doomed to failure. This is a great movie that deserves to be better known.
This is a great tragi-comedy; the situation is farcial and sometimes very funny but the horror of the Holocaust permeates every frame and Mazursky treats the material with the respect it is due. This is a movie that comes close to perfection from the superb period design down to the faultless performances of the entire cast.
Ron Silver is superb as Herman, a man confident enough to try to balance three relationships at once, convincing himself he loves all the women in his life, Angleica Huston, the wife who returns from the dead, Margaret Sophie Stein as the simple servant girl he marries after the war and Lena Olin as the clinging beauty who emotionally blackmails him into marriage. Herman is a liar and a cheat and a shyster but Silver makes him hugely sympathetic, an amoral man who, nevertheless, wants to do right by everyone but who is constantly doomed to failure. This is a great movie that deserves to be better known.
a hellish tale about a modern jobe from Bashevis Zinger's Novel. Herman Broder(Ron Silver), a holocaust surviver, lives in the 1940's New York with the polish peasant that hid hom during the war, has an affair with Mash (Lena Olin) , a half crazed camps survivor and has to deal with his first wife, supposedly dead, Tamara (Anjeliqua Huston). All of this is brought in a suffocated, sarcastic, sweaty manner, that you feel his suffering. An excellent performance by all of the above in a movie in a very impressive film
Very little in the previous career of director Paul Mazursky gave any hint of the depth and complexity of this comedy drama, adapted from an Isaac Bashevis Singer story about the misadventures of a Jewish refugee (Ron Silver) in New York City shortly after World War Two. Silver has a few problems most men wouldn't mind sharing, including a wife who is more a devoted servant and a mistress as passionate as she is temperamental, but the cozy arrangement is complicated by the unexpected return of his first wife, long thought dead, to act as a ghostly conscience and councilor for her bewildered husband. The film is so well made, with such attention to period flavor and detail, that it seems mean to point out its few nagging shortcomings: the haphazard structure, with too many sudden, incompatible changes in mood, and the equally inconsistent characters (it's never made clear, for example, why all three women are so devoted to this particular nobody). Too bad some of the effort that went into the production didn't first go into the script, but it's still an unusually rich experience, with an added dimension of depth from the specters of the Holocaust still haunting each character.
After reading the novel this film was based on, I thought: "No way! There is absolutely no way they can portray these raw emotions on film!" But that's exactly what the amazing actors do! The three women are as different as they could be, but each character is spot-on. Between these 3 women (Lena Olin, Anjelica Houston and Margaret Sophie Stein) is Ron Silver, whose character's emotions are clearly displayed on his face - I don't know if he is the anchor in the movie, because at times he is overshadowed by his female co-stars, but he makes me sympathize with him.
The "old" feel of the movie is great, and I do believe that it's a realistic image of New York in the late '40s.
It might be a bit depressing, but it should be seen if not only for the acting - trust me, it's fantastic!
The "old" feel of the movie is great, and I do believe that it's a realistic image of New York in the late '40s.
It might be a bit depressing, but it should be seen if not only for the acting - trust me, it's fantastic!
It's one of those stories that may be better in print or would have more impact on the stage, however this works suprisingly well on film. The superb acting allows it to be both effective as a drama and comedy.For those familiar with NYC in the late 40's, the setting is most believable.It's far from boring, but one must adapt to the slow pace of the movie, which in fact, proves to be an asset.All 'n all; well done. 7/10
क्या आपको पता है
- ट्रिवियाTo recreate 1949 Manhattan within its evolved 1989 landscape production crew had to remove many television antennae and contemporary street lighting in order to create 1940s Manhattan streetscapes. Fire escapes were also covered over with mid 20th Century clothing.
- साउंडट्रैकSunny Side Of The Street
Composed by Jimmy McHugh
Lyrics by Dorothy Fields
Performed by Tommy Dorsey & His Orchestra
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Enemies, A Love Story?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $95,00,000(अनुमानित)
- US और कनाडा में सकल
- $77,54,571
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $63,636
- 17 दिस॰ 1989
- दुनिया भर में सकल
- $77,54,571
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