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Balance is a excellent short which revolves around a square board hanging in the air. This board represents the world. On this board are five men, all fishing over the side. There obviously represent the people of the world. These five men must cooperate with each other in order to keep the board balanced so that it doesn't tip. One man then reels up a musical box from the side of the board. This man wants to keep this box all to himself. However if he does this the board will become unbalanced and will effect others. But if this man were to put the musical box in the centre of the board and share it so that everybody could enjoy it together, then peace and calm would still exist on the board. This is obviously referring to people's possessions and resources, and how if one part of the world takes too much power over resources, then other parts of the world will be effected, yet if we shared all resources, all countries would be balanced and we would have no need for concern and worry. The short is simple and creepy, yet this emphasises even more about how the shorts message need to be taken into account and have something done about it, because it's message is simple and the ideas of what could happen if the world went into conflict over resources is an unsettling feeling. The end consequences of the short are amusing, but hint what could happen in reality. This short is very clever and well-made, and has messages and meaning. A short I could view many times and have very good conversation and debate over. A really interesting film to seek out.

'Balance (1989)' is an enigmatic stop-motion short steeped in an eerie atmosphere. It tells the tale of several identical people who occupy a strange floating platform that easily shifts depending on where the weight is carries is distributed. To begin with, the men occupy their shared space in harmony, taking simultaneous steps to achieve their goal of fishing over the platform's edge. Soon, however, one of the men retrieves an odd box from the endless void, and the peaceful existence of the people is thrown into disarray. The piece is quite clearly an allegory of some sort, with the box potentially standing in for a number of things that our society (the people) will do anything to attain - even at the expense of one another's well-being. As a metaphor, it works really well. However, it can also be enjoyed on a surface level. The ways in which the men utilise their knowledge of weight distribution to get what they want is really entertaining. The plot is ultimately one of psychological and social manipulation. Its atmosphere is one of is strongest elements; the film really does give off a uniquely creepy vibe from the moment it begins. It's really interesting overall. Plus, it has a wonderfully bleak ending. It's great. 8/10.

This short film was completely absorbing and finely worked out. It held my attention from the moment it began until the conundrum of an ending, which earned it a round of applause at the 19th Street Theatre in Allentown, PA, where I saw it. The film illustrates the need for humankind to cooperate and shows what happens when one doesn't do so, when he puts his selfish interest above the good of the group, even to sending others to their death. One's selfish pursuit cannot be justified, the film implies, even in the pursuit of art (after all, it was music in the box and the man wanted that music for himself or wanted to explore the interior of the box, i.e., the music, in greater depth). Film has many implications, would repay several viewings and stimulate much discussion.

It's been several years since I saw this, but it sticks in my mind like I saw it recently. This short does one of the best jobs I've ever seen of making a point in minimal screen time.

I won't go into the plot of the moral; part of the joy of this film is figuring it out. When I saw it, you could watch the audience members individually recognize what was happening over the time of the film. It's under 10 minutes long (I believe), and it would be a shame to spoil it for someone.

The film is not something children would enjoy. While there's nothing objectionable about the film, it's not typical colorful, pretty animation. One thing that struck me is that the animation style is very Eastern European, while the plot is rather Asian (group dynamics).

The bottom line is that this is well worth seeing -- and it won't even take that much time out of your schedule!

This short won an Oscar for Animated Short and was most deserving of the honor. This has got to be the most disturbing and thought-provoking animated short I've ever seen in all of my life. I kept thinking about the ending for several days. It reminds me of a three part Chinese curse: 1) May you live in interesting times 2) May people in high places take notice of you and 3) May you get everything you wish for. A sad commentary on human nature. This is in print on The World's Greatest Animation and is worth getting, not just for Balance, but for practically everything on it, as it's all worth seeing and most is outstanding! Most highly recommended.

A platform floats in a neutral space. Strange men, identical except for the numbers on their back, appearing as though out of some dystopian future, must work in concert to prevent the platform from tipping. The emergence of a strange box, a new development in this closed and sterile space, disrupts the tedium but also the teamwork, as each man wants to individually inspect and enjoy the box—threatening them all as the platform becomes increasingly unbalanced.

Add though a context. A time and place to the film's creation. Germany, 1989. The fact that the men are identical but for their numbers, is this not a oft-used symbol for the anonymity desired of those in a Communist society? That they are all the same and thus interchangeable? The cooperation they display at first is perhaps indicative of Socialism, and the box, what is the meaning of the music it plays, the dancing it inspired? Radio Free Europe used to broadcast American music, such as the jazz heard coming out of the box, into Communist countries throughout the Cold War. Perhaps the box is a symbol of possibility, of what is outside the closed system, which inevitably undermines said system.

And so a parable about selfishness becomes an allegory about German society and Soviet Communism at its fall. The sad and ironic ending of Balance, who is at fault? The men that fail to do what is best for them? Or the system that fails to acknowledge this human quality?

Read the full review at ShortoftheWeek.com

Balance stresses the need for Cooperation in society when, in our present times, Individuality is paramount. In this film, the whole world is a raft in space, containing only four men, who are fishing. They must always work as a team, spreading out around the raft (world), to keep it in balance, or else they will all fall off into the void. To be together, they must all be in the middle, to keep the raft from tipping over. One man pulls up a chest that plays music very quietly. He desires to keep the chest for himself, so he does not move it to the middle of the raft, where all could enjoy it. The desire of all to be close to that chest undermines their teamwork, with dire results. It is fascinating to watch how, in their desire for the chest, they begin to test the limits of their environment, just as man is currently doing with pollution. This film stresses that when you finally do find out what the environmental limits are, the damage is already done: it is too late; disaster will ensue. It should be a requirement that all students study this film in class, every few years--since their understanding of it will grow as they do. This visual impression could have a profound impact on the environmental thinking of future generations, if we allow them to exist. Balance is the best allegory and the best short that I have ever seen. If you like Balance, then I would suggest that you watch Neighbours (1952) by the great Canadian animator Norman McLaren.

Anyone remember British clay animator Tony Hart and his "Morph" creation? Well these gents doing the balancing act here reminded me rather of a taller version of him. They must constantly change position to counter balance the pivoted platform on which they exist. In a rare moment of equilibrium, they start to fish and one catches what looks like a safe. Redistributing their weight accordingly, each have a go at evaluating the object and slowly discover it has a wind-up mechanism. When one of their number concludes it's of no value and wants to let it slide back into the abyss, a series of contretemps ensue resulting in a solution that seems hard to quite fathom! There's some meticulous planning gone into this and it's quite imaginatively played out as this wholly inanimate object sows it's own sort of discord. Mind you, it must have been quite a dull existence!

By far the greatest short I have ever seen. The style of animation in this short is very interesting and a little dark, but appropriate for the story. The moral of the short, the need for cooperation in society and what could happen without it, comes through clearly and is well done. It won the Oscar for Best Short Film in 1990, and it certainly deserved it. Check this out!

10/10

I second the view of the Canadian commentator, who said this was the greatest animated short every made. It is perfect in a way only Chris Marker's "La Jetee" is--pure and simply, one of the best films ever made. Go out of your way to find it on video--it should be on one of the "International Tournee of Animation" videos or the video pictured above. 6 men. 1 platform. And a strange object.

This film was the recipient of the 1990 Academy award for Best Animated Short Film. Over the last few weeks, I have seen dozens of the nominees and recipients of this award from the last 30 years and I really think that this film might just be the worst of them all--yet it wasn't just a nominee but it won!! I assume that 1989 must have just been a horrible year for the genre.

The film shows a group of characters that look a bit like super-skinny Uncle Festers. The appear to be simple articulated figures who are moved using stop motion animation. All are identical--with the same faces, bodies and clothes. The only difference is that each has a different number drawn on their backs. They are all standing on a large platform that is suspended, as if by magic, in space. Each has a pole and their is also a box on the platform. The platform begins tilting slightly and in response the men move about in an effort to balance the platform. This goes on and on and on and on for the longest time. The only relief from this tedium is when one of them acts rather nasty towards the end, but it just isn't enough to make this fun to watch in the least. Aside from passable stop motion animation, this short offers nothing of interest to me....NOTHING.

By the way, the great short KNICK KNACK also came out in 1989 and I have no idea why it was not among the nominees. It was a GREAT short and was far better than any of the nominees that year or the year before. Perhaps Pixar's success in previous years resulted in a bias against them, but KNICK KNACK is so clever and so funny it seems almost criminal to have ignored it. Could Pixar have not entered it? This seems unlikely.

Sometimes the visuals in our heads can only be realized through animation,because it is not bound by flesh,gravity or reality. BALANCE is twisted and surreal,an interesting look at men who risk falling into nothingness for the chance to hear music. The equivalent of a Kathe Koja story set to film,BALANCE is unforgettable right up to its ironic, haunting final image.

By far one of the most amazing shorts ever put on film. It may be difficult to find this short, but if you do, it is definitely worth the effort. The concept is pure genius and I guarantee you will never forget the experience.

As a Canadian, I have been fortunate to have many chances to see a large sampling of my country's animated shorts, which are consistently among the best in the world. But this German short film manages to be better than anything ever produced in my country, and that says A LOT. Even though it lasts only a matter of minutes, this short is hugely entertaining and memorable. I've only seen this film once, and it was about seven years ago, but the feeling of how much I immensely enjoyed this short has not dimmed a bit. It deservedly won an Oscar, and I can't urge you strongly enough to take a few minutes to watch this great piece of work should you ever get the opportunity.

The film is set on a balance board, with 5 human look-alike species living on it, the numbers behind their back is the only way distinguish between them. Each of them in order to not slip off from the board must accommodate with the other 4 to sustain balance. They moved to the end of the board and started fishing, one of them reeled up a box and it changes the "balance". The one who reeled it up wants to keep it for himself but a few curious others wants it too, and there's one of them who wanted just to stay on the board but got suckered into their conflict though they could've just shared it and retain the balance by positioning the chest to the middle. I guess it pretty much reflects on the society.

Too many wealth hogging rich selfish narcissistic assholes around.

The Lauenstein brothers' Academy Award-winning "Balance" depicts five individuals (with faces resembling Nosferatu) standing on a platform. If any one of them moves in the wrong direction, it will unbalance the platform and they'll fall off. Further complications arise when one of them reels in a music box.

I find these animated shorts more interesting than the animated features whose selling point is star power. This one looks at the issue of cooperation and the need to share. The eerie setting and surreal images mark it as a European art film. The animated shorts are usually some of the least seen of all the Oscar-nominated productions, but they're generally some of the most creative. I recommend this one. Available on YouTube.

I first saw this at a workshop for educators. We were asked to watch it twice and then offer interpretations. This was thirty years ago and I was immediately brought back to that afternoon. The term balance literally means keeping everything in equilibrium. The fishermen were able to counter each others movements as long as no variables were put on the platform. But when one of them brings up the box and they want to know its contents, everything changes. I could go on with my own theories. Suffice it to say, this is a really brilliant little feature, calling for all kinds of interpretations. Good to see it again.

Balance is a great short film about a group of men who live on a platform. Each one has to stay on their end, so that the platform doesn't tilt, because if it does...they will fall. One day, a music box comes to them, and each one of them is fascinated by it.

Balance eventually has a moral about teamwork. Of course, the short film is predictable, (If you expected a moral.) but morals are always a nice addition to cinema.

The film may be more complex than I remember, because I don't remember too much. But, the moral about teamwork is nice, and it has a great visual style. Plus, it has no dialog...just like good short films do.

I think I will re-watch it sometime...

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