The Adventures of Baron Munchausen

The original Baron Munchausen is a fictional character created by Rudolf Erich Raspe in the late 18th century, loosely based on the real life baron, Hieronymus Karl Friedrich, Freiherr von Münchhausen. The character was one of the most popular pop culture icons of his day, if you can use such terms to describe him.

And then one of the most outlandish directors of our time, Terry Gilliam, got a hold of him, and the rest is history. Gilliam, originally of Monty Python fame, is an eclectic director of the weird, whose movies are always almost immediately recognizable due to their unique imagery, elaborate sets and odd manners of speech and story-telling.

Likewise here. I'd almost call this pairing of source material and director as fated in heaven. Munchausen is very much a larger-than-life character. He lives in the realms of excess, in the realm of fantasy and make-belief. Very much the realm where Terry Gilliam spends most of his days.

It also helps that the film is breathtakingly beautiful. The sets are elaborate and detailed, the costumes are lavish, the lines of dialogue are heavily sprinkled with childlike wonder and the whole tale simply goes from one unbelievable situation to another.

That being said, the film can be off-putting in how often it jumps from one subject matter to another. Plus the framing story happening in the theater is a bit lacking when compared to the actual adventures. Then again, both these things fit Baron Munchausen very well indeed, so one cannot exactly complain.

Very good film. I'd even call it one of Terry Gilliam's best. An innovative blast with oozes of content, imagination, imagery and whimsy. Very easily recommended.

A magical film about the power and importance of story telling and imagination. The creation of the ever fecund mind of Terry Gilliam, this may very well be my favorite movie (ah, but it is so very hard to choose). Filled with a spirit of adventure, and a deftness far too rare these days, it is the delightful tale of the adventurous life of Baron Munchausen. He is a hero of the grand old sort, a kind of 17th century James Bond.

Baron Munchausen has a knowledge of fine wines, is popular with the ladies, and is the finest soldier in the kingdom. He has a band of sidekicks (the fastest man, the strongest, one with amazing sight, another with amazing lungs and hearing) who assist him in fighting the Turks; traveling to meet the King of the Moon; falling into the center of the earth to meet Vulcan and Aphrodite; and playing cards with the Grim reaper, after being swallowed by an enormous monster-fish the size of an island.

Along the way Gilliam's wit skewers rationalism, science, realism, practicality and pragmatics. As much an explication of faith as a depiction of what makes life truly worth living, and what is worth dying for, I rent this again and again. It is only my own foolishness that has prevented me from purchasing a copy. Literally wonderful.

Watch for fabulous cameos from a whole host of unexpected people, including Robin Williams and Sting.

In the late Eighteenth Century, a European town is under siege of the Turkish army. Meanwhile, the theater company owned by Henry Salt (Bill Paterson) entertains the dwellers with the production of "The Adventures of Baron Munchausen". Out of the blue, an old man interrupts the presentation claiming that he is Hieronymus Karl Frederick Baron von Munchausen (John Neville) and he tells that he is the one to be blamed by the Turkish attack.

The Baron Munchausen tells how he had won a bet against the Sultan (Petter Jeffrey) with the abilities of his servants Berthold (Eric Idle); Adolphus (Charles McKeown}; Albrecht (Winston Dennis); and Gustavus (Jack Purvis) and earned his treasure. Further, he offers to help the locals against the Turks and builds a balloon to seek out his missing servants.

During his journey, he finds the girl Sally (Sarah Polley) hidden in the balloon and they travel to the moon, where they meet the deranged King of the Moon Roger (Robin Williams) with his detachable head, and his wife, the Queen of the Moon Ariadne (Valentina Cortese) that has a crush on the Baron. They are arrested by the jealous Roger and find Berthold in the cage, but Ariadne releases them. When they escape from the moon, they meet Adolphus working to Vulcan (Oliver Reed) inside a volcano. The Baron Munchausen seduces the gorgeous Vulcan's wife Venus (Uma Thurman) and the jealous god throws them in a whirlpool. They are swallowed by a monster and they meet Albrecht and Gustavus in a ship inside the monster. They escape and return to the town to help the people against the invaders. But they are very old and their abilities are gone.

"The Adventures of Baron Munchausen" is one of the most delightful, non- sense and visually stunning fantasies of cinema history. "The Adventures of Baron Munchausen" is also among my favorite books of my childhood and I first saw this film in the late 80's and then on VHS. I have just bought the imported DVD that surprisingly has Portuguese subtitles and today I have seen this film again.

Terry Gilliam directs with his peculiar surrealistic and ironic style and uses magnificent special effects for a 1988 film. It is amazing to realize that twenty-three years have passed since this film was released. The sweet Sarah Polley shows her talent with a great performance in one lead role. Uma Thurman is in the top of her eternal beauty. Robin Williams is an unknown actor and uncredited in the role of Roger, The King of the Moon. My vote is nine.

Title (Brazil): "As Aventuras do Barão de Münchausen" ("The Adventures of Baron Munchausen")

"The Adventures of Baron Munchausen" has Terry Gilliam written all over it. The fantasy, the cleverness, and everything else. To me, the movie is looking at the challenge of distinguishing reality from fantasy, what with the possibility that the baron's stories just might be true. But whether or not they are, the movie is still really something. I personally think that Terry Gilliam has never gotten the credit that he deserves as a director (surely we have to agree that "Fear and Loathing in Las Vegas" was infinitely better than any Jean-Claude Van Damme movie).

Anyway, this is one movie that you're sure to like. Since I first saw it, John Neville has had some neat roles ("The X Files", "Urban Legend", "Sunshine"). Also starring Eric Idle, Sarah Polley, Oliver Reed, Jonathan Pryce, Uma Thurman and an uncredited Robin Williams.

And all the other fantasy market driven flicks to come out in recent years at the time of this writing, there was Gilliam's take on Munchausen.

Though the miniature effects by today's standards might seem rather primitive, the scope and scale of the film, combined with some exceptional and exquisite art direction and acting, create an incredible visual tapestry. Unknown to much of the audience at the time, Gilliam's film was to be the future of movies in terms of genre and character exposition. I and an acquaintance of mine at the time were hopeful that "The Adventures of Baron Munchausen" would succeed, because then it would open the doors for other "superhero" films, and push story telling to its limits. But, that was back in 1989, and the boom that we anticipated took some fifteen years to take off. Well, at least our careers weren't riding on that hedge... but I digress.

The other aspect of this film, as I was reminded of on the IMDb BBS, is that the story itself is a blend of both an old Russian tale, "The Fool of the World and the Flying Ship", and Rupert Raspe's take on Baron Munchausen's tall tales. In short, without divulging facts of either sets of fables, the Baron, as originally portrayed, was just a little too robust, and the Russian tale offers a chance to splinter the Baron's self aggrandizement.

Some facts you won't find in the film; Baron Munchausen was a real man, and liked to "brag" about himself (to put it mildly). He actually fought for the Turks, being a German mercenary for hire. He claimed to have all kinds of amazing abilities with a gentleman's character (even having visited Royalty as well as the U.S. and the president in the white-house), but was more or less simply a soldier of fortune.

Gilliam's film, in this vein, pays homage to Munchausen, real and fictional alike by playing fast and loose with the "facts" of his dual existence. In this way it's a pleasant ride, and the sets and locations are incredible to look at.

Critiques; there's a couple of miniature shots that bug me--in particular the ballroom dancing sequence. I'm sure it was a difficult shot to get, but some articulation of the models was really a must to sell this sequence. Using a process shot for the closeups kind of added to the destruction of the illusion. Putting the actors on a scissor's life, and shooting them against the actual set would've served the production better, and probably saved money (a must for this production). Also, it's a tragedy the moon sequence, as originally envisioned, wasn't realized. Were left with two actors to carry that sequence, instead of the highly populated kingdom as described in the actual tales.

The new DVD is a blessing. The colors and details of the film are far richer than the original DVD release. The colors are vibrant and rich in luminosity. They accentuate the late 18th century visual thrust that this film is attempting to deliver. On top of that the overall level of visual information has been enhanced from both initial DVD and VHS releases. One can almost feel the texture of the clothes and clouds as they scroll and undulate across the screen. A definite plus.

A very fine film that predates superhero and fantasy genres by almost a couple of decades. As I stated earlier, some of the SFX may not hold, but the overall scope of the film should prove more than a counterweight to this, and give to the viewer an emotional and visual effulgent experience.

WARNING; it's not a film for everyone. As a family film it skirts the edges of PG and PG-13 territory, and the far-out nature of the film may be a bit too existential for some adults to absorb. Still, I liked it very much.

Enjoy :-)