Tales from the Crypt

Based on the gruesome EC comics of the same name, Tales From the Crypt showcased a wide ranged of talent in both in front and behind the screen. And despite the name, not every episode was pure horror... some could be laugh-out-loud humorous, and some were even dramatic that could put you to the verge of shedding tears. The makeup on the series was excellent, and made the scenes that were gruesome very hard to watch. And of course, let's not forget the the dead one himself, the Cryptkeeper. John Kassir was absolutely perfect as the voice of the ghoulish host. For people who missed the series, I truly think you should purchase the DVD sets and check it out. Be warned though, there are some scenes that you may have a tough time stomaching.

If you are a somewhat warped person with a dark sense of humor, you'll really like this offering. Obviously I plead guilty because I liked this, although one of episodes turned me off. Nonetheless, it's very entertaining because of the effective mix of comedy, suspense, horror and originality.

You only get six stories from this opening (1989) season of horror-comedy on cable television, but at a fairly cheap price, the DVD set still is well worth it.

In addition to the crazy stories, you get some surprisingly good cinematography. The picture isn't razor sharp but it's well-photographed. Some pretty big directors in the film business - Richard Donner, Robert Zemeckis, Joel Silver, David Giler and Walter Hill - are involved.

Each show features an actor or two who's familiar and they must have had fun making these. You can just see it as they ham it up in their roles. Warning: the language is rough. This is R-rated material....and perhaps only for sick people, as I must be.

I saw a few episodes on video, and while I am not a particular fan of the genre, I was quite impressed. It was like the Twilight Zone, but with a strong horror theme (although not all the time), and without the pretentious feel. What really impressed me was the cheesy lines the crypt keeper had. They were so bad that the writers had to have tried for that effect. It was like listening to the worst spook alley script you've ever seen. That's the heart and soul of campy TV. It goes a long way toward helping you appreciate the carefully crafted tales that are being introduced.

The other stand out thing about the show is the actors they get. They don't just dredge up whatever they can get from the local playhouses. They get some top names. On top of that, you get the feeling that these big stars are having a lot of fun telling a ghost story (not that they're about ghosts, but you get the idea).

So, if you thought Rod Sterling didn't include enough dismemberments, or you just like clever stories with deliberately awful introductions, and you aren't squeamish, then this is the show for you.

OK, the Cryptkeeper, I remember him fondly, as I knew whenever I say him I knew he'd be preceded by a great tale of horror. OK maybe in the first short season, it wasn't as apparent as the superb later seasons would be, but this did lay the groundwork (side note: none of the tales in the first 6 episodes of this series actually came from the "Tales From the Crypt" comic series technically). Not to say this season wasn't good, quite the opposite as the maniac Santa story of "And all through the House" and the black comedic "Collection Completed" are classic episodes, even if the other 4 are not really up to snuff. Even the second season would get so much better by leaps and bounds.

My Season one grade: B

Season 1 Extras: New introduction from a now heavily bandaged Cryptkeeper; the cool "Tales from the Crypt: From Comic Books to Television" documentary and the not nearly as cool 5 and a half minute "Crypt Keeper's History Of Season 1"

Not only was every episode meticulously crafted into thirty minutes of ironic terror, but the forces behind it always remained credible enough to deliver star-studded episodes. Jon Kassir's Crypt Keeper remains one of the more sacred pop culture figures of recent years (when's the last time you saw someone trashing the Keeper? He's an icon for chrissakes), and while some of the stories may not have been on caliber with others (most of the "England" episodes never touched the Demi Moore/"if I can't have you, no one will" one), in the end, when the smoke had cleared and the show was over, you looked at it with a refreshing zing, as if you had embraced being had.

Bringing back the EC stories wasn't a simple task. Speilberg tried it with "Amazing Stories" and gave up after two long years. The "Vault Of Horror" got a limited run in 94, but failed. But Tales always stuck around, on its own terms, and gave up swinging.

NP: The Bobcat Goldthwait episode: only animated Tales ever: takeoff...Three Little Pigs