Philip Marlowe, Private Eye

Raymond Chandler practically invented the detective noir genre with his Philip Marlowe novels and stories. The trench coat. The fedora. The monotone first-person narration and the cynical outlook on life. They all started with Raymond Chandler's Philip Marlowe.

So it's only appropriate that several actors have brought Phillip Marlowe to life over the years, most notably James Garner and Humphrey Bogart.

It's hard not to keep Humphrey Bogart's portrayal in mind when watching a Philip Marlowe mystery, and most actors understandably pale by comparison. That said, Powers Boothe still does a worthy job. You must put all of the sleazy roles he's ever played out of your head. He perfectly portrays Philip Marlowe as a cynical private investigator with a tough exterior but a heart of gold.

Samuel Matlovsky's musical score is the icing on the cake. The background music, and especially the haunting theme tune, definitely enhance the 1930's gumshoe atmosphere.

I've only seen a few episode from the '86 series. These episodes of "Phillip Marlowe: Private Eye" are filled with clever twist and turns, exciting gun fights, and plenty of tough-talking wise guys. If nothing else, they will inspire you to seek out the writings of Raymond Chandler.

Powers Boothe is the quintessential Philip Marlowe; no one can ever best his performance in this series. He is cool, hip, a great wisecracker, and obsessed about the truth while seeming not to care. The next-best aspect of the series was the complete re-creation of the 1930's; sets were perfect, cars were big and bulky, clothes were gorgeous, and art deco abounded. Marlowe's bathroom even had those pastel nile green tiles that were everywhere in the 30's and 40's.

The 1986 series listed here was not the first, though, and not the best. HBO did 5 episodes in 1983 that have never been run since and were all mostly filmed, I believe, in England; these featured the luminous Kathryn Leigh Scott as Annie Rearden. She doesn't show up much in the second set, and that in itself makes the newer series a pale copy of the original.

These original episodes are the ones that should have been released first as they are far superior, and I look forward to them being issued. "The King in Yellow" was a masterpiece about a murdered big-band trumpeteer whom everyone hated so suspects were plentiful; "Smart Aleck Kill" mimicked Wallace Reid's drug-induced death in grand Hollywood style; "The Pencil" found Marlowe vying with a mafia boss to get a stool pigeon out of town alive; "Nevada Gas" featured a corrupt attorney who is targeted by his wife's boyfriend (played with nasty panache by "Hawk the Slayer's" John Terry); "Finger Man" has a femme fatale who takes up with a friend of Marlowe's, who then tries to frame Marlowe for a robbery.

This is a quality production, but can't truly be called a series. Only these 11 episodes were filmed, to my knowledge. I taped them all on their original run, and they weren't treated as an ongoing thing, which was a distinct oversight on HBO's part. Powers Boothe is magnetic as well as truly wonderful in this role, and they could have had a real winner on their hands if they had continued with the team used on the original 5 episodes, and without such a long break between the two sets.

I just recently purchased the DVD edition of these shows, and they are really interesting. The audio quality on the DVD is horrible for the early episodes (1983), but those have the nicer opening credits and generally very good storytelling.

So far I've only seen one of the later episodes, "Pick-up on Noon Street", but it was pretty nice. The audio quality is immensely better than on the earlier episodes, but the acting was a little more hammy over all. Robin Givens was good, and Boothe was great as usual. The actions sequences were pretty poorly filmed, though, in my opinion.

Overall, HBO had their hands on something special here. Power Boothe is (as others have said here) the best Marlowe ever on screen. I love Bogey, and Mitchum is great in Farewell My Lovely, but Boothe feels like he IS the Marlowe, and his delivery of the dialog and voice-overs is superb.

I really wish that HBO or someone else would do another remake of The Long Goodbye with Powers Boothe as an older Marlowe. That'd be the best of Chandler played by the best Marlowe.

I remember watching the first season of this when it came out and absolutely adored it. Powers Boothe's portrayal was just right. It was around the same time that Jeremy Brett's Sherlock Holmes first aired, so we were spoilt for quality detective drama. If I recall correctly, it was part financed by London Weekend Television (part of the ITV network at the time) and shown on ITV in prime time. I recall them announcing that, even though the show was popular, they would not be making any more after the initial five due to it being so expensive. Nearly every item in the show was a genuine period piece, with very little being reproduced. This, and the fact that it was shot in the UK, made it extremely costly. The second series was never shown properly in the UK. Odd episodes would turn up in the early hours of the morning and, although the production values were not as good, the shows were still enjoyable. Hopefully someone will produce a restored version of the shows on DVD (previous comments claim that the quality is not too good). I also think it's time for Marlowe to appear again. James Caan's version in "Poodle Springs" didn't quite work as I thought he was a little too old for the role. Ideally, Marlowe should be in his late thirties/early forties: young enough to take (or throw) a punch, but old enough to have "been around the block" a few times. Ten years ago, Harrison Ford would have been ideal, but now I'm not sure. Any ideas .... ?

This rather curious series is a hybrid in more ways than one.

A US-UK co-production, with the UK input coming from LWT, as far as I remember, it looks like a period Dempsey & Makepiece. It seems to have been shot on video stock which has degraded over the years or been damaged in storage. But, thankfully, that doesn't affect the viewing experience very much.

Chandler's stories feature a number of different Private Detectives, of whom Marlowe is the most famous. But many of the original stories, from which these episodes are adapted, actually featured John Dalmas as the shamus, rather than Marlowe. As a reader of Chandler I was always mystified as to why Marlowe eclipsed Dalmas - the latter character seemed witter, surer, with more tragedy about him and less of the throwaway line. What we have in this series is many of the Dalmas stories given over to Marlowe. And, to be frank, it doesn't feel right - Marlowe doesn't have the intellectual equipment of Dalmas, and I think the scriptwriters recognised this and took some severe liberties with the plotting when making their adaptations. One compromise leads to another...

Having said all that, the series is very enjoyable as it stands. Powers Boothe is good as Marlowe, more of the laconic thick-ear than the closet fist. The supporting actors are all fine and there are some very effective action set-pieces scattered throughout.

Recommended. I feel sorry for Dalmas, though I know he'd shrug it off.