KYTV

With its wall-to-wall soaps, crass quiz shows, tacky news coverage and brainless reality series, the launching of Rupert Murdoch's 'Sky T.V.' in 1988 led some commentators to gloomily predict the beginning of the end for British television. 'K.Y.T.V.' was a retaliatory strike against this new threat; by ridiculing Sky's output it hoped to stave off the tidal wave of 'dumbed down' dross. The first edition featured the striptease game 'Gettem Off!' and a pop show hosted by Ernie Wise and Eddie 'The Eagle' Edwards. A World War Two tribute had presenters who clearly had no idea what they were talking about, and reconstructions of famous wartime events done with shop window dummies. The series grew out of the Radio 4 comedy 'Radio Active' with the same cast reprising their roles. Funny though it was it failed to have the intended impact. Terrestrial television eventually decided 'if you can't beat 'em, join 'em'. 'K.Y.T.V'. was British television's last scream of despair. Before the lunatics took over the asylum...

K.Y.T.V. (instead of SKY TV, an english satellite channel) is a parody on not just English television, but ANY television. They've got news, commercialbreaks, TV-dramas, gameshows, talkshows, phone-ins and all the stuff only a TV-channel with no skills and no budget can produce. The writers of this really funny series are Geoffrey Perkins and Angus Deayton, who also stars as the TV-station's anchormen. We follow the rise of the station, from the start (which is postponed almost a year) through the highlights as "Brown-nose day", "Talking Head" (a show on sex, of course), and "The Sexciting Sixties", a trip along the memory lane which ends with a superb documentary on Woodstock 3 - complete with Neil Young, Bob Dylan and Frank Sinatra (?).

Every detail in the series of K.Y.T.V. is polished on and gives a realistic impression. It feels like you're watching a real TV-station, only this one is full of goofs, jokes and a high number of puns. It is the most well-written and well- produced show on television I've ever seen. The actors' timing is absolutely impeccable and I'm pleased to see they are mocking the hysteria of TV as a media. I mean, watch an average satellite channel in any given country and you'll find equally funny stuff - not meant to be funny!

K.Y.T.V. is english humour at it's best - great comedy to which all of us can relate - we've all watched TV since we were kids, right? So if you're getting a chance to watch it - do!

I haven't seen it for years, but I'd like to get it on DVD. I remember thinking at the time that it was a lot like the early 80s comedy "Not the Nine O'Clock News" right down to the three-guys/one-girl format. Some of the content was a bit "post-watershed" There was one scene with a topless woman and it cut back to Geoffrey Perkins who said "hmmm... I'd like to have seen a bit more of that." Philip Pope, who was previously with Angus Deayton in spoof group the Hee Bee Gee Bees, went on to success in shows like "Only Fools and Horses", Deayton in "One Foot in the Grave" and Perkins is now a successful producer. Martin Fenton-Stevens has appeared in several commercials Helen Atkinson-Wood seems to have disappeared without trace.

Time for re-runs on a cable channel, I think.

KYTV was probably one of the greatest(and most underrated) British comedies of the last fifteen years. The premise was simple: set around a TV station the show is a satire on the sensationalism of such tabloid stations - of which there are now many.

The writing was clever, witty and, in places, extremely subtle. Ironically, it could also be coarse and very base.

The production values for the time were excellent. It's a shame that British comedy has fallen so much since this high point with paltry pretenders to the KYTV mantle such as `The Day Today' falling far short of the mark when placed up against KYTV(although taken purely on its own merits, `The Day Today' is a pretty good show). Much of the humour and attention to detail(or, for want of a better term, reality) present is noticeably British, as opposed to the American style that has crept into BBC productions since then (benefits of an Irish viewpoint there!).

The quality of performance is excellent also, with every actor giving just the right performance.

If you're after a good side splitting laugh, you'll find it in this show.

8)

This was so funny I would class it in the same bracket as I'm Alan Partridge (series one) and Twenty Twelve in the modern comedy series. The characters work so well together with the only downside being character of Martin Brown-ironically played by the best actor (Fenton-stevens) in the series so much so the character did not return for the final series... Each episode tended to focus on a different topic which meant the jokes remained fresh..

Watching again 25 years after the show first aired it could be argued the show had dated slightly but comedy of this type does tend to although IMHO it remains superbly funny. It was probably best to end after three series which at least meant the show bowed out whilst the quality was at its best. WELL RECOMMENDED