A World Apart

Apartheid was just beginning to face its end in 1988 as this movie was being made, but it was still a few years away from disappearing completely. This movie is set in the 1960's - a time when apartheid was still enforced ruthlessly, and "A World Apart" gives us the story of a white but anti-apartheid family struggling against the regime. The story is shown largely through the eyes of Molly Roth (played by Jodhi May) - a 13 year old girl. As the movie begins her father is leaving South Africa to avoid arrest as a communist. Meanwhile, her mother is an anti-apartheid journalist. Molly finds herself increasingly ostracized by many of her white friends and their families because of her family's political views, and her mother is arrested by the government under a law that allowed for people to be held for 90 days without being charged so that they could be interrogated. The movie certainly makes the point that apartheid and the white regime were inhumane and brutal. It also - to me - made the point that apartheid sowed the seeds of its own destruction. Because of its ruthlessness, rather than stamping out opposition by frightening its opponents, it enraged them and emboldened them and ensured that there would be an ever increasing number of recruits for the anti- apartheid movement, a point made (I thought) by Molly's raised fist in a gesture of defiance in one of the last scenes of the movie.

In this movie, the central family is the Roth family - Gus and Diana and their children, most importantly Molly. In fact, the movie is really based on the story of Ruth First, who was the wife of South African Communist leader Joe Slovo. First did, indeed, find herself arrested under the 90 days law and actually served almost 120 days before being released. She was assassinated in the early 1980's, and this movie serves as a tribute to her, and was actually written by Shawn Slovo, Joe and Ruth's daughter. I found myself wondering if the title might be referring to Molly's (or Shawn's) experience of being in a world of her own - not completely fitting in with the black world even though she was a supporter of their cause, and obviously not fitting in with the white world, most of whom regarded her and her family with a mix of contempt and suspicion.

As apartheid movies go, this was somewhat unique in trying to tell the story through white eyes. To me, though, it didn't really succeed. While the regime (shown through its police and security forces) was ominous and ever-present, the movie seemed to lack intensity and treated the subject a little bit lightly. It's interesting, but to me it seemed to miss the mark. (6/10)

The first dramatic feature directed by Oscar-winning cinematographer Chris Menges tackles the injustices of Apartheid, without trivializing the issues or compromising the dramatic integrity of its script. Instead of adopting a gratuitous high moral tone, Menges concentrates first on telling a good story, following the growth to maturity of an adolescent (white) girl, already racially color blind, who feels neglected by her journalist/activist mother. The film might be criticized for once again using white protagonists to educate audiences about the black experience in South Africa, but it's a hollow complaint: writer Shawn Slovo based her script on personal experience, and the depth of its detail reflects her crystal-clear memories of growing up in Johannesburg during the early 1960s.

That the film succeeds more on a personal level in no way diminishes its political message, which unlike other anti-Apartheid dramas is never force-fed in condescending spoonfuls ("I know that already; stop treating me like a baby!" cries the frustrated young heroine after yet another lecture from mom). No easy solutions are offered, and the film ends in just another riot, suggesting with cautious optimism the hope for ultimate victory after what promises to be a long and difficult struggle.

This is a very good film with outstanding performances, particularly from Jodhi May and Barbara Hershey. The story of the Slovo-First family is very compelling and deserving of this fine treatment. As someone who has spent time in South Africa, both during and after Apartheid, I can attest to its authenticity.

The film works best, however, as a portrait of a troubled family. It carefully and truthfully depicts the agony of an adolescent girl who knows that her parents are trying to change her world for the better but at the expense of a normal life for her and her siblings. As Gillian Slovo so accurately stated, 'Here we were going off to Girl Guides while our parents were advocating the violent overthrow of our country's government.'

This film makes a powerful and moving, yet personal statement.

I saw this film in 1988 when it first came out. I was looking forward to seeing it on DVD but I must confess I was very disappointed. I found it excessively slow, with few dialogues, and in fact, plain boring. It should be at least 1/2 hr shorter.

True, there are moments of real poignancy in "A world apart" and Jodhi May is an excellent actress but there just doesn't seem to be much going on for most of half the film. Maybe the fact that apartheid has been defeated and that so much has happened in S. Africa since makes it less momentous.

For anyone interested in S. Africa, I recommend watching "Cry Freedom", "A white dry season" or even "The power of one" instead. These films at least seek to explain their characters involvement with the anti-apartheid movement. In "A world apart", there's no such character growth so far as the mother is concerned. Her involvement has to be taken for granted.

Like "Cry Freedom" the previous year, "A World Apart" shows life in apartheid-era South Africa. This one tells the story of the Slovo family, who were trying to bring down apartheid (the names are changed in the movie). The father has had to flee the country after threats against him. The daughter (Jodhi May) is bullied in school, where her classmates call her father a "traitor". Finally, the mother (Barbara Hershey) is arrested. The daughter then truly begins to see the oppressive system through the eyes of the black population.

The whole story resembles that of the Rosenberg children, right down to the fate of the parents (Mrs. Slovo was assassinated in 1982). And it is so horrible to think that this vile agenda was in power for over forty years. There may be some things in life that we will never be able to get over.