U2: Rattle and Hum

An outstanding documentary/concert film detailing the irish rock band U2 on a tour..of course the band plays their greatest hits and some other known songs, including a duet with blues great BB king..

Great cinematography and the black and white usage makes it all that much better.

A must see for any U2 fan.. On a scale of one to ten.. 8

Tens of thousands of feet of film were shot during the making of 'U2: Rattle and hum', Most of it in black and white. Some of this was intentional, but allot of it was due to the fact that director Phil Joanou had a limited budget to work with and black and white film at least at that time was less expensive. Shooting in 16mm as well as 35mm was another reason that this film was shot almost entirely in black and white. About 90% of the footage was done in that format rather than color. From Watching the final cut of the film it would seem to suggest that it was more like 80% of the over all footage, but keep in mind there was allot more black and white footage cut from the film than color. I obtained a great amount of the footage that was never seen in the original version of 'U2: rattle and hum', 480 minutes of it to be exact. When I first saw 'U2: rattle and hum'

In 1988, I was fortunate enough to see it at a 'century theater' complex in San Jose Ca. On the biggest screen they had out of the 2 blocks of 'century theaters' lining one side of Winchester blvd. There in San Jose. They even had a special concert PA system temporarily installed for this special feature. It was truly the best way to see this movie, and the experience has stuck with me ever since. For many years I have felt that this movie could very well be the best film about a band ever made. Maybe even possibly the best music related film ever made with the exception of 'Woodstock' or perhaps 'The last waltz'. The movie has at times a real gritty look to it due to the 16mm footage. It feels earthy, grounded, cultural, important. Especially the portion of the film where U2 put on the 'Free the yuppies' concert at the 'embarcadero center' in San Francisco. This was the portion of the film where the band performs 'All along the watch tower'.

This concert was monumental (no pun intended) for the history of music in many ways. For one this concert was announced 2 hours prior to the performance over San Francisco's 'Live 105' fm alternative station. The concert was not scheduled prior to the two hour announcement. Bono, the edge, larry mullen jr., adam clayton as well as their management decided to put the show on the day before it actually took place. I was living in San Jose at the time and heard the announcement on the radio that day. I didn't have to work that day so I could have easily made it but a problem came up and to my bitter disappointment I was unable to attend the show. The entire show is truly wonderful (I have the entire performance on video). The monumental thing about this performance was of course the point in which Bono paints the Monument erected many years before in the embarcadero square by a french artistic designer.

The now infamous "rock and roll stops the traffic" slogan that bono spray painted on the monument is one of the greatest moments in music history. What most don't know is that bono never left the stage during all along the watch tower, the monument was painted during another song. which one was it? Well you'll have to find out for your self, I'm not telling. I went to see the monument the next day late at night. A friend and I climbed the thing to see the painted area. It was already painted over but you could see where it had been painted from the color shades being off a bit. I did make it to the performance at Oakland Stadium the next day. This was of course the 'Joshua tree' tour. Bono managed to find the french artist who created the monument that bono had spray painted just the day before. After a short 'wave hello' the artist proclaimed "U2 can spray paint anything I create any time they want!". This was in retaliation to the mayor of San Francisco who banned U2 from returning to San Francisco for the deed. Later the ban was lifted. But now back to the footage cut from the final film released through 'Paramount pictures'.

It is anybody's geuss as to why some of the best footage was cut from the film. Most notably 'the voices of freedom' performance at 'madison square garden'-performing 'still haven't found what I'm looking for' with the band. It is truly touching and would have been 'hands down' the best part of the entire movie had it made the final cut. directly after the group of church singers leave the stage U2 kicks into a rare live performance of 'Spanish eyes'. It is really a shame that these performances were left out of the fianl cut. I have 40 minutes of footage of U2 on their van ride to the church where they were to first meet the 'voices of freedom' as well as 40 minutes of footage after they arrive at the church. Also the entire graceland tour was filmed which I also have. I can understand why joanou left most of this out, it can be rather dull to watch, but it was interesting to hear allot of U2's questions and comments as they went along the tour. Hours of other precious moments are also seen in the deleted footage. 'U2: rattle and hum' is a true classic music film, but if phil joanou and U2 wanted to share those precious moments with the rest of the world they might think about releasing the entire thing in a directors cut. I had to pay allot of moola for the footage I have, and I mean allot!, all 480 minutes of it. Having seen it for myself in my opinion it is a crime to hide this footage from the public. U2: 'rattle and hum' is a great movie, a complete directors cut would make it a landmark in the history of the cinema.

A must see for any U2 fan, which I am. From a filmmaking standpoint, the stark black and white photography provides an appropriately timeless quality. It's a concert film on an epic scope, and Bono and Co. are our great heroes. Might seem a little pretentious to some, but when you're U2 you have a right to a little egomania.

At the time of writing, this film is almost 20 years old. When I first watched it I was a half U2 fan, a U1 if you will. Joshua tree was one of my favourite CDs, but despite being a frequent listener of the earlier stuff, I'd remained unhooked. But after seeing Rattle and Hum I was almost literally breathless. It became one of a small handful of VHS music videos that I made the effort to take with me as I moved through life.

When I discovered the concept of digital movies, it was the first tape I digitised so I could watch it on my computer, and when video CD came along, I bought that too because the quality was much better than my amateur 'rip'. Naturally when DVD came along I had to have the quality offered by that too. And when I got my first portable video player, well Rattle & h Hum was the first DVD I ripped so I could play it on that (although Pink Floyds pulse had become it's constant companion too).

Today, I took delivery of my iPod Touch, and, sad bastard that I am, Rattle and Hum is the first movie I'm watching on it.

Why is it I love this film when the music press and the band itself seem to dis this film? I once read an article that suggested the band almost split after the release of the film. Instead they went off and regrouped into their post Achtung baby period. Better they had split and then reformed once whatever itch was out of their system, I think. I still hope they still will.

I love this film because it presents the band a their absolute peak. Every inch of concert footage is tight. Bono sounds amazing, much better than I ever saw him. The Edge soars, Larry beats perfect time, while Adam holds everything together. If that isn't enough, the photography is stunning. There is not a single scene in the whole film that would benefit from a different point of view, lighting setup or depth of field (except perhaps the Bono scene 31 minutes in where he tries his hand at graffiti backed by watchtower, personally I'd have made that blurred I think). The visuals are completely stunning and reinforce the bands stature already perfectly presented by just enough short of perfect performance.

If I last another 20 years, I'm confident this film will make the Journey with me.

This movie delivers U2 doing what they do best (touring), experimenting with new types of music in America and showing us that they're truly the nice guys they're projected to be. I see nothing disappointing about charismatic interviews, solid musical performances and meaningful reflection. Those who disliked this departure from the band's "usual" style can't recognize the importance of musical growth we see here. Looking back to what The Joshua Tree was and what became Achtung Baby, it's easy to see Rattle and Hum was a necessary expression of their progress at that time, and a humble look at a band celebrating their artistic heroes.