Twice Dead

Scott (Bresnahan) is an FX genius (as opposed to an actor) who needs to call upon all his skills and more upon when he and his sister find themselves in their home at the mercy of a group of scumbags who have obviously watched STRAW DOGS once too often!

Further help comes courtesy of a resident ghost in this low rent piece of garbage that barely saw a theatrical release. A few fleeting laughs at the occasional fx employed but the highlight of the flick remains the electrocution scene. Warning folks: don't try this at home, it may be dangerous!

Mega bomb!

This movie was definitely cheesy. I saw this movie a long, long, long time ago on cable television. I enjoyed the movie because I was a child watching a rated R movie. It was a typical B-rated movie with blood and gore and sex and drugs and violence. You know, the essence of the 80's.

As I'm writing this, in 2025, there's still a huge 80s horror-revival going on. Since several years already, in fact, and it looks as if it's becoming a subgenre on its own. Either the movies and TV-series supposedly take place in this great decade, OR the style and themes pay tribute to the wild & glorious horror flicks of the era. Many of these movies are great, or fun at least, but when I then see a genuine effort of the 1980s - like "Twice Dead" - I realize that nothing beats the real thing!

Some typically 80s guff can never be equaled, like an allegedly "tough" LA street gang of which the leader has a Flock of Seagulls haircut. Another member is a complete weirdo, and yet another one is a fat and clearly overaged guy who never steps off his bike. And, of course, there's the ravishing babe who gratuitously takes her top off for casual sex. Only authentic 80s movies can provide real 80s entertainment; - and that is that.

Okay, enough whiny nostalgia and misplaced romanticism, because "Twice Dead" obviously isn't a big masterpiece. It's a forgettable but more than fun enough combo between slasher, supernatural horror, and street gang action. A financially struggling family is relieved to move into an old and dilapidated mansion in Beverly Hills, which they inherited from an uncle. The house has a dark and more sinister family background, though, as we witnessed in the intro. Stage actor Tyler Walker committed suicide here in 1935, because the love of his life chose to be with another man, and his tormented - and excessively theatrical - ghost still haunts the place. But hey, since a violent gang of street thugs claimed the house as their own and terrorize the new owners, the bloody help of a vengeful ghost might even be useful!

There's zero tension, atmosphere-building, or plausibility. However, this gets widely compensated via a few brutal deaths, the presence of the cherubic Jill Whitlow (in love with her since "Night of the Creeps"), the perfect breasts of Charlie Spradling, and - once again - the authentic 80s vibes.

The Cates family inherited an old mansion in Beverly Hills from their late uncle Tyler Walker, who was a well-known stage actor. When they get there, they find the rundown place to be overrun by some street punks who want nothing but trouble. After the Cates' teenagers make fools of those punks, they want to make their lives living hell. But also their uncle Tyler's spirit still hangs around the house, and doesn't seems to like the street punks' intrusion.

Roger Corman's Concorde churns out an uneven, but well intended low-rent b-horror film that stage an entertainingly weird mixture, where it has the story criss-crossing into campy fields of supernatural and revenge, and then finally combining the two. Everything about it is stereotypical with the usual shenanigans, but director Bert Dragin does a well enough job with his pacing and makes the twisty style unpredictable and always engaging. Limitations don't hold it back, as the competent make-up and special f/x generates some creative and effective moments. It slowly builds itself up, for a crackerjack closing half. Some demented scenes towards the end, are well worth the attention. Sure the technical side of the production might not be perfect (with the boom mike constantly becoming visible), but it was surefooted. Zoran Hochstatter's murky camera-work sometimes had a neat frenetic touch and dreary colour use, and David Bergeaud's simmering music score stewed up some spooky cues to add to the atmospheric urban setting of the grand looking mansion. The gimmicky screenplay by Bert Dragin and Robert McDonnell seems to work, but if you don't take it for what it is. The ludicrous, and somewhat illogical and loose nature might be hard to shake. Also its change in moods, from being broodingly dark to suddenly comically light might be an inconsistent turn off. The script feels one-note for most part, but weaves in some amusing flourishes of dark humour; jaw-dropping dialogues and an oddly unforeseeable twist here and there. The performances are well suited and come across fair. Tom Bresnahan and Jill Whitlow are likable as the siblings. Christopher Burgard chews it up as smarmy gang leader and Todd Bridges shows up in a little part.

Junky entertainment, but I wasn't expecting the modest quality that it dished up. Fans of low-budget horror should give it a try.

One of the better examples of the 80's on how to mix the horror and comedy genres successfully. This film is about a family moving into a house that is haunted by the ghost of a once great actor. A few neighborhood punks cause trouble though and eventually try to take the house over and kill the family, but the ghost helps them out and dispatches of the punks in violent and creative ways.

Very low budgeted, but fast paced thriller with only average to poor performances and ok direction. It is extremely entertaining though with some very good f/x and an especially exciting finale.

Rated R; Graphic Violence, Nudity, Sexual Situations, and Profanity.